Hegel and the present of art's past character:
This book reclaims Hegel’s notion of the "end of art" – or, more precisely, of "art’s past character" – not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art in both Hegel and...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge
2024
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Schriftenreihe: | Routledge studies in nineteenth-century philosophy
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This book reclaims Hegel’s notion of the "end of art" – or, more precisely, of "art’s past character" – not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art in both Hegel and contemporary philosophy and aesthetics. The book’s innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but also applies the idea of the past character of art to themes that are both related to Hegel’s philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan’s poetry, Gramsci’s criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel’s aesthetics, but can be used to shed light on some core motives of his philosophy. The author’s interpretation of art’s past character reclaims the full value, attractiveness, and philosophical soundness of Hegel’s thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art’s Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. |
Beschreibung: | 157 Seiten |
ISBN: | 9781032482958 9781032482965 |
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520 | 3 | |a This book reclaims Hegel’s notion of the "end of art" – or, more precisely, of "art’s past character" – not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art in both Hegel and contemporary philosophy and aesthetics. The book’s innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but also applies the idea of the past character of art to themes that are both related to Hegel’s philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan’s poetry, Gramsci’s criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel’s aesthetics, but can be used to shed light on some core motives of his philosophy. The author’s interpretation of art’s past character reclaims the full value, attractiveness, and philosophical soundness of Hegel’s thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art’s Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. | |
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Contents Acknowledgements Introduction viii 1 Historical and Philosophical Background: Kant and Schiller, the Revolution, and the Malaise of Modernity 10 From the Symbolic to the Humoristic and Back: The New Sacred of Art 25 3 (The Absence of) Art’s Right 43 4 Futures of Art: Hegel, Danto, Pippin 61 5 Antigone, the Disappearance of the Tragic, and Human Rights 83 1 2 Croce and Gramsci (and Gentile) on Hegel’s Dialectics and the Death of Art 100 7 Subjects and Destinies of Poetry: Heidegger and Celan 115 8 No Code Aesthetics 134 References Index 144 155 6 |
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spelling | Siani, Alberto L. 1983- Verfasser (DE-588)134276485 aut Hegel and the present of art's past character Alberto L. Siani New York ; London Routledge 2024 157 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge studies in nineteenth-century philosophy This book reclaims Hegel’s notion of the "end of art" – or, more precisely, of "art’s past character" – not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art in both Hegel and contemporary philosophy and aesthetics. The book’s innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but also applies the idea of the past character of art to themes that are both related to Hegel’s philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan’s poetry, Gramsci’s criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel’s aesthetics, but can be used to shed light on some core motives of his philosophy. The author’s interpretation of art’s past character reclaims the full value, attractiveness, and philosophical soundness of Hegel’s thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art’s Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. Hegel, Georg Wilhelm Friedrich 1770-1831 (DE-588)118547739 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Hegel, Georg Wilhelm Friedrich 1770-1831 (DE-588)118547739 p Ästhetik (DE-588)4000626-8 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-48296-5 Erscheint auch als Online-Ausgabe 978-1-003-38834-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034573597&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Siani, Alberto L. 1983- Hegel and the present of art's past character Hegel, Georg Wilhelm Friedrich 1770-1831 (DE-588)118547739 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)118547739 (DE-588)4000626-8 |
title | Hegel and the present of art's past character |
title_auth | Hegel and the present of art's past character |
title_exact_search | Hegel and the present of art's past character |
title_exact_search_txtP | Hegel and the present of art's past character |
title_full | Hegel and the present of art's past character Alberto L. Siani |
title_fullStr | Hegel and the present of art's past character Alberto L. Siani |
title_full_unstemmed | Hegel and the present of art's past character Alberto L. Siani |
title_short | Hegel and the present of art's past character |
title_sort | hegel and the present of art s past character |
topic | Hegel, Georg Wilhelm Friedrich 1770-1831 (DE-588)118547739 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Hegel, Georg Wilhelm Friedrich 1770-1831 Ästhetik |
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