The Nonnarrated:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
De Gruyter
[2023]
|
| Schriftenreihe: | Narratologia
Volume 87 |
| Schlagworte: | |
| Online-Zugang: | https://www.degruyter.com/isbn/9783111236575 Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 152 Seiten 23 cm x 15.5 cm |
| ISBN: | 9783111236575 3111236579 |
Internformat
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| 653 | |a Fjodor Dostojewski | ||
| 653 | |a Haruki Murakami | ||
| 653 | |a Alain Robbe-Grillet | ||
| 653 | |a Anton Tschechow | ||
| 653 | |a Anton Chechov | ||
| 653 | |a Haruki Murakami | ||
| 653 | |a Fyodor Dostoevskij | ||
| 653 | |a Alain Robbe-Grillet | ||
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Datensatz im Suchindex
| _version_ | 1805074333430710272 |
|---|---|
| adam_text |
Contents 1. Happenings and Story 1 1.1 1.2 1.3 1.4 Assembling----- 3 Aristotle: “Joining Events Together”----- 3 Assembled Events in Flaubert’s Sentimental Education----- 4 Indeterminacy and Concretization----- 6 Continuous Happenings and Discontinuous Stories----- 8 2 2.1 2.2 2.3 2.4 2.5 Omitting----- 10 Types of Omission---- 10 Permanent and Temporary Gaps—13 Motivations of Nonnarration-----15 Writers’ Remarks about Omitting—17 Genre Preferences----- 21 II The Nonnarrated in Short Fiction 3 3.1 3.2 Lacunae and Implied Psychology in Aleksandr Puškin’s Belkin Tales—23 Why Is Sil’vio Late?----- 24 Why Does Sil’vio Not Shoot the Count?----- 28 4 Inverting the Detective Script: Karel Čapek’s “Case of Dr. Mejzlik”—32 5 5.1 5.2 Concealed Stories - Mansfield and Čexov—36 6 6.1 6.2 6.3 6.4 Anton Čexov’s Open-Ended Stories — 41 Katherine Mansfield: “Revelations”—36 Anton Čexov: “Old Age”----- 38 “The Teacher of Literature”----- 41 “The Bride”----- 43 “The Lady with the Little Dog”----- 44 Replacing Narratorial Narration — 47
7 7.1 7.2 James Joyce: Dubliners—49 “The Boarding House” — 49 “The Dead”----- 50 8 Katherine Mansfield: “The Woman at the Store”—53 9 Nonnarration and Ornamentalization in Isaak Babel’s “Crossing the Zbruč”— 55 10 Robert Musil: “Tonka”----- 65 11 11.1 11.2 11.3 11.4 Modes of Nonnarration in Ernest Hemingway—68 Scholarly Approaches to Omissions in Hemingway—68 “Big Two-Hearted River”----- 69 “The Killers”----- 73 “A Clean, Well Lighted Place”------75 12 12.1 12.2 12.3 William Faulkner’s Art of Nonnarration—79 Concealing in Rearrangement: “A Rose for Emily”—79 “Dry September”-------- 84 “That Evening Sun": Anticipated Murder------ 86 13 13.1 13.2 Bernard Malamud’s Mysteries—89 “The Magic Barrel”-------- 89 “Take Pity”------ 90 14 Haruki Murakami: “Scheherazade” — 92 III . The Nonnarrated in Long Fiction 15 15.1 15.2 15.3 15.4 Fëdor Dostoevskij: The Brothers Karamazov— 97 The Narrator and His Style----- 97 How the Narrator Steers the Reader —100 “Pro and Contra” as the Novel’s Master Figure—104 The Author’s Pro and Contra----- 105 16 16.1 16.2 Diegetic Narrator: Fëdor Dostoevkij’s Adolescent—108 Diegetic Narration------108 The Bad Ems Incident------ 109
Yl Omissions in Robbe-Grillet----- 114 17.1 “Objectivity”----- 114 17.2 The Nonnarrated Act of Murder in The Voyeur----- 115 17.3 The Possible Adultery in Jealousy------ 122 17.3.1 Repeated Impressions------ 122 17.3.2 Desire and Jealousy------ 124 17.3.3 Geometry------ 127 17.3.4 “Subjectivity”------ 129 17.3.5 What is Going On?------ 132 18 18.1 18.2 18.3 18.4 18.5 18.6 18.7 Conclusions: The Effects of Nonnarrating----- 133 Intensification------ 133 Suspense------ 134 Focus on Action within and Interaction between Characters----- 137 Stimulation for Own Course of Events----- 138 Withdrawal of the Narrator-------- 139 Rehierarchization of Side-Stories------ 139 Confusion--------- 140 Works Cited —141 I ndex of Authors and Works —149
The “nonnarrated” are the parts of a story that are deliberately omitted from its narration. Since the realm of the nonnarrated in any given story is infinitely large, studying the nonnarrated requires focusing on that which is not told but nevertheless belongs to a story. This monograph explores the phenomenon of the nonnarrated in narrative short forms from Čechov to Murakami and in novels by Dostoevskij and Robbe-Grillet. THE SERIES: NARRATOLOGIA Narratologia publishes state-of-the-art monographs and collective volumes devoted to modern narrative theory and its historical reconstruction in all the philological disciplines. It is the first narratological forum of its kind in Germany. In addition to literary texts, the series focuses on narration in everyday contexts, in pictorial media, in film and in the new media as well as on narration in historiography, ethnology, medicine, and the law. The series publishes in German and English. All volumes are peer reviewed by two anonymous assessors. |
| adam_txt |
Contents 1. Happenings and Story 1 1.1 1.2 1.3 1.4 Assembling----- 3 Aristotle: “Joining Events Together”----- 3 Assembled Events in Flaubert’s Sentimental Education----- 4 Indeterminacy and Concretization----- 6 Continuous Happenings and Discontinuous Stories----- 8 2 2.1 2.2 2.3 2.4 2.5 Omitting----- 10 Types of Omission---- 10 Permanent and Temporary Gaps—13 Motivations of Nonnarration-----15 Writers’ Remarks about Omitting—17 Genre Preferences----- 21 II The Nonnarrated in Short Fiction 3 3.1 3.2 Lacunae and Implied Psychology in Aleksandr Puškin’s Belkin Tales—23 Why Is Sil’vio Late?----- 24 Why Does Sil’vio Not Shoot the Count?----- 28 4 Inverting the Detective Script: Karel Čapek’s “Case of Dr. Mejzlik”—32 5 5.1 5.2 Concealed Stories - Mansfield and Čexov—36 6 6.1 6.2 6.3 6.4 Anton Čexov’s Open-Ended Stories — 41 Katherine Mansfield: “Revelations”—36 Anton Čexov: “Old Age”----- 38 “The Teacher of Literature”----- 41 “The Bride”----- 43 “The Lady with the Little Dog”----- 44 Replacing Narratorial Narration — 47
7 7.1 7.2 James Joyce: Dubliners—49 “The Boarding House” — 49 “The Dead”----- 50 8 Katherine Mansfield: “The Woman at the Store”—53 9 Nonnarration and Ornamentalization in Isaak Babel’s “Crossing the Zbruč”— 55 10 Robert Musil: “Tonka”----- 65 11 11.1 11.2 11.3 11.4 Modes of Nonnarration in Ernest Hemingway—68 Scholarly Approaches to Omissions in Hemingway—68 “Big Two-Hearted River”----- 69 “The Killers”----- 73 “A Clean, Well Lighted Place”------75 12 12.1 12.2 12.3 William Faulkner’s Art of Nonnarration—79 Concealing in Rearrangement: “A Rose for Emily”—79 “Dry September”-------- 84 “That Evening Sun": Anticipated Murder------ 86 13 13.1 13.2 Bernard Malamud’s Mysteries—89 “The Magic Barrel”-------- 89 “Take Pity”------ 90 14 Haruki Murakami: “Scheherazade” — 92 III . The Nonnarrated in Long Fiction 15 15.1 15.2 15.3 15.4 Fëdor Dostoevskij: The Brothers Karamazov— 97 The Narrator and His Style----- 97 How the Narrator Steers the Reader —100 “Pro and Contra” as the Novel’s Master Figure—104 The Author’s Pro and Contra----- 105 16 16.1 16.2 Diegetic Narrator: Fëdor Dostoevkij’s Adolescent—108 Diegetic Narration------108 The Bad Ems Incident------ 109
Yl Omissions in Robbe-Grillet----- 114 17.1 “Objectivity”----- 114 17.2 The Nonnarrated Act of Murder in The Voyeur----- 115 17.3 The Possible Adultery in Jealousy------ 122 17.3.1 Repeated Impressions------ 122 17.3.2 Desire and Jealousy------ 124 17.3.3 Geometry------ 127 17.3.4 “Subjectivity”------ 129 17.3.5 What is Going On?------ 132 18 18.1 18.2 18.3 18.4 18.5 18.6 18.7 Conclusions: The Effects of Nonnarrating----- 133 Intensification------ 133 Suspense------ 134 Focus on Action within and Interaction between Characters----- 137 Stimulation for Own Course of Events----- 138 Withdrawal of the Narrator-------- 139 Rehierarchization of Side-Stories------ 139 Confusion--------- 140 Works Cited —141 I ndex of Authors and Works —149
