Historical research, creative writing, and the past: methods of knowing
"Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in...
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Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge
2023
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Schriftenreihe: | Routledge new textual studies in literature
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past-textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies-and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently"-- |
Beschreibung: | xii, 255 Seiten Illustrationen |
ISBN: | 9781032180885 9781032180915 |
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505 | 8 | |a Introduction: Methods of knowing / Kevin A. Morrison and Pälvi Rantala -- Textual and conceptual approaches. Epic posturing and epic entanglements: historiography, creative inquiry, and the writing of the self in Boiardo, Montaigne, and Cervantes / Alani Hicks-Bartlett -- "The machine for showing desire": desert romance fiction and knowing sexual desire / Catherine Phipps -- Entwining temporalities in Craig Williamson's The complete Old English poems / Elan Justice Pavlinich -- Material and emotional approaches. Filling in the blanks: an open door invitation to a nineteenth-century American period room / Kate Kramer -- Scraps of history: vernacular archiving and creative composition / Ben Nadler -- Tolkien, Cline, and the Quest for a Silmaril / Tom Ue and James Munday -- Experiential approaches. Dreams, historical knowledge, and death of a California fisherwoman / Kevin A. Morrison -- All cops are biased: historiography as detective story / William G. Pooley -- Sound puppets: using sonic nonfiction to perform the past / Diana Chester and Heidi Stalla -- Embodied methodologies. Co-imagining the history of a village: autoethnographer as verbaliser of experience-based knowledge / Jaana Kouri -- My writing journey with the Webers / Pälvi Rantala -- Knowing hands: using tactile research methods in researching and writing the history of design / Grace Lees-Maffei | |
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Datensatz im Suchindex
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adam_text | Contents List of Illustrations Notes on Contributors vii ix Introduction: Methods of Knowing 1 KEVIN A. MORRISON AND PÄLVI RANTALA SECTION I Textual and Conceptual Approaches 13 1 Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes 15 ALANI HICKS-BARTLETT 2 ‘The Machine for Showing Desire’: Desert Romance Fiction and Knowing Sexual Desire 44 CATHERINE PHIPPS 3 Entwining Temporalities in Craig Williamson’s The Complete Old English Poems 65 ELAN JUSTICE PAVLINICH SECTION n Material and Emotional Approaches 4 Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room KATE KRAMER 83 85
vi Contents 5 Scraps of History: Vernacular Archiving and Creative Composition 112 BEN NADLER 6 Tolkien, Cline, and the Quest for a Silmaril 130 TOM UE AND JAMES MUNDAY SECTION III Speculative and Experiential Approaches 7 Dreams, Historical Knowledge, and the Death of a California Fisherwoman 149 151 KEVIN A. MORRISON 8 All Cops Are Biased: Historiography as Detective Story 166 WILLIAM G. POOLEY 9 Sound Puppets: Using Sonic Non-fiction to Perform the Past 181 HEIDI STALLA AND DIANA CHESTER SECTION IV 195 Embodied Methodologies 10 Co-Imagining the History of a Village: Autoethnographer as Verbalizer of Experience-Based Knowledge 197 JAANA KOURI 11 My Writing Journey with the Webers 213 PÄLVI RANTALA 12 Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design 228 GRACE LEES-MAFFEI Index 253
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adam_txt |
Contents List of Illustrations Notes on Contributors vii ix Introduction: Methods of Knowing 1 KEVIN A. MORRISON AND PÄLVI RANTALA SECTION I Textual and Conceptual Approaches 13 1 Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes 15 ALANI HICKS-BARTLETT 2 ‘The Machine for Showing Desire’: Desert Romance Fiction and Knowing Sexual Desire 44 CATHERINE PHIPPS 3 Entwining Temporalities in Craig Williamson’s The Complete Old English Poems 65 ELAN JUSTICE PAVLINICH SECTION n Material and Emotional Approaches 4 Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room KATE KRAMER 83 85
vi Contents 5 Scraps of History: Vernacular Archiving and Creative Composition 112 BEN NADLER 6 Tolkien, Cline, and the Quest for a Silmaril 130 TOM UE AND JAMES MUNDAY SECTION III Speculative and Experiential Approaches 7 Dreams, Historical Knowledge, and the Death of a California Fisherwoman 149 151 KEVIN A. MORRISON 8 All Cops Are Biased: Historiography as Detective Story 166 WILLIAM G. POOLEY 9 Sound Puppets: Using Sonic Non-fiction to Perform the Past 181 HEIDI STALLA AND DIANA CHESTER SECTION IV 195 Embodied Methodologies 10 Co-Imagining the History of a Village: Autoethnographer as Verbalizer of Experience-Based Knowledge 197 JAANA KOURI 11 My Writing Journey with the Webers 213 PÄLVI RANTALA 12 Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design 228 GRACE LEES-MAFFEI Index 253 |
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author_facet | Morrison, Kevin A. 1976- Rantala, Pälvi |
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bvnumber | BV049312488 |
classification_rvk | ED 4435 |
contents | Introduction: Methods of knowing / Kevin A. Morrison and Pälvi Rantala -- Textual and conceptual approaches. Epic posturing and epic entanglements: historiography, creative inquiry, and the writing of the self in Boiardo, Montaigne, and Cervantes / Alani Hicks-Bartlett -- "The machine for showing desire": desert romance fiction and knowing sexual desire / Catherine Phipps -- Entwining temporalities in Craig Williamson's The complete Old English poems / Elan Justice Pavlinich -- Material and emotional approaches. Filling in the blanks: an open door invitation to a nineteenth-century American period room / Kate Kramer -- Scraps of history: vernacular archiving and creative composition / Ben Nadler -- Tolkien, Cline, and the Quest for a Silmaril / Tom Ue and James Munday -- Experiential approaches. Dreams, historical knowledge, and death of a California fisherwoman / Kevin A. Morrison -- All cops are biased: historiography as detective story / William G. Pooley -- Sound puppets: using sonic nonfiction to perform the past / Diana Chester and Heidi Stalla -- Embodied methodologies. Co-imagining the history of a village: autoethnographer as verbaliser of experience-based knowledge / Jaana Kouri -- My writing journey with the Webers / Pälvi Rantala -- Knowing hands: using tactile research methods in researching and writing the history of design / Grace Lees-Maffei |
ctrlnum | (OCoLC)1409132295 (DE-599)BVBBV049312488 |
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spelling | Historical research, creative writing, and the past methods of knowing edited by Kevin A. Morrison and Pälvi Rantala New York ; London Routledge 2023 xii, 255 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge new textual studies in literature Introduction: Methods of knowing / Kevin A. Morrison and Pälvi Rantala -- Textual and conceptual approaches. Epic posturing and epic entanglements: historiography, creative inquiry, and the writing of the self in Boiardo, Montaigne, and Cervantes / Alani Hicks-Bartlett -- "The machine for showing desire": desert romance fiction and knowing sexual desire / Catherine Phipps -- Entwining temporalities in Craig Williamson's The complete Old English poems / Elan Justice Pavlinich -- Material and emotional approaches. Filling in the blanks: an open door invitation to a nineteenth-century American period room / Kate Kramer -- Scraps of history: vernacular archiving and creative composition / Ben Nadler -- Tolkien, Cline, and the Quest for a Silmaril / Tom Ue and James Munday -- Experiential approaches. Dreams, historical knowledge, and death of a California fisherwoman / Kevin A. Morrison -- All cops are biased: historiography as detective story / William G. Pooley -- Sound puppets: using sonic nonfiction to perform the past / Diana Chester and Heidi Stalla -- Embodied methodologies. Co-imagining the history of a village: autoethnographer as verbaliser of experience-based knowledge / Jaana Kouri -- My writing journey with the Webers / Pälvi Rantala -- Knowing hands: using tactile research methods in researching and writing the history of design / Grace Lees-Maffei "Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past-textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies-and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently"-- Kreatives Schreiben (DE-588)4165550-3 gnd rswk-swf Geschichtsschreibung (DE-588)4020531-9 gnd rswk-swf Historik (DE-588)4192684-5 gnd rswk-swf Historiography Historiography / Methodology Literature and history History / Methodology Creative writing Essays (DE-588)4143413-4 Aufsatzsammlung gnd-content Geschichtsschreibung (DE-588)4020531-9 s Historik (DE-588)4192684-5 s Kreatives Schreiben (DE-588)4165550-3 s DE-604 Morrison, Kevin A. 1976- (DE-588)1155100026 edt Rantala, Pälvi edt Erscheint auch als Online-Ausgabe, EPUB 978-1-003-25280-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034573584&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Historical research, creative writing, and the past methods of knowing Introduction: Methods of knowing / Kevin A. Morrison and Pälvi Rantala -- Textual and conceptual approaches. Epic posturing and epic entanglements: historiography, creative inquiry, and the writing of the self in Boiardo, Montaigne, and Cervantes / Alani Hicks-Bartlett -- "The machine for showing desire": desert romance fiction and knowing sexual desire / Catherine Phipps -- Entwining temporalities in Craig Williamson's The complete Old English poems / Elan Justice Pavlinich -- Material and emotional approaches. Filling in the blanks: an open door invitation to a nineteenth-century American period room / Kate Kramer -- Scraps of history: vernacular archiving and creative composition / Ben Nadler -- Tolkien, Cline, and the Quest for a Silmaril / Tom Ue and James Munday -- Experiential approaches. Dreams, historical knowledge, and death of a California fisherwoman / Kevin A. Morrison -- All cops are biased: historiography as detective story / William G. Pooley -- Sound puppets: using sonic nonfiction to perform the past / Diana Chester and Heidi Stalla -- Embodied methodologies. Co-imagining the history of a village: autoethnographer as verbaliser of experience-based knowledge / Jaana Kouri -- My writing journey with the Webers / Pälvi Rantala -- Knowing hands: using tactile research methods in researching and writing the history of design / Grace Lees-Maffei Kreatives Schreiben (DE-588)4165550-3 gnd Geschichtsschreibung (DE-588)4020531-9 gnd Historik (DE-588)4192684-5 gnd |
subject_GND | (DE-588)4165550-3 (DE-588)4020531-9 (DE-588)4192684-5 (DE-588)4143413-4 |
title | Historical research, creative writing, and the past methods of knowing |
title_auth | Historical research, creative writing, and the past methods of knowing |
title_exact_search | Historical research, creative writing, and the past methods of knowing |
title_exact_search_txtP | Historical research, creative writing, and the past methods of knowing |
title_full | Historical research, creative writing, and the past methods of knowing edited by Kevin A. Morrison and Pälvi Rantala |
title_fullStr | Historical research, creative writing, and the past methods of knowing edited by Kevin A. Morrison and Pälvi Rantala |
title_full_unstemmed | Historical research, creative writing, and the past methods of knowing edited by Kevin A. Morrison and Pälvi Rantala |
title_short | Historical research, creative writing, and the past |
title_sort | historical research creative writing and the past methods of knowing |
title_sub | methods of knowing |
topic | Kreatives Schreiben (DE-588)4165550-3 gnd Geschichtsschreibung (DE-588)4020531-9 gnd Historik (DE-588)4192684-5 gnd |
topic_facet | Kreatives Schreiben Geschichtsschreibung Historik Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034573584&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT morrisonkevina historicalresearchcreativewritingandthepastmethodsofknowing AT rantalapalvi historicalresearchcreativewritingandthepastmethodsofknowing |