Starmaker: David O. Selznick and the production of stars in the Hollywood studio system
"David O. Selznick (1902-1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, fil...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2023
|
| Schlagworte: | |
| Zusammenfassung: | "David O. Selznick (1902-1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick's celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye"-- |
| Beschreibung: | XII, 288 Seiten Illustrationen 25 cm |
| ISBN: | 9781496846051 |
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| 505 | 8 | 0 | |t Acknowledgments -- |t Prologue: "A star is born" as the quintessential Hollywood myth -- |t Introduction -- |t 1. The construction of naturalness: Ingrid Bergman and "Intermezzo: a love story" -- |t 2. Producing prestige: loan-outs of Selznick's female stars in the first half of the 1940s -- |t 3. While they were fighting: the development of male stars during World War II -- |t 4. From model teenager to teenage mother: Shirley Temple as Selznick's contract star in the 1940s -- |t 5. Selznick (goes) international: Selznick's studio and international stars after 1945 -- |t 6. The most faithful of them all: Jennifer Jones after "The song of Bernadette" -- |t Conclusion. The Selznick brand: in the tradition of quality and prestige -- |t Appendix: Selznick's star stable in numbers -- |t Archive collections used -- |t Notes -- |t Bibliography -- |t Index |
| 520 | 3 | |a "David O. Selznick (1902-1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick's celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye"-- | |
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Datensatz im Suchindex
| _version_ | 1813509820790079488 |
|---|---|
| adam_text | |
| adam_txt | |
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| author | Hain, Milan 1984- |
| author_GND | (DE-588)1059119587 |
| author_facet | Hain, Milan 1984- |
| author_role | aut |
| author_sort | Hain, Milan 1984- |
| author_variant | m h mh |
| building | Verbundindex |
| bvnumber | BV049316282 |
| contents | Acknowledgments -- Prologue: "A star is born" as the quintessential Hollywood myth -- Introduction -- 1. The construction of naturalness: Ingrid Bergman and "Intermezzo: a love story" -- 2. Producing prestige: loan-outs of Selznick's female stars in the first half of the 1940s -- 3. While they were fighting: the development of male stars during World War II -- 4. From model teenager to teenage mother: Shirley Temple as Selznick's contract star in the 1940s -- 5. Selznick (goes) international: Selznick's studio and international stars after 1945 -- 6. The most faithful of them all: Jennifer Jones after "The song of Bernadette" -- Conclusion. The Selznick brand: in the tradition of quality and prestige -- Appendix: Selznick's star stable in numbers -- Archive collections used -- Notes -- Bibliography -- Index |
| ctrlnum | (OCoLC)1397515082 (DE-599)BVBBV049316282 |
| dewey-full | 791.4302 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302 |
| dewey-search | 791.4302 |
| dewey-sort | 3791.4302 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| index_date | 2024-07-03T22:42:13Z |
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| spelling | Hain, Milan 1984- Verfasser (DE-588)1059119587 aut Starmaker David O. Selznick and the production of stars in the Hollywood studio system Milan Hain Jackson University Press of Mississippi 2023 XII, 288 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Acknowledgments -- Prologue: "A star is born" as the quintessential Hollywood myth -- Introduction -- 1. The construction of naturalness: Ingrid Bergman and "Intermezzo: a love story" -- 2. Producing prestige: loan-outs of Selznick's female stars in the first half of the 1940s -- 3. While they were fighting: the development of male stars during World War II -- 4. From model teenager to teenage mother: Shirley Temple as Selznick's contract star in the 1940s -- 5. Selznick (goes) international: Selznick's studio and international stars after 1945 -- 6. The most faithful of them all: Jennifer Jones after "The song of Bernadette" -- Conclusion. The Selznick brand: in the tradition of quality and prestige -- Appendix: Selznick's star stable in numbers -- Archive collections used -- Notes -- Bibliography -- Index "David O. Selznick (1902-1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick's celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye"-- Selznick, David O. 1902-1965 (DE-588)11861312X gnd rswk-swf Geschichte 1900-2000 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Filmproduzent (DE-588)4324247-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Selznick, David O. / 1902-1965 Motion picture producers and directors / United States / Biography Motion picture actors and actresses / United States / 20th century Motion picture industry / United States / History / 20th century Motion pictures / United States / History / 20th century Hollywood (Los Angeles, Calif.) / History / 20th century Motion picture actors and actresses Motion picture industry Motion picture producers and directors / Biography Motion pictures California / Los Angeles / Hollywood United States 1900-1999 History Biographies (DE-588)4006804-3 Biografie gnd-content Selznick, David O. 1902-1965 (DE-588)11861312X p Geschichte 1900-2000 z DE-188 USA (DE-588)4078704-7 g Los Angeles- Hollywood (DE-588)4099817-4 g Filmproduzent (DE-588)4324247-9 s Filmwirtschaft (DE-588)4154384-1 s DE-604 Erscheint auch als Online-Ausgabe, Epub single 978-1-4968-4606-8 Erscheint auch als Online-Ausgabe, Epub institutional 978-1-4968-4607-5 Erscheint auch als Online-Ausgabe, PDF single 978-1-4968-4608-2 Erscheint auch als Online-Ausgabe, PDF institutional 978-1-4968-4609-9 |
| spellingShingle | Hain, Milan 1984- Starmaker David O. Selznick and the production of stars in the Hollywood studio system Acknowledgments -- Prologue: "A star is born" as the quintessential Hollywood myth -- Introduction -- 1. The construction of naturalness: Ingrid Bergman and "Intermezzo: a love story" -- 2. Producing prestige: loan-outs of Selznick's female stars in the first half of the 1940s -- 3. While they were fighting: the development of male stars during World War II -- 4. From model teenager to teenage mother: Shirley Temple as Selznick's contract star in the 1940s -- 5. Selznick (goes) international: Selznick's studio and international stars after 1945 -- 6. The most faithful of them all: Jennifer Jones after "The song of Bernadette" -- Conclusion. The Selznick brand: in the tradition of quality and prestige -- Appendix: Selznick's star stable in numbers -- Archive collections used -- Notes -- Bibliography -- Index Selznick, David O. 1902-1965 (DE-588)11861312X gnd Filmwirtschaft (DE-588)4154384-1 gnd Filmproduzent (DE-588)4324247-9 gnd |
| subject_GND | (DE-588)11861312X (DE-588)4154384-1 (DE-588)4324247-9 (DE-588)4078704-7 (DE-588)4099817-4 (DE-588)4006804-3 |
| title | Starmaker David O. Selznick and the production of stars in the Hollywood studio system |
| title_alt | Acknowledgments -- Prologue: "A star is born" as the quintessential Hollywood myth -- Introduction -- 1. The construction of naturalness: Ingrid Bergman and "Intermezzo: a love story" -- 2. Producing prestige: loan-outs of Selznick's female stars in the first half of the 1940s -- 3. While they were fighting: the development of male stars during World War II -- 4. From model teenager to teenage mother: Shirley Temple as Selznick's contract star in the 1940s -- 5. Selznick (goes) international: Selznick's studio and international stars after 1945 -- 6. The most faithful of them all: Jennifer Jones after "The song of Bernadette" -- Conclusion. The Selznick brand: in the tradition of quality and prestige -- Appendix: Selznick's star stable in numbers -- Archive collections used -- Notes -- Bibliography -- Index |
| title_auth | Starmaker David O. Selznick and the production of stars in the Hollywood studio system |
| title_exact_search | Starmaker David O. Selznick and the production of stars in the Hollywood studio system |
| title_exact_search_txtP | Starmaker David O. Selznick and the production of stars in the Hollywood studio system |
| title_full | Starmaker David O. Selznick and the production of stars in the Hollywood studio system Milan Hain |
| title_fullStr | Starmaker David O. Selznick and the production of stars in the Hollywood studio system Milan Hain |
| title_full_unstemmed | Starmaker David O. Selznick and the production of stars in the Hollywood studio system Milan Hain |
| title_short | Starmaker |
| title_sort | starmaker david o selznick and the production of stars in the hollywood studio system |
| title_sub | David O. Selznick and the production of stars in the Hollywood studio system |
| topic | Selznick, David O. 1902-1965 (DE-588)11861312X gnd Filmwirtschaft (DE-588)4154384-1 gnd Filmproduzent (DE-588)4324247-9 gnd |
| topic_facet | Selznick, David O. 1902-1965 Filmwirtschaft Filmproduzent USA Los Angeles- Hollywood Biografie |
| work_keys_str_mv | AT hainmilan starmakerdavidoselznickandtheproductionofstarsinthehollywoodstudiosystem |