The “nonnarrated” are the parts of a story that are deliberately omitted from its narration. Since the realm of the nonnarrated in any given story is infinitely large, studying the nonnarrated requires focusing on that which is not told but nevertheless belongs to a story. This monograph explores the phenomenon of the nonnarrated in narrative short forms from Čechov to Murakami and in novels by Dostoevskij and Robbe-Grillet. THE SERIES: NARRATOLOGIA Narratologia publishes state-of-the-art monographs and collective volumes devoted to modern narrative theory and its historical reconstruction in all the philological disciplines. It is the first narratological forum of its kind in Germany. In addition to literary texts, the series focuses on narration in everyday contexts, in pictorial media, in film and in the new media as well as on narration in historiography, ethnology, medicine, and the law. The series publishes in German and English. All volumes are peer reviewed by two anonymous assessors. |
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| any_adam_object_boolean | 1 |
| author | Schmid, Wolf 1944- |
| author_GND | (DE-588)128957433 |
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| bvnumber | BV049094414 |
| classification_rvk | EC 4520 EC 4600 |
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| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Book |
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| index_date | 2024-07-03T22:30:44Z |
| indexdate | 2024-07-20T05:23:50Z |
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| physical | IX, 152 Seiten 23 cm x 15.5 cm |
| publishDate | 2023 |
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| spelling | Schmid, Wolf 1944- Verfasser (DE-588)128957433 aut The Nonnarrated Wolf Schmid Berlin De Gruyter [2023] IX, 152 Seiten 23 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Narratologia Volume 87 Prosa (DE-588)4047497-5 gnd rswk-swf Das Verborgene (DE-588)4332619-5 gnd rswk-swf Das Ungesagte (DE-588)1311652817 gnd rswk-swf Fjodor Dostojewski Haruki Murakami Alain Robbe-Grillet Anton Tschechow Anton Chechov Fyodor Dostoevskij Das Ungesagte (DE-588)1311652817 s Das Verborgene (DE-588)4332619-5 s Prosa (DE-588)4047497-5 s DE-604 Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe 9783111242897 Erscheint auch als Online-Ausgabe 9783111242637 Narratologia Volume 87 (DE-604)BV017772165 87 X:MVB https://www.degruyter.com/isbn/9783111236575 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034356069&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034356069&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p vlb 20230322 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Schmid, Wolf 1944- The Nonnarrated Narratologia Prosa (DE-588)4047497-5 gnd Das Verborgene (DE-588)4332619-5 gnd Das Ungesagte (DE-588)1311652817 gnd |
| subject_GND | (DE-588)4047497-5 (DE-588)4332619-5 (DE-588)1311652817 |
| title | The Nonnarrated |
| title_auth | The Nonnarrated |
| title_exact_search | The Nonnarrated |
| title_exact_search_txtP | The Nonnarrated |
| title_full | The Nonnarrated Wolf Schmid |
| title_fullStr | The Nonnarrated Wolf Schmid |
| title_full_unstemmed | The Nonnarrated Wolf Schmid |
| title_short | The Nonnarrated |
| title_sort | the nonnarrated |
| topic | Prosa (DE-588)4047497-5 gnd Das Verborgene (DE-588)4332619-5 gnd Das Ungesagte (DE-588)1311652817 gnd |
| topic_facet | Prosa Das Verborgene Das Ungesagte |
| url | https://www.degruyter.com/isbn/9783111236575 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034356069&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034356069&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017772165 |
| work_keys_str_mv | AT schmidwolf thenonnarrated AT walterdegruytergmbhcokg thenonnarrated |