(1760). The psalmist's new companion: Containing an introduction to the grounds of musick, in a plain and familiar method also forty one psalm tunes, and twenty-five anthems; some of them being suited to various Occasions, and most of them Composed of Solo's, Fugues, and Chorus's, after the Cathedral manner. To which is added a Funeral Hymn The Whole is Composed in Three and Four Parts, according to the most authentick Rules, and brought within Compass of the Voice, being cheifly intended for the Use of Country Choirs. The sixth edition set forth and corrected by Abraham Adams, at Shoreham in Kent. printed for Thompson and Son, at the Violin and Hautboy, in St, Paul's Church-Yard.
Chicago-Zitierstil (17. Ausg.)The Psalmist's New Companion: Containing an Introduction to the Grounds of Musick, in a Plain and Familiar Method Also Forty One Psalm Tunes, and Twenty-five Anthems; Some of Them Being Suited to Various Occasions, and Most of Them Composed of Solo's, Fugues, and Chorus's, After the Cathedral Manner. To Which Is Added a Funeral Hymn The Whole Is Composed in Three and Four Parts, According to the Most Authentick Rules, and Brought Within Compass of the Voice, Being Cheifly Intended for the Use of Country Choirs. The Sixth Edition Set Forth and Corrected by Abraham Adams, at Shoreham in Kent. London: printed for Thompson and Son, at the Violin and Hautboy, in St, Paul's Church-Yard, 1760.
MLA-Zitierstil (9. Ausg.)The Psalmist's New Companion: Containing an Introduction to the Grounds of Musick, in a Plain and Familiar Method Also Forty One Psalm Tunes, and Twenty-five Anthems; Some of Them Being Suited to Various Occasions, and Most of Them Composed of Solo's, Fugues, and Chorus's, After the Cathedral Manner. To Which Is Added a Funeral Hymn The Whole Is Composed in Three and Four Parts, According to the Most Authentick Rules, and Brought Within Compass of the Voice, Being Cheifly Intended for the Use of Country Choirs. The Sixth Edition Set Forth and Corrected by Abraham Adams, at Shoreham in Kent. printed for Thompson and Son, at the Violin and Hautboy, in St, Paul's Church-Yard, 1760.