The Routledge companion to decolonizing art history:
"This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - th...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2024
|
| Schriftenreihe: | Routledge companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies." |
| Beschreibung: | xv, 609 Seiten Illustrationen 25,4 cm |
| ISBN: | 9780367714819 9780367714826 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049013787 | ||
| 003 | DE-604 | ||
| 005 | 20240418 | ||
| 007 | t | ||
| 008 | 230621s2024 a||| |||| 00||| eng d | ||
| 020 | |a 9780367714819 |c hardback |9 978-0-367-71481-9 | ||
| 020 | |a 9780367714826 |c paperback |9 978-0-367-71482-6 | ||
| 035 | |a (OCoLC)1408822919 | ||
| 035 | |a (DE-599)BVBBV049013787 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 |a DE-12 | ||
| 084 | |a LH 62000 |0 (DE-625)94235: |2 rvk | ||
| 245 | 1 | 0 | |a The Routledge companion to decolonizing art history |c edited by Tatiana Flores, Florencia San Martin and Charlene Villaseñor Black |
| 246 | 1 | 3 | |a Companion to decolonizing art history |
| 246 | 1 | 3 | |a Decolonizing art history |
| 264 | 1 | |a New York ; London |b Routledge |c 2024 | |
| 300 | |a xv, 609 Seiten |b Illustrationen |c 25,4 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge companions | |
| 520 | 3 | |a "This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies." | |
| 650 | 0 | 7 | |a Kunstwissenschaft |0 (DE-588)4120632-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Entkolonialisierung |0 (DE-588)4070860-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Forschungsmethode |0 (DE-588)4155046-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschichte |0 (DE-588)4020517-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Geschichte |0 (DE-588)4020517-4 |D s |
| 689 | 0 | 2 | |a Entkolonialisierung |0 (DE-588)4070860-3 |D s |
| 689 | 0 | 3 | |a Forschungsmethode |0 (DE-588)4155046-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Kunstwissenschaft |0 (DE-588)4120632-0 |D s |
| 689 | 1 | 1 | |a Entkolonialisierung |0 (DE-588)4070860-3 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Flores, Tatiana |0 (DE-588)13705906X |4 edt |4 win |4 aut | |
| 700 | 1 | |a San Martín, Florencia |d 1982- |0 (DE-588)1323847162 |4 edt |4 win |4 aut | |
| 700 | 1 | |a Black, Charlene Villaseñor |d 1962- |0 (DE-588)132363798 |4 edt |4 win | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Paperback |z 978-0-367-71482-6 |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Paperback |z 978-0-367-71482-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-15226-2 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034276787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805069601251262464 |
|---|---|
| adam_text |
CONTENTS xii List of contributors SECTION I Introduction 1 Introduction Tatiana Flores, Florencia San Martin, and Charlene Villasenor Black 3 SECTION П Being and Doing 47 1 Writing Art History in the Age of Black Lives Matter Eddie Chambers 2 Being an Indigenous Art Historian in the Twenty-First Century: How Can Maori Adornment Reveal New Ways of Thinking about Art, Its Histories, and Futures Ngarino Ellis 3 Reinvention at the Wheel: Shaping New Histories in the Decolonization of Disability Amanda Cachia 4 The Power of Absence: An Interview with Ken Gonzales-Day Tatiana Flores vii 49 61 73 84
Contents 5 Art in Paradise Found and Lost LeGrace Benson 96 6 The Maquette-Modèles of Bodys Isek Kingelez: