With choices like these, who needs enemies ?: The Piano, women's articulations, melodrama, and the woman's film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
1999
|
| Beschreibung: | Part 1. Gender, psychoanalysis, melodrama |
| ISBN: | 1-86462-035-8 |
Internformat
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| spelling | Robinson, Neil (DE-588)1188254545 aut With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film Neil Robinson 1999 txt rdacontent n rdamedia nc rdacarrier Part 1. Gender, psychoanalysis, melodrama pages:19-43 Piano lessons / Felicity Coombs ... London u.a., 1999 Seite 19-43 Southern Screen Classics ; 1 (DE-604)BV013253406 1-86462-035-8 |
| spellingShingle | Robinson, Neil With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film |
| title | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film |
| title_auth | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film |
| title_exact_search | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film |
| title_exact_search_txtP | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film |
| title_full | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film Neil Robinson |
| title_fullStr | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film Neil Robinson |
| title_full_unstemmed | With choices like these, who needs enemies ? The Piano, women's articulations, melodrama, and the woman's film Neil Robinson |
| title_short | With choices like these, who needs enemies ? |
| title_sort | with choices like these who needs enemies the piano women s articulations melodrama and the woman s film |
| title_sub | The Piano, women's articulations, melodrama, and the woman's film |
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