Voice machines: the castrato, the cat piano, and other strange sounds
"The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely stron...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago, IL ; London
The University of Chicago Press
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"-- |
| Beschreibung: | ix, 416 Seiten Illustrationen 24 cm |
| ISBN: | 9780226825144 |
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| 505 | 8 | |a Prologue -- Sounds like ... : assembling the sound world. Orfobot : automated Orpheus ; the death of a cicada -- Feedback loops : entanglements of voices and instruments. Intermedio : the cat piano; Organoscope : telescoping sound; Organs and organs; Into the garden -- Roman reverb and sea changes. When in Rome : the castrato as a special effect; On the cusp; More than one sex -- Out of synch. Time travel/liquid ecstatics; Cyborg echoes -- Epilogue : cadential hauntings | |
| 520 | 3 | |a "The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS List of Illustrations · vii Note to the Reader ♦ xi PROLOGUE·1 SOUNDS LIKE . ASSEMBLING THE SOUND WORLD i · Orfobot: Automated Orpheus * 29 2 ♦ The Death of a Cicada · 62 FEEDBACK LOOPS: ENTANGLEMENTS OF VOICES AND INSTRUMENTS intermedio «The Cat Piano · 91 3 · Organoscope: Telescoping Sound · 98 4 * Organs and Organs » 113 5 · Into the Garden ♦ 130 ROMAN REVERB AND SEA CHANGES б ♦ When in Rome: The Castrato as Special Effect ♦ 143 7 * On the Cusp · 176 8 ♦ More Than One Sex · 205 OUT OF SYNCH 9 · Time Travel / Liquid Ecstatics ♦ 233 10 · Cyborg Echoes » 266 epilogue · Cadential Hauntings · 285 Acknowledgments · 297 Notes ♦ 303 Bibliography · 367 Index · 401 |
| adam_txt |
CONTENTS List of Illustrations · vii Note to the Reader ♦ xi PROLOGUE·1 SOUNDS LIKE . ASSEMBLING THE SOUND WORLD i · Orfobot: Automated Orpheus * 29 2 ♦ The Death of a Cicada · 62 FEEDBACK LOOPS: ENTANGLEMENTS OF VOICES AND INSTRUMENTS intermedio «The Cat Piano · 91 3 · Organoscope: Telescoping Sound · 98 4 * Organs and Organs » 113 5 · Into the Garden ♦ 130 ROMAN REVERB AND SEA CHANGES б ♦ When in Rome: The Castrato as Special Effect ♦ 143 7 * On the Cusp · 176 8 ♦ More Than One Sex · 205 OUT OF SYNCH 9 · Time Travel / Liquid Ecstatics ♦ 233 10 · Cyborg Echoes » 266 epilogue · Cadential Hauntings · 285 Acknowledgments · 297 Notes ♦ 303 Bibliography · 367 Index · 401 |
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| author | Gordon, Bonnie 1968- |
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| bvnumber | BV049018332 |
| contents | Prologue -- Sounds like ... : assembling the sound world. Orfobot : automated Orpheus ; the death of a cicada -- Feedback loops : entanglements of voices and instruments. Intermedio : the cat piano; Organoscope : telescoping sound; Organs and organs; Into the garden -- Roman reverb and sea changes. When in Rome : the castrato as a special effect; On the cusp; More than one sex -- Out of synch. Time travel/liquid ecstatics; Cyborg echoes -- Epilogue : cadential hauntings |
| ctrlnum | (OCoLC)1379091946 (DE-599)BVBBV049018332 |
| era | Geschichte 1580-1800 gnd |
| era_facet | Geschichte 1580-1800 |
| format | Book |
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| index_date | 2024-07-03T22:13:24Z |
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| spelling | Gordon, Bonnie 1968- Verfasser (DE-588)1100577033 aut Voice machines the castrato, the cat piano, and other strange sounds Bonnie Gordon Chicago, IL ; London The University of Chicago Press 2023 ix, 416 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Prologue -- Sounds like ... : assembling the sound world. Orfobot : automated Orpheus ; the death of a cicada -- Feedback loops : entanglements of voices and instruments. Intermedio : the cat piano; Organoscope : telescoping sound; Organs and organs; Into the garden -- Roman reverb and sea changes. When in Rome : the castrato as a special effect; On the cusp; More than one sex -- Out of synch. Time travel/liquid ecstatics; Cyborg echoes -- Epilogue : cadential hauntings "The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"-- Geschichte 1580-1800 gnd rswk-swf Technologie (DE-588)4059276-5 gnd rswk-swf Kastrat (DE-588)4163406-8 gnd rswk-swf Mechanisches Musikinstrument (DE-588)4129391-5 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Castrati / Italy / History Castrati / History Singing / Italy / History / 16th century Singing / Italy / History / 17th century Singing / Italy / History / 18th century Music and technology / Italy / History / 17th century Rome (Italy) / Civilization / 17th century MUSIC / History & Criticism Castrati Civilization Music and technology Singing Italy Italy / Rome 1500-1799 History Italien (DE-588)4027833-5 g Rom (DE-588)4050471-2 g Kastrat (DE-588)4163406-8 s Gesang (DE-588)4020470-4 s Mechanisches Musikinstrument (DE-588)4129391-5 s Technologie (DE-588)4059276-5 s Geschichte 1580-1800 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034281263&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gordon, Bonnie 1968- Voice machines the castrato, the cat piano, and other strange sounds Prologue -- Sounds like ... : assembling the sound world. Orfobot : automated Orpheus ; the death of a cicada -- Feedback loops : entanglements of voices and instruments. Intermedio : the cat piano; Organoscope : telescoping sound; Organs and organs; Into the garden -- Roman reverb and sea changes. When in Rome : the castrato as a special effect; On the cusp; More than one sex -- Out of synch. Time travel/liquid ecstatics; Cyborg echoes -- Epilogue : cadential hauntings Technologie (DE-588)4059276-5 gnd Kastrat (DE-588)4163406-8 gnd Mechanisches Musikinstrument (DE-588)4129391-5 gnd Gesang (DE-588)4020470-4 gnd |
| subject_GND | (DE-588)4059276-5 (DE-588)4163406-8 (DE-588)4129391-5 (DE-588)4020470-4 (DE-588)4050471-2 (DE-588)4027833-5 |
| title | Voice machines the castrato, the cat piano, and other strange sounds |
| title_auth | Voice machines the castrato, the cat piano, and other strange sounds |
| title_exact_search | Voice machines the castrato, the cat piano, and other strange sounds |
| title_exact_search_txtP | Voice machines the castrato, the cat piano, and other strange sounds |
| title_full | Voice machines the castrato, the cat piano, and other strange sounds Bonnie Gordon |
| title_fullStr | Voice machines the castrato, the cat piano, and other strange sounds Bonnie Gordon |
| title_full_unstemmed | Voice machines the castrato, the cat piano, and other strange sounds Bonnie Gordon |
| title_short | Voice machines |
| title_sort | voice machines the castrato the cat piano and other strange sounds |
| title_sub | the castrato, the cat piano, and other strange sounds |
| topic | Technologie (DE-588)4059276-5 gnd Kastrat (DE-588)4163406-8 gnd Mechanisches Musikinstrument (DE-588)4129391-5 gnd Gesang (DE-588)4020470-4 gnd |
| topic_facet | Technologie Kastrat Mechanisches Musikinstrument Gesang Rom Italien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034281263&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT gordonbonnie voicemachinesthecastratothecatpianoandotherstrangesounds |