A medium seen otherwise: photography in documentary film
"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual re...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"-- |
| Beschreibung: | x, 263 Seiten Illustrationen 24 cm |
| ISBN: | 9780190057770 0190057777 9780190057763 0190057769 |
Internformat
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| 520 | 3 | |a "Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"-- | |
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| 653 | 0 | |a Documentary films / History | |
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| 653 | 0 | |a Documentary films | |
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Datensatz im Suchindex
| _version_ | 1804185384326791168 |
|---|---|
| adam_text | Contents Acknowledgments About the Companion Website Introduction ix xi 1 1. Photographic Images in Documentary Film 21 2. Filming the Photographic Object 60 3. Filmingthe Photographer 99 4. Discoveries and Restitutions of the Photographic Archive 5. Encounters with Photographic Portraits Conclusion Notes Bibliography Index 136 176 211 217 245 257
|
| adam_txt |
Contents Acknowledgments About the Companion Website Introduction ix xi 1 1. Photographic Images in Documentary Film 21 2. Filming the Photographic Object 60 3. Filmingthe Photographer 99 4. Discoveries and Restitutions of the Photographic Archive 5. Encounters with Photographic Portraits Conclusion Notes Bibliography Index 136 176 211 217 245 257 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Hallas, Roger 1970- |
| author_GND | (DE-588)140808698 |
| author_facet | Hallas, Roger 1970- |
| author_role | aut |
| author_sort | Hallas, Roger 1970- |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | BV049070422 |
| classification_rvk | AP 95040 |
| ctrlnum | (OCoLC)1401184705 (DE-599)BVBBV049070422 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T22:26:57Z |
| indexdate | 2024-07-10T09:54:23Z |
| institution | BVB |
| isbn | 9780190057770 0190057777 9780190057763 0190057769 |
| language | English |
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| physical | x, 263 Seiten Illustrationen 24 cm |
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| spelling | Hallas, Roger 1970- Verfasser (DE-588)140808698 aut A medium seen otherwise photography in documentary film Roger Hallas New York Oxford University Press [2023] © 2023 x, 263 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"-- Fotografie (DE-588)4045895-7 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Documentary films / History Photography in motion pictures Documentary films History Dokumentarfilm (DE-588)4012653-5 s Fotografie (DE-588)4045895-7 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-005779-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034332390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hallas, Roger 1970- A medium seen otherwise photography in documentary film Fotografie (DE-588)4045895-7 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4012653-5 |
| title | A medium seen otherwise photography in documentary film |
| title_auth | A medium seen otherwise photography in documentary film |
| title_exact_search | A medium seen otherwise photography in documentary film |
| title_exact_search_txtP | A medium seen otherwise photography in documentary film |
| title_full | A medium seen otherwise photography in documentary film Roger Hallas |
| title_fullStr | A medium seen otherwise photography in documentary film Roger Hallas |
| title_full_unstemmed | A medium seen otherwise photography in documentary film Roger Hallas |
| title_short | A medium seen otherwise |
| title_sort | a medium seen otherwise photography in documentary film |
| title_sub | photography in documentary film |
| topic | Fotografie (DE-588)4045895-7 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | Fotografie Dokumentarfilm |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034332390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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