Die vielen Hände des Émile Gallé: Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine
This essay examines the display of artistic labour embedded in Émile Gallé's glass objects. As a starting point, it takes the telling discrepancy between Gallé's representation as an artist working in the solitude of his studio in the well-known portrait painted by Victor Prouvé in 1892 an...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | German |
| Veröffentlicht: |
2023
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| Schlagworte: | |
| Zusammenfassung: | This essay examines the display of artistic labour embedded in Émile Gallé's glass objects. As a starting point, it takes the telling discrepancy between Gallé's representation as an artist working in the solitude of his studio in the well-known portrait painted by Victor Prouvé in 1892 and the actual involvement of many hands organized under a strict division of labour in his glass manufactory. His glass objects thus exist somewhere between the logic of the singular work of art and that of serial production. The essay looks closely at Gallé's exhibition practice at the Salon du Champ-de-Mars as well as at his public statements about the making of his glass works in order to trace contemporary negotiations of the relationship between art and industry and, more broadly, notions of what constituted an adequate modern art around 1900. |
| Beschreibung: | Illustrationen |
| ISSN: | 0044-2992 |
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| 520 | 3 | |a This essay examines the display of artistic labour embedded in Émile Gallé's glass objects. As a starting point, it takes the telling discrepancy between Gallé's representation as an artist working in the solitude of his studio in the well-known portrait painted by Victor Prouvé in 1892 and the actual involvement of many hands organized under a strict division of labour in his glass manufactory. His glass objects thus exist somewhere between the logic of the singular work of art and that of serial production. The essay looks closely at Gallé's exhibition practice at the Salon du Champ-de-Mars as well as at his public statements about the making of his glass works in order to trace contemporary negotiations of the relationship between art and industry and, more broadly, notions of what constituted an adequate modern art around 1900. | |
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| id | DE-604.BV049070849 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:27:04Z |
| indexdate | 2024-07-20T06:02:20Z |
| institution | BVB |
| issn | 0044-2992 |
| language | German |
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| physical | Illustrationen |
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| spelling | Kuhn, Léa Verfasser (DE-588)1059462214 aut Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine Léa Kuhn 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier This essay examines the display of artistic labour embedded in Émile Gallé's glass objects. As a starting point, it takes the telling discrepancy between Gallé's representation as an artist working in the solitude of his studio in the well-known portrait painted by Victor Prouvé in 1892 and the actual involvement of many hands organized under a strict division of labour in his glass manufactory. His glass objects thus exist somewhere between the logic of the singular work of art and that of serial production. The essay looks closely at Gallé's exhibition practice at the Salon du Champ-de-Mars as well as at his public statements about the making of his glass works in order to trace contemporary negotiations of the relationship between art and industry and, more broadly, notions of what constituted an adequate modern art around 1900. Zusammenfassung in englischer Sprache Prouvé, Victor 1858-1943 (DE-588)121527581 gnd rswk-swf Gallé, Émile 1846-1904 (DE-588)118537296 gnd rswk-swf Emile Gallé Nancy; Paris (DE-588)5343577-1 gnd rswk-swf Glas (DE-588)4021142-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Atelier Motiv (DE-588)4359961-8 gnd rswk-swf Schaffensprozess (DE-588)7633342-5 gnd rswk-swf Glasherstellung (DE-588)4157441-2 gnd rswk-swf Künstler Motiv (DE-588)4122247-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Serienfertigung (DE-588)4054609-3 gnd rswk-swf Gallé, Émile 1846-1904 (DE-588)118537296 p Glas (DE-588)4021142-3 s Ästhetik (DE-588)4000626-8 s DE-604 Prouvé, Victor 1858-1943 (DE-588)121527581 p Künstler Motiv (DE-588)4122247-7 s Atelier Motiv (DE-588)4359961-8 s Schaffensprozess (DE-588)7633342-5 s Emile Gallé Nancy; Paris (DE-588)5343577-1 b Kunst (DE-588)4114333-4 s Glasherstellung (DE-588)4157441-2 s Serienfertigung (DE-588)4054609-3 s volume:86 number:2 year:2023 pages:224-252 Zeitschrift für Kunstgeschichte München ; Berlin [u.a.], 2023 86. Jahrgang, Heft 2 (2023), Seite 224-252 (DE-604)BV002550916 0044-2992 (DE-600)202972-8 |
| spellingShingle | Kuhn, Léa Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine Prouvé, Victor 1858-1943 (DE-588)121527581 gnd Gallé, Émile 1846-1904 (DE-588)118537296 gnd Emile Gallé Nancy; Paris (DE-588)5343577-1 gnd Glas (DE-588)4021142-3 gnd Ästhetik (DE-588)4000626-8 gnd Atelier Motiv (DE-588)4359961-8 gnd Schaffensprozess (DE-588)7633342-5 gnd Glasherstellung (DE-588)4157441-2 gnd Künstler Motiv (DE-588)4122247-7 gnd Kunst (DE-588)4114333-4 gnd Serienfertigung (DE-588)4054609-3 gnd |
| subject_GND | (DE-588)121527581 (DE-588)118537296 (DE-588)5343577-1 (DE-588)4021142-3 (DE-588)4000626-8 (DE-588)4359961-8 (DE-588)7633342-5 (DE-588)4157441-2 (DE-588)4122247-7 (DE-588)4114333-4 (DE-588)4054609-3 |
| title | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine |
| title_auth | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine |
| title_exact_search | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine |
| title_exact_search_txtP | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine |
| title_full | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine Léa Kuhn |
| title_fullStr | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine Léa Kuhn |
| title_full_unstemmed | Die vielen Hände des Émile Gallé Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine Léa Kuhn |
| title_short | Die vielen Hände des Émile Gallé |
| title_sort | die vielen hande des emile galle produktionsszenarien der glaskunst um 1900 zwischen hand kopf und maschine |
| title_sub | Produktionsszenarien der Glaskunst um 1900 zwischen Hand, Kopf und Maschine |
| topic | Prouvé, Victor 1858-1943 (DE-588)121527581 gnd Gallé, Émile 1846-1904 (DE-588)118537296 gnd Emile Gallé Nancy; Paris (DE-588)5343577-1 gnd Glas (DE-588)4021142-3 gnd Ästhetik (DE-588)4000626-8 gnd Atelier Motiv (DE-588)4359961-8 gnd Schaffensprozess (DE-588)7633342-5 gnd Glasherstellung (DE-588)4157441-2 gnd Künstler Motiv (DE-588)4122247-7 gnd Kunst (DE-588)4114333-4 gnd Serienfertigung (DE-588)4054609-3 gnd |
| topic_facet | Prouvé, Victor 1858-1943 Gallé, Émile 1846-1904 Emile Gallé Nancy; Paris Glas Ästhetik Atelier Motiv Schaffensprozess Glasherstellung Künstler Motiv Kunst Serienfertigung |
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