Francophone African women documentary filmmakers: beyond representation
"Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debate...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington
Indiana University Press
2023
|
| Schriftenreihe: | Studies in the cinema of the Black diaspora
|
| Schlagworte: | |
| Zusammenfassung: | "Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote"-- |
| Beschreibung: | 195 Seiten Illustrationen, Porträts (teilweise farbig) |
| ISBN: | 9780253066534 9780253066527 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049316301 | ||
| 003 | DE-604 | ||
| 005 | 20240418 | ||
| 007 | t | ||
| 008 | 230907s2023 ac|| b||| 00||| eng d | ||
| 020 | |a 9780253066534 |c paperback |9 978-0-253-06653-4 | ||
| 020 | |a 9780253066527 |c hardback |9 978-0-253-06652-7 | ||
| 035 | |a (OCoLC)1410710931 | ||
| 035 | |a (DE-599)BVBBV049316301 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-703 | ||
| 084 | |a AP 49400 |0 (DE-625)7564: |2 rvk | ||
| 245 | 1 | 0 | |a Francophone African women documentary filmmakers |b beyond representation |c edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap |
| 264 | 1 | |a Bloomington |b Indiana University Press |c 2023 | |
| 300 | |a 195 Seiten |b Illustrationen, Porträts (teilweise farbig) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Studies in the cinema of the Black diaspora | |
| 505 | 8 | 0 | |t Introduction |r by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap |t Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s |r by Florence Martin |t Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary |r by Sheila Petty |t Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat |r by Melissa Thackway |t Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte |r by El Hadji Moustapha Diop |t Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) |r by Alexie Tcheuyap and Félix Veilleux |t Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) |r by Suzanne Gauch |t Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat |r by Herve Tchumkam |t Ecological Representations in African Women Documentaries |r by Suzanne Crosta |t Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) |r by Sada Niang |t Dancing with the Camera: Interview with Nadine Otsobogo |r by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap |
| 520 | 3 | |a "Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote"-- | |
| 648 | 7 | |a Geschichte 1960- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Dokumentarfilmerin |0 (DE-588)1175959111 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Frankophones Afrika |0 (DE-588)4018143-1 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Documentary films / Africa, French-speaking / History and criticism | |
| 653 | 0 | |a Women motion picture producers and directors / Africa, French-speaking | |
| 653 | 0 | |a Motion picture producers and directors / Africa, French-speaking | |
| 653 | 0 | |a Documentary films | |
| 653 | 0 | |a Motion picture producers and directors | |
| 653 | 0 | |a Women motion picture producers and directors | |
| 653 | 2 | |a French-speaking Africa | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Frankophones Afrika |0 (DE-588)4018143-1 |D g |
| 689 | 0 | 1 | |a Dokumentarfilmerin |0 (DE-588)1175959111 |D s |
| 689 | 0 | 2 | |a Geschichte 1960- |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Crosta, Suzanne |d 1958- |0 (DE-588)1311002146 |4 edt | |
| 700 | 1 | |a Niang, Sada |d 1953- |0 (DE-588)1090514573 |4 edt | |
| 700 | 1 | |a Tcheuyap, Alexie |0 (DE-588)130239798 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9780253066541 |
| 940 | 1 | |q BSB_NED_20231129 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034577316 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 6 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |g 6 |
Datensatz im Suchindex
| _version_ | 1804185822245683200 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Crosta, Suzanne 1958- Niang, Sada 1953- Tcheuyap, Alexie |
| author2_role | edt edt edt |
| author2_variant | s c sc s n sn a t at |
| author_GND | (DE-588)1311002146 (DE-588)1090514573 (DE-588)130239798 |
| author_additional | by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap by Florence Martin by Sheila Petty by Melissa Thackway by El Hadji Moustapha Diop by Alexie Tcheuyap and Félix Veilleux by Suzanne Gauch by Herve Tchumkam by Suzanne Crosta by Sada Niang |
| author_facet | Crosta, Suzanne 1958- Niang, Sada 1953- Tcheuyap, Alexie |
| building | Verbundindex |
| bvnumber | BV049316301 |
| classification_rvk | AP 49400 |
| contents | Introduction Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat Ecological Representations in African Women Documentaries Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) Dancing with the Camera: Interview with Nadine Otsobogo |
| ctrlnum | (OCoLC)1410710931 (DE-599)BVBBV049316301 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1960- gnd |
| era_facet | Geschichte 1960- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04520nam a22005778c 4500</leader><controlfield tag="001">BV049316301</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240418 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230907s2023 ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253066534</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-253-06653-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253066527</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-253-06652-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1410710931</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049316301</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 49400</subfield><subfield code="0">(DE-625)7564:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Francophone African women documentary filmmakers</subfield><subfield code="b">beyond representation</subfield><subfield code="c">edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington</subfield><subfield code="b">Indiana University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">195 Seiten</subfield><subfield code="b">Illustrationen, Porträts (teilweise farbig)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in the cinema of the Black diaspora</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction</subfield><subfield code="r">by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap</subfield><subfield code="t">Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s</subfield><subfield code="r">by Florence Martin</subfield><subfield code="t">Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary</subfield><subfield code="r">by Sheila Petty</subfield><subfield code="t">Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat</subfield><subfield code="r">by Melissa Thackway</subfield><subfield code="t">Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte</subfield><subfield code="r">by El Hadji Moustapha Diop</subfield><subfield code="t">Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017)</subfield><subfield code="r">by Alexie Tcheuyap and Félix Veilleux</subfield><subfield code="t">Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014)</subfield><subfield code="r">by Suzanne Gauch</subfield><subfield code="t">Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat</subfield><subfield code="r">by Herve Tchumkam</subfield><subfield code="t">Ecological Representations in African Women Documentaries</subfield><subfield code="r">by Suzanne Crosta</subfield><subfield code="t">Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016)</subfield><subfield code="r">by Sada Niang</subfield><subfield code="t">Dancing with the Camera: Interview with Nadine Otsobogo</subfield><subfield code="r">by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dokumentarfilmerin</subfield><subfield code="0">(DE-588)1175959111</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankophones Afrika</subfield><subfield code="0">(DE-588)4018143-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films / Africa, French-speaking / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women motion picture producers and directors / Africa, French-speaking</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors / Africa, French-speaking</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women motion picture producers and directors</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">French-speaking Africa</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankophones Afrika</subfield><subfield code="0">(DE-588)4018143-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dokumentarfilmerin</subfield><subfield code="0">(DE-588)1175959111</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1960-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Crosta, Suzanne</subfield><subfield code="d">1958-</subfield><subfield code="0">(DE-588)1311002146</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Niang, Sada</subfield><subfield code="d">1953-</subfield><subfield code="0">(DE-588)1090514573</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tcheuyap, Alexie</subfield><subfield code="0">(DE-588)130239798</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">9780253066541</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20231129</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034577316</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">6</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">6</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Frankophones Afrika (DE-588)4018143-1 gnd |
| geographic_facet | Frankophones Afrika |
| id | DE-604.BV049316301 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:42:14Z |
| indexdate | 2024-07-10T10:01:20Z |
| institution | BVB |
| isbn | 9780253066534 9780253066527 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034577316 |
| oclc_num | 1410710931 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | 195 Seiten Illustrationen, Porträts (teilweise farbig) |
| psigel | BSB_NED_20231129 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | Studies in the cinema of the Black diaspora |
| spelling | Francophone African women documentary filmmakers beyond representation edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap Bloomington Indiana University Press 2023 195 Seiten Illustrationen, Porträts (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Studies in the cinema of the Black diaspora Introduction by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s by Florence Martin Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary by Sheila Petty Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat by Melissa Thackway Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte by El Hadji Moustapha Diop Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) by Alexie Tcheuyap and Félix Veilleux Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) by Suzanne Gauch Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat by Herve Tchumkam Ecological Representations in African Women Documentaries by Suzanne Crosta Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) by Sada Niang Dancing with the Camera: Interview with Nadine Otsobogo by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap "Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote"-- Geschichte 1960- gnd rswk-swf Dokumentarfilmerin (DE-588)1175959111 gnd rswk-swf Frankophones Afrika (DE-588)4018143-1 gnd rswk-swf Documentary films / Africa, French-speaking / History and criticism Women motion picture producers and directors / Africa, French-speaking Motion picture producers and directors / Africa, French-speaking Documentary films Motion picture producers and directors Women motion picture producers and directors French-speaking Africa Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Frankophones Afrika (DE-588)4018143-1 g Dokumentarfilmerin (DE-588)1175959111 s Geschichte 1960- z DE-604 Crosta, Suzanne 1958- (DE-588)1311002146 edt Niang, Sada 1953- (DE-588)1090514573 edt Tcheuyap, Alexie (DE-588)130239798 edt Erscheint auch als Online-Ausgabe 9780253066541 |
| spellingShingle | Francophone African women documentary filmmakers beyond representation Introduction Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat Ecological Representations in African Women Documentaries Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) Dancing with the Camera: Interview with Nadine Otsobogo Dokumentarfilmerin (DE-588)1175959111 gnd |
| subject_GND | (DE-588)1175959111 (DE-588)4018143-1 (DE-588)4143413-4 |
| title | Francophone African women documentary filmmakers beyond representation |
| title_alt | Introduction Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This Is Congo (2017) Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014) Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat Ecological Representations in African Women Documentaries Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016) Dancing with the Camera: Interview with Nadine Otsobogo |
| title_auth | Francophone African women documentary filmmakers beyond representation |
| title_exact_search | Francophone African women documentary filmmakers beyond representation |
| title_exact_search_txtP | Francophone African women documentary filmmakers beyond representation |
| title_full | Francophone African women documentary filmmakers beyond representation edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap |
| title_fullStr | Francophone African women documentary filmmakers beyond representation edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap |
| title_full_unstemmed | Francophone African women documentary filmmakers beyond representation edited by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap |
| title_short | Francophone African women documentary filmmakers |
| title_sort | francophone african women documentary filmmakers beyond representation |
| title_sub | beyond representation |
| topic | Dokumentarfilmerin (DE-588)1175959111 gnd |
| topic_facet | Dokumentarfilmerin Frankophones Afrika Aufsatzsammlung |
| work_keys_str_mv | AT crostasuzanne francophoneafricanwomendocumentaryfilmmakersbeyondrepresentation AT niangsada francophoneafricanwomendocumentaryfilmmakersbeyondrepresentation AT tcheuyapalexie francophoneafricanwomendocumentaryfilmmakersbeyondrepresentation |