A compendium: or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London
printed by W. Pearson, for Arthur Bettesworth, and Charles Hitch, in Pater-Noster-Row; Samuel Birt, in Ave-Mary-Lane; John Clarke, in Duck-Lane; Thomas Astley, in St. Paul's Church-Yard; and John Oswald, in Little-Britain
M.DCC.XXXII. [1732]
|
| Edition: | The eighth edition, with additions |
| Subjects: | |
| Online Access: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Item Description: | English Short Title Catalog, T77991 First published in 1667 as 'A compendium of practical musick' Reproduction of original from British Library |
| Physical Description: | Online-Ressource ([16],144Seiten) ill.,port.,music 8° |
Staff View
MARC
| LEADER | 00000nmm a22000001c 4500 | ||
|---|---|---|---|
| 001 | BV049221721 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230822s1732 xxk|||| o||u| ||||||eng d | ||
| 035 | |a (ZDB-1-ECC)NLM006624766 | ||
| 035 | |a (OCoLC)1422484088 | ||
| 035 | |a (DE-599)GBVNLM006624766 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-12 |a DE-70 |a DE-155 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-824 |a DE-29 |a DE-11 | ||
| 100 | 1 | |a Simpson, Christopher |d d. 1669 |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a Compendium of practical musick |
| 245 | 1 | 0 | |a A compendium |b or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| 250 | |a The eighth edition, with additions | ||
| 264 | 1 | |a London |b printed by W. Pearson, for Arthur Bettesworth, and Charles Hitch, in Pater-Noster-Row; Samuel Birt, in Ave-Mary-Lane; John Clarke, in Duck-Lane; Thomas Astley, in St. Paul's Church-Yard; and John Oswald, in Little-Britain |c M.DCC.XXXII. [1732] | |
| 300 | |a Online-Ressource ([16],144Seiten) |b ill.,port.,music |c 8° | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a English Short Title Catalog, T77991 | ||
| 500 | |a First published in 1667 as 'A compendium of practical musick' | ||
| 500 | |a Reproduction of original from British Library | ||
| 533 | |a Online-Ausg |b Farmington Hills, Mich |c Cengage Gale |d 2009 |f Eighteenth Century Collections Online |n Electronic reproduction; Available via the World Wide Web |7 |2009|||||||||| | ||
| 650 | 4 | |a Composition (Music) | |
| 650 | 4 | |a Music |x Instruction and study | |
| 856 | 4 | 0 | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |x Verlag |3 Volltext |
| 912 | |a ZDB-1-ECC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034483077 | ||
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UEI01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l BSB01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l LCO01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l SBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UBA01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UBG01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UBM01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UBR01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UBT01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
| 966 | e | |u http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |l UER01 |p ZDB-1-ECC |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804185662316871680 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Simpson, Christopher d. 1669 |
| author_facet | Simpson, Christopher d. 1669 |
| author_role | aut |
| author_sort | Simpson, Christopher d. 1669 |
| author_variant | c s cs |
| building | Verbundindex |
| bvnumber | BV049221721 |
| collection | ZDB-1-ECC |
| ctrlnum | (ZDB-1-ECC)NLM006624766 (OCoLC)1422484088 (DE-599)GBVNLM006624766 |
| edition | The eighth edition, with additions |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03247nmm a22005051c 4500</leader><controlfield tag="001">BV049221721</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230822s1732 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-ECC)NLM006624766</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422484088</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVNLM006624766</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Simpson, Christopher</subfield><subfield code="d">d. 1669</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Compendium of practical musick</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A compendium</subfield><subfield code="b">or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">The eighth edition, with additions</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">printed by W. Pearson, for Arthur Bettesworth, and Charles Hitch, in Pater-Noster-Row; Samuel Birt, in Ave-Mary-Lane; John Clarke, in Duck-Lane; Thomas Astley, in St. Paul's Church-Yard; and John Oswald, in Little-Britain</subfield><subfield code="c">M.DCC.XXXII. [1732]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">Online-Ressource ([16],144Seiten)</subfield><subfield code="b">ill.,port.,music</subfield><subfield code="c">8°</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">English Short Title Catalog, T77991</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">First published in 1667 as 'A compendium of practical musick'</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Reproduction of original from British Library</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Online-Ausg</subfield><subfield code="b">Farmington Hills, Mich</subfield><subfield code="c">Cengage Gale</subfield><subfield code="d">2009</subfield><subfield code="f">Eighteenth Century Collections Online</subfield><subfield code="n">Electronic reproduction; Available via the World Wide Web</subfield><subfield code="7">|2009||||||||||</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composition (Music)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Instruction and study</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-ECC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034483077</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">LCO01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">SBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBM01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc</subfield><subfield code="l">UER01</subfield><subfield code="p">ZDB-1-ECC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049221721 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:36:29Z |
| indexdate | 2024-07-10T09:58:48Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034483077 |
| oclc_num | 1422484088 |
| open_access_boolean | |
| owner | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| owner_facet | DE-12 DE-70 DE-155 DE-BY-UBR DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-824 DE-29 DE-11 |
| physical | Online-Ressource ([16],144Seiten) ill.,port.,music 8° |
| psigel | ZDB-1-ECC |
| publishDate | 1732 |
| publishDateSearch | 1732 |
| publishDateSort | 1732 |
| publisher | printed by W. Pearson, for Arthur Bettesworth, and Charles Hitch, in Pater-Noster-Row; Samuel Birt, in Ave-Mary-Lane; John Clarke, in Duck-Lane; Thomas Astley, in St. Paul's Church-Yard; and John Oswald, in Little-Britain |
| record_format | marc |
| spelling | Simpson, Christopher d. 1669 Verfasser aut Compendium of practical musick A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson The eighth edition, with additions London printed by W. Pearson, for Arthur Bettesworth, and Charles Hitch, in Pater-Noster-Row; Samuel Birt, in Ave-Mary-Lane; John Clarke, in Duck-Lane; Thomas Astley, in St. Paul's Church-Yard; and John Oswald, in Little-Britain M.DCC.XXXII. [1732] Online-Ressource ([16],144Seiten) ill.,port.,music 8° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T77991 First published in 1667 as 'A compendium of practical musick' Reproduction of original from British Library Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Composition (Music) Music Instruction and study http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Simpson, Christopher d. 1669 A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson Composition (Music) Music Instruction and study |
| title | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_alt | Compendium of practical musick |
| title_auth | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_exact_search | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_exact_search_txtP | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_full | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_fullStr | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_full_unstemmed | A compendium or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| title_short | A compendium |
| title_sort | a compendium or introduction to practical music in five parts teaching by a new and easy method i the rudiments of song ii the principles of composition iii the use of discords iv the form of figurate descant v the contrivance of canon by christopher sympson |
| title_sub | or, introduction to practical music. In five parts. Teaching, by a New and Easy Method. I. The Rudiments of Song. II. The Principles of Composition. III. The Use of Discords. IV. The Form of Figurate Descant. V. The Contrivance of Canon. By Christopher Sympson |
| topic | Composition (Music) Music Instruction and study |
| topic_facet | Composition (Music) Music Instruction and study |
| url | http://nl.sub.uni-goettingen.de/id/1175201800?origin=/collection/nlh-ecc |
| work_keys_str_mv | AT simpsonchristopher compendiumofpracticalmusick AT simpsonchristopher acompendiumorintroductiontopracticalmusicinfivepartsteachingbyanewandeasymethoditherudimentsofsongiitheprinciplesofcompositioniiitheuseofdiscordsivtheformoffiguratedescantvthecontrivanceofcanonbychristophersympson |