Beyoncé in the world: making meaning with Queen Bey in troubled times
"Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Connecticut
Wesleyan University Press
[2021]
|
| Schriftenreihe: | Music/culture
|
| Schlagworte: | |
| Online-Zugang: | UBG01 |
| Zusammenfassung: | "Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and significance of Beyoncé's LEMONADE"--Verlagsinformation |
| Beschreibung: | 1 Online-Ressource (xx, 423 Seiten) Illustrationen |
| ISBN: | 9780819579935 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049325412 | ||
| 003 | DE-604 | ||
| 005 | 20230925 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230913s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9780819579935 |c Online |9 978-0-8195-7993-5 | ||
| 035 | |a (ZDB-30-PQE)EBC6527786 | ||
| 035 | |a (OCoLC)1401216897 | ||
| 035 | |a (DE-599)BVBBV049325412 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-473 | ||
| 082 | 0 | |a 782.42164092 | |
| 084 | |a LS 48040 |0 (DE-625)110544: |2 rvk | ||
| 245 | 1 | 0 | |a Beyoncé in the world |b making meaning with Queen Bey in troubled times |c edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson |
| 264 | 1 | |a Middletown, Connecticut |b Wesleyan University Press |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (xx, 423 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music/culture | |
| 505 | 8 | |a Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan -- | |
| 505 | 8 | |a PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko -- | |
| 505 | 8 | |a PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga | |
| 520 | 3 | |a "Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and significance of Beyoncé's LEMONADE"--Verlagsinformation | |
| 600 | 0 | 7 | |a Beyoncé |d 1981- |0 (DE-588)129053813 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Beyoncé / 1981- / Criticism and interpretation | |
| 653 | 1 | |a Beyoncé / 1981- / Appreciation | |
| 653 | 1 | |a Beyoncé / 1981- / Lemonade | |
| 653 | 0 | |a Popular music / History and criticism | |
| 653 | 0 | |a Sex in music | |
| 653 | 0 | |a Feminism and music | |
| 653 | 0 | |a African American women in popular culture | |
| 653 | 1 | |a Beyoncé / 1981- | |
| 653 | 0 | |a African American women in popular culture | |
| 653 | 0 | |a Art appreciation | |
| 653 | 0 | |a Feminism and music | |
| 653 | 0 | |a Popular music | |
| 653 | 0 | |a Sex in music | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Beyoncé |d 1981- |0 (DE-588)129053813 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Baade, Christina L. |d ca. 20./21. Jh. |0 (DE-588)1022426222 |4 edt | |
| 700 | 1 | |a McGee, Kristin A. |0 (DE-588)138306958 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-8195-7991-1 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-8195-7992-8 |
| 912 | |a ZDB-30-PQE | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034586279 | ||
| 966 | e | |u https://ebookcentral.proquest.com/lib/ub-bamberg/detail.action?docID=6527786 |l UBG01 |p ZDB-30-PQE |q UBG_Einzelkauf |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804185838456668160 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Baade, Christina L. ca. 20./21. Jh McGee, Kristin A. |
| author2_role | edt edt |
| author2_variant | c l b cl clb k a m ka kam |
| author_GND | (DE-588)1022426222 (DE-588)138306958 |
| author_facet | Baade, Christina L. ca. 20./21. Jh McGee, Kristin A. |
| building | Verbundindex |
| bvnumber | BV049325412 |
| classification_rvk | LS 48040 |
| collection | ZDB-30-PQE |
| contents | Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan -- PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko -- PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga |
| ctrlnum | (ZDB-30-PQE)EBC6527786 (OCoLC)1401216897 (DE-599)BVBBV049325412 |
| dewey-full | 782.42164092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42164092 |
| dewey-search | 782.42164092 |
| dewey-sort | 3782.42164092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04813nmm a2200637 c 4500</leader><controlfield tag="001">BV049325412</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230925 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230913s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780819579935</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-8195-7993-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC6527786</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401216897</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049325412</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.42164092</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48040</subfield><subfield code="0">(DE-625)110544:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Beyoncé in the world</subfield><subfield code="b">making meaning with Queen Bey in troubled times</subfield><subfield code="c">edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Middletown, Connecticut</subfield><subfield code="b">Wesleyan University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xx, 423 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music/culture</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and significance of Beyoncé's LEMONADE"--Verlagsinformation</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Beyoncé</subfield><subfield code="d">1981-</subfield><subfield code="0">(DE-588)129053813</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Beyoncé / 1981- / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Beyoncé / 1981- / Appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Beyoncé / 1981- / Lemonade</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sex in music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism and music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American women in popular culture</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Beyoncé / 1981-</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American women in popular culture</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism and music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sex in music</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Beyoncé</subfield><subfield code="d">1981-</subfield><subfield code="0">(DE-588)129053813</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baade, Christina L.</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1022426222</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McGee, Kristin A.</subfield><subfield code="0">(DE-588)138306958</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-8195-7991-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-8195-7992-8</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034586279</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/ub-bamberg/detail.action?docID=6527786</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">UBG_Einzelkauf</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV049325412 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:44:07Z |
| indexdate | 2024-07-10T10:01:36Z |
| institution | BVB |
| isbn | 9780819579935 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034586279 |
| oclc_num | 1401216897 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG |
| owner_facet | DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (xx, 423 Seiten) Illustrationen |
| psigel | ZDB-30-PQE ZDB-30-PQE UBG_Einzelkauf |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Wesleyan University Press |
| record_format | marc |
| series2 | Music/culture |
| spelling | Beyoncé in the world making meaning with Queen Bey in troubled times edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson Middletown, Connecticut Wesleyan University Press [2021] © 2021 1 Online-Ressource (xx, 423 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Music/culture Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan -- PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko -- PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga "Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and significance of Beyoncé's LEMONADE"--Verlagsinformation Beyoncé 1981- (DE-588)129053813 gnd rswk-swf Beyoncé / 1981- / Criticism and interpretation Beyoncé / 1981- / Appreciation Beyoncé / 1981- / Lemonade Popular music / History and criticism Sex in music Feminism and music African American women in popular culture Beyoncé / 1981- Art appreciation Popular music Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Beyoncé 1981- (DE-588)129053813 p DE-604 Baade, Christina L. ca. 20./21. Jh. (DE-588)1022426222 edt McGee, Kristin A. (DE-588)138306958 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8195-7991-1 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8195-7992-8 |
| spellingShingle | Beyoncé in the world making meaning with Queen Bey in troubled times Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan -- PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko -- PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga Beyoncé 1981- (DE-588)129053813 gnd |
| subject_GND | (DE-588)129053813 (DE-588)4143413-4 |
| title | Beyoncé in the world making meaning with Queen Bey in troubled times |
| title_auth | Beyoncé in the world making meaning with Queen Bey in troubled times |
| title_exact_search | Beyoncé in the world making meaning with Queen Bey in troubled times |
| title_exact_search_txtP | Beyoncé in the world making meaning with Queen Bey in troubled times |
| title_full | Beyoncé in the world making meaning with Queen Bey in troubled times edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson |
| title_fullStr | Beyoncé in the world making meaning with Queen Bey in troubled times edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson |
| title_full_unstemmed | Beyoncé in the world making meaning with Queen Bey in troubled times edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson |
| title_short | Beyoncé in the world |
| title_sort | beyonce in the world making meaning with queen bey in troubled times |
| title_sub | making meaning with Queen Bey in troubled times |
| topic | Beyoncé 1981- (DE-588)129053813 gnd |
| topic_facet | Beyoncé 1981- Aufsatzsammlung |
| work_keys_str_mv | AT baadechristinal beyonceintheworldmakingmeaningwithqueenbeyintroubledtimes AT mcgeekristina beyonceintheworldmakingmeaningwithqueenbeyintroubledtimes |