A medium seen otherwise: photography in documentary film
"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual re...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Oxford University Press
[2023]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"-- |
| Physical Description: | x, 263 Seiten Illustrationen 24 cm |
| ISBN: | 9780190057770 0190057777 9780190057763 0190057769 |
Staff View
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049070422 | ||
| 003 | DE-604 | ||
| 005 | 20240215 | ||
| 007 | t | ||
| 008 | 230728s2023 a||| b||| 00||| eng d | ||
| 020 | |a 9780190057770 |c pbk |9 978-0-19-005777-0 | ||
| 020 | |a 0190057777 |9 0-19-005777-7 | ||
| 020 | |a 9780190057763 |c hbk |9 978-0-19-005776-3 | ||
| 020 | |a 0190057769 |9 0-19-005776-9 | ||
| 035 | |a (OCoLC)1401184705 | ||
| 035 | |a (DE-599)BVBBV049070422 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-B170 |a DE-Y3 |a DE-355 |a DE-19 | ||
| 084 | |a AP 95040 |0 (DE-625)8160: |2 rvk | ||
| 100 | 1 | |a Hallas, Roger |d 1970- |e Verfasser |0 (DE-588)140808698 |4 aut | |
| 245 | 1 | 0 | |a A medium seen otherwise |b photography in documentary film |c Roger Hallas |
| 264 | 1 | |a New York |b Oxford University Press |c [2023] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a x, 263 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"-- | |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dokumentarfilm |0 (DE-588)4012653-5 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Documentary films / History | |
| 653 | 0 | |a Photography in motion pictures | |
| 653 | 0 | |a Documentary films | |
| 653 | 0 | |a Photography in motion pictures | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Dokumentarfilm |0 (DE-588)4012653-5 |D s |
| 689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-005779-4 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034332390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034332390 | ||
Record in the Search Index
| _version_ | 1804185384326791168 |
|---|---|
| adam_text | Contents Acknowledgments About the Companion Website Introduction ix xi 1 1. Photographic Images in Documentary Film 21 2. Filming the Photographic Object 60 3. Filmingthe Photographer 99 4. Discoveries and Restitutions of the Photographic Archive 5. Encounters with Photographic Portraits Conclusion Notes Bibliography Index 136 176 211 217 245 257
|
| adam_txt |
Contents Acknowledgments About the Companion Website Introduction ix xi 1 1. Photographic Images in Documentary Film 21 2. Filming the Photographic Object 60 3. Filmingthe Photographer 99 4. Discoveries and Restitutions of the Photographic Archive 5. Encounters with Photographic Portraits Conclusion Notes Bibliography Index 136 176 211 217 245 257 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Hallas, Roger 1970- |
| author_GND | (DE-588)140808698 |
| author_facet | Hallas, Roger 1970- |
| author_role | aut |
| author_sort | Hallas, Roger 1970- |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | BV049070422 |
| classification_rvk | AP 95040 |
| ctrlnum | (OCoLC)1401184705 (DE-599)BVBBV049070422 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02913nam a22004698c 4500</leader><controlfield tag="001">BV049070422</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240215 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230728s2023 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190057770</subfield><subfield code="c">pbk</subfield><subfield code="9">978-0-19-005777-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0190057777</subfield><subfield code="9">0-19-005777-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190057763</subfield><subfield code="c">hbk</subfield><subfield code="9">978-0-19-005776-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0190057769</subfield><subfield code="9">0-19-005776-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401184705</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049070422</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-B170</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 95040</subfield><subfield code="0">(DE-625)8160:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hallas, Roger</subfield><subfield code="d">1970-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)140808698</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A medium seen otherwise</subfield><subfield code="b">photography in documentary film</subfield><subfield code="c">Roger Hallas</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 263 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dokumentarfilm</subfield><subfield code="0">(DE-588)4012653-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Documentary films</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Photography in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Dokumentarfilm</subfield><subfield code="0">(DE-588)4012653-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-19-005779-4</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034332390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034332390</subfield></datafield></record></collection> |
| id | DE-604.BV049070422 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:26:57Z |
| indexdate | 2024-07-10T09:54:23Z |
| institution | BVB |
| isbn | 9780190057770 0190057777 9780190057763 0190057769 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034332390 |
| oclc_num | 1401184705 |
| open_access_boolean | |
| owner | DE-B170 DE-Y3 DE-355 DE-BY-UBR DE-19 DE-BY-UBM |
| owner_facet | DE-B170 DE-Y3 DE-355 DE-BY-UBR DE-19 DE-BY-UBM |
| physical | x, 263 Seiten Illustrationen 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Hallas, Roger 1970- Verfasser (DE-588)140808698 aut A medium seen otherwise photography in documentary film Roger Hallas New York Oxford University Press [2023] © 2023 x, 263 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"-- Fotografie (DE-588)4045895-7 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Documentary films / History Photography in motion pictures Documentary films History Dokumentarfilm (DE-588)4012653-5 s Fotografie (DE-588)4045895-7 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-005779-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034332390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hallas, Roger 1970- A medium seen otherwise photography in documentary film Fotografie (DE-588)4045895-7 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4012653-5 |
| title | A medium seen otherwise photography in documentary film |
| title_auth | A medium seen otherwise photography in documentary film |
| title_exact_search | A medium seen otherwise photography in documentary film |
| title_exact_search_txtP | A medium seen otherwise photography in documentary film |
| title_full | A medium seen otherwise photography in documentary film Roger Hallas |
| title_fullStr | A medium seen otherwise photography in documentary film Roger Hallas |
| title_full_unstemmed | A medium seen otherwise photography in documentary film Roger Hallas |
| title_short | A medium seen otherwise |
| title_sort | a medium seen otherwise photography in documentary film |
| title_sub | photography in documentary film |
| topic | Fotografie (DE-588)4045895-7 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | Fotografie Dokumentarfilm |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034332390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hallasroger amediumseenotherwisephotographyindocumentaryfilm |