The art of painting in miniature: Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Printed for James Hodges, at the Looking-Glass on London Bridge; and John James, at Horace's Head, under the Royal Exchange
1739
|
| Schlagworte: | |
| Online-Zugang: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Beschreibung: | A translation of Claude Boutet's 'Traité de la peinture en mignature' English Short Title Catalog, T224742 Price in square brackets: (Price stitch'd 1s. Bound 1s. 6d.) Reproduction of original from British Library With three final contents and advertisement leaves |
| Beschreibung: | Online-Ressource ([10],121,[7]Seiten) ill 8° |
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| id | DE-604.BV049283635 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:37:36Z |
| indexdate | 2024-07-10T10:00:29Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034544989 |
| oclc_num | 1422399710 |
| open_access_boolean | |
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| physical | Online-Ressource ([10],121,[7]Seiten) ill 8° |
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| publishDate | 1739 |
| publishDateSearch | 1739 |
| publishDateSort | 1739 |
| publisher | Printed for James Hodges, at the Looking-Glass on London Bridge; and John James, at Horace's Head, under the Royal Exchange |
| record_format | marc |
| spelling | Boutet, Claude Verfasser aut Traité de la peinture en mignature. <engl.> The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French London Printed for James Hodges, at the Looking-Glass on London Bridge; and John James, at Horace's Head, under the Royal Exchange 1739 Online-Ressource ([10],121,[7]Seiten) ill 8° txt rdacontent c rdamedia cr rdacarrier A translation of Claude Boutet's 'Traité de la peinture en mignature' English Short Title Catalog, T224742 Price in square brackets: (Price stitch'd 1s. Bound 1s. 6d.) Reproduction of original from British Library With three final contents and advertisement leaves Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Miniature painting http://nl.sub.uni-goettingen.de/id/1332800400?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Boutet, Claude The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French Miniature painting |
| title | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_alt | Traité de la peinture en mignature. <engl.> |
| title_auth | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_exact_search | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_exact_search_txtP | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_full | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_fullStr | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_full_unstemmed | The art of painting in miniature Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| title_short | The art of painting in miniature |
| title_sort | the art of painting in miniature teaching the speedy and perfect acquisition of that art without a master by rules so easy and in a method so natural as to render this charming accomplishment universally attainable containing i the difference between painting in miniature and other kinds of painting ii the management of colours in draperies linnen lace furrs c iii the method of mixing colours for carnations in painting of men women or children iv the proper colours for painting of architecture or any building of stone or wood for landskips terrasses water ruins rocks c v the art of painting all sort of flowers with the proper colours required to represent nature to the highest perfection vi the various methods of painting in miniature the third edition to which are now added choice secrets of one of the greatest italian painters for making the finest colours burnish d gold shell gold c done from the original french |
| title_sub | Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French |
| topic | Miniature painting |
| topic_facet | Miniature painting |
| url | http://nl.sub.uni-goettingen.de/id/1332800400?origin=/collection/nlh-ecc |
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