Aesthetic melancholy:
Emily Brady and Arto Haapala (2003) define melancholy as a complex emotion with aspects of both pain and pleasure that draw on a range of emotions — sadness, love and longing — all of which are bound with a reflective, solitary state of mind. Melancholy, they argue, does not just play a role in our...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Published: |
2023
|
| Subjects: | |
| Online Access: | Volltext |
| Summary: | Emily Brady and Arto Haapala (2003) define melancholy as a complex emotion with aspects of both pain and pleasure that draw on a range of emotions — sadness, love and longing — all of which are bound with a reflective, solitary state of mind. Melancholy, they argue, does not just play a role in our encounters with artworks and the natural environment but also invites aesthetic considerations into play in more everyday situations. As such, melancholy can be considered an aesthetic emotion per se. In this paper, I critically examine the various aspects of Brady and Haapala’s account, then present an alternative analysis of melancholy and its aesthetic relevance. |
Staff View
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049295443 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230823s2023 |||| o||u| ||||||eng d | ||
| 035 | |a (OCoLC)1401215015 | ||
| 035 | |a (DE-599)BVBBV049295443 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Maes, Hans |d 1975- |e Verfasser |0 (DE-588)1047696908 |4 aut | |
| 245 | 1 | 0 | |a Aesthetic melancholy |c Hans Maes |
| 264 | 1 | |c 2023 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Emily Brady and Arto Haapala (2003) define melancholy as a complex emotion with aspects of both pain and pleasure that draw on a range of emotions — sadness, love and longing — all of which are bound with a reflective, solitary state of mind. Melancholy, they argue, does not just play a role in our encounters with artworks and the natural environment but also invites aesthetic considerations into play in more everyday situations. As such, melancholy can be considered an aesthetic emotion per se. In this paper, I critically examine the various aspects of Brady and Haapala’s account, then present an alternative analysis of melancholy and its aesthetic relevance. | ||
| 650 | 4 | |a aesthetic emotion; bittersweet; epiphany; everyday aesthetics; existential aesthetics; melancholy; mono no aware; nostalgia; sadness; Tolstoy | |
| 773 | 1 | 8 | |g volume:21 |g year:2023 |
| 773 | 0 | 8 | |t Contemporary Aesthetics |d Castine, ME, 2023 |g Volume 21 (2023) |w (DE-604)BV019849991 |o (DE-600)2191832-6 |
| 856 | 4 | 0 | |u https://contempaesthetics.org/2023/06/20/aesthetic-melancholy/ |x Verlag |z kostenfrei |3 Volltext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034556776 | ||
| 941 | |b 21 |j 2023 | ||
Record in the Search Index
| _version_ | 1804185787700346880 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV019849991 |
| author | Maes, Hans 1975- |
| author_GND | (DE-588)1047696908 |
| author_facet | Maes, Hans 1975- |
| author_role | aut |
| author_sort | Maes, Hans 1975- |
| author_variant | h m hm |
| building | Verbundindex |
| bvnumber | BV049295443 |
| ctrlnum | (OCoLC)1401215015 (DE-599)BVBBV049295443 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01768nma a2200301 c 4500</leader><controlfield tag="001">BV049295443</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230823s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401215015</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049295443</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Maes, Hans</subfield><subfield code="d">1975-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1047696908</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Aesthetic melancholy</subfield><subfield code="c">Hans Maes</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Emily Brady and Arto Haapala (2003) define melancholy as a complex emotion with aspects of both pain and pleasure that draw on a range of emotions — sadness, love and longing — all of which are bound with a reflective, solitary state of mind. Melancholy, they argue, does not just play a role in our encounters with artworks and the natural environment but also invites aesthetic considerations into play in more everyday situations. As such, melancholy can be considered an aesthetic emotion per se. In this paper, I critically examine the various aspects of Brady and Haapala’s account, then present an alternative analysis of melancholy and its aesthetic relevance.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aesthetic emotion; bittersweet; epiphany; everyday aesthetics; existential aesthetics; melancholy; mono no aware; nostalgia; sadness; Tolstoy</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:21</subfield><subfield code="g">year:2023</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Contemporary Aesthetics</subfield><subfield code="d">Castine, ME, 2023</subfield><subfield code="g">Volume 21 (2023)</subfield><subfield code="w">(DE-604)BV019849991</subfield><subfield code="o">(DE-600)2191832-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://contempaesthetics.org/2023/06/20/aesthetic-melancholy/</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034556776</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">21</subfield><subfield code="j">2023</subfield></datafield></record></collection> |
| id | DE-604.BV049295443 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:38:00Z |
| indexdate | 2024-07-10T10:00:47Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034556776 |
| oclc_num | 1401215015 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Maes, Hans 1975- Verfasser (DE-588)1047696908 aut Aesthetic melancholy Hans Maes 2023 txt rdacontent c rdamedia cr rdacarrier Emily Brady and Arto Haapala (2003) define melancholy as a complex emotion with aspects of both pain and pleasure that draw on a range of emotions — sadness, love and longing — all of which are bound with a reflective, solitary state of mind. Melancholy, they argue, does not just play a role in our encounters with artworks and the natural environment but also invites aesthetic considerations into play in more everyday situations. As such, melancholy can be considered an aesthetic emotion per se. In this paper, I critically examine the various aspects of Brady and Haapala’s account, then present an alternative analysis of melancholy and its aesthetic relevance. aesthetic emotion; bittersweet; epiphany; everyday aesthetics; existential aesthetics; melancholy; mono no aware; nostalgia; sadness; Tolstoy volume:21 year:2023 Contemporary Aesthetics Castine, ME, 2023 Volume 21 (2023) (DE-604)BV019849991 (DE-600)2191832-6 https://contempaesthetics.org/2023/06/20/aesthetic-melancholy/ Verlag kostenfrei Volltext |
| spellingShingle | Maes, Hans 1975- Aesthetic melancholy aesthetic emotion; bittersweet; epiphany; everyday aesthetics; existential aesthetics; melancholy; mono no aware; nostalgia; sadness; Tolstoy |
| title | Aesthetic melancholy |
| title_auth | Aesthetic melancholy |
| title_exact_search | Aesthetic melancholy |
| title_exact_search_txtP | Aesthetic melancholy |
| title_full | Aesthetic melancholy Hans Maes |
| title_fullStr | Aesthetic melancholy Hans Maes |
| title_full_unstemmed | Aesthetic melancholy Hans Maes |
| title_short | Aesthetic melancholy |
| title_sort | aesthetic melancholy |
| topic | aesthetic emotion; bittersweet; epiphany; everyday aesthetics; existential aesthetics; melancholy; mono no aware; nostalgia; sadness; Tolstoy |
| topic_facet | aesthetic emotion; bittersweet; epiphany; everyday aesthetics; existential aesthetics; melancholy; mono no aware; nostalgia; sadness; Tolstoy |
| url | https://contempaesthetics.org/2023/06/20/aesthetic-melancholy/ |
| work_keys_str_mv | AT maeshans aestheticmelancholy |