The art of painting in oil: Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London
printed for L. Hawes, W. Clarke, and R. Collins, No. 32, in Pater-Noster-Row
MDCCLXIX. [1769]
|
| Subjects: | |
| Online Access: | UEI01 BSB01 LCO01 SBR01 UBA01 UBG01 UBM01 UBR01 UBT01 UER01 Volltext |
| Item Description: | English Short Title Catalog, T186997 Reproduction of original from John Rylands University Library of Manchester With a final advertisement leaf |
| Physical Description: | Online-Ressource ([8],110,[2]Seiten) 12° |
Staff View
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Record in the Search Index
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| id | DE-604.BV049176207 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:35:41Z |
| indexdate | 2024-07-10T09:57:30Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034437564 |
| oclc_num | 1422467335 |
| open_access_boolean | |
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| physical | Online-Ressource ([8],110,[2]Seiten) 12° |
| psigel | ZDB-1-ECC |
| publishDate | 1769 |
| publishDateSearch | 1769 |
| publishDateSort | 1769 |
| publisher | printed for L. Hawes, W. Clarke, and R. Collins, No. 32, in Pater-Noster-Row |
| record_format | marc |
| spelling | Smith, John fl. 1673-1680 Verfasser aut The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M Art of painting in oyl London printed for L. Hawes, W. Clarke, and R. Collins, No. 32, in Pater-Noster-Row MDCCLXIX. [1769] Online-Ressource ([8],110,[2]Seiten) 12° txt rdacontent c rdamedia cr rdacarrier English Short Title Catalog, T186997 Reproduction of original from John Rylands University Library of Manchester With a final advertisement leaf Online-Ausg Farmington Hills, Mich Cengage Gale 2009 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web |2009|||||||||| Painting Technique Early works to 1800 http://nl.sub.uni-goettingen.de/id/0769600400?origin=/collection/nlh-ecc Verlag Volltext |
| spellingShingle | Smith, John fl. 1673-1680 The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M Painting Technique Early works to 1800 |
| title | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_alt | Art of painting in oyl |
| title_auth | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_exact_search | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_exact_search_txtP | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_full | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_fullStr | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_full_unstemmed | The art of painting in oil Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| title_short | The art of painting in oil |
| title_sort | the art of painting in oil wherein is included each particular circumstance relating to that art and mystery containing the best and most approved rules for preparing mixing and working of oil colours the whole treatise being so full complete and so exactly fitted to the meanest capacity that all persons whatsoever may be able by these directions to paint in oil colours all manner of timber work such as posts poles palisadoes gates doors or any thing else that requires either use beauty or preservation from the violence or injury of the weather in which are also particularly laid down all the several circumstances required in painting of sun dials printed pictures sash windows c in oily colours the eighth edition with some alterations and many matters added which are not to be found in the former editions to which is added the whole art and mystery of colouring maps and other prints with water colours by john smith c m |
| title_sub | Wherein is included Each particular Circumstance relating to that Art and Mystery: Containing the best and most approved Rules for Preparing, Mixing, and Working of Oil-Colours. The whole Treatise being so full, complete, and so exactly fitted to the meanest Capacity, that all Persons whatsoever, may be able, by these Directions, to paint in Oil Colours, all Manner of Timber-Work; such as Posts, Poles, Palisadoes, Gates, Doors, or any Thing else that requires either Use, Beauty, or Preservation from the Violence or Injury of the Weather. In which are also particularly laid down all the several Circumstances required in Painting of Sun-Dials, Printed-Pictures, Sash-Windows, &c. in Oily-Colours. The eighth edition, with some alterations, and many matters added, which are not to be found in the former editions. To which is added, The whole art and mystery of colouring maps, and other Prints, with water colours. By John Smith, C.M |
| topic | Painting Technique Early works to 1800 |
| topic_facet | Painting Technique Early works to 1800 |
| url | http://nl.sub.uni-goettingen.de/id/0769600400?origin=/collection/nlh-ecc |
| work_keys_str_mv | AT smithjohn theartofpaintinginoilwhereinisincludedeachparticularcircumstancerelatingtothatartandmysterycontainingthebestandmostapprovedrulesforpreparingmixingandworkingofoilcoloursthewholetreatisebeingsofullcompleteandsoexactlyfittedtothemeanestcapacitythatallpersons AT smithjohn artofpaintinginoyl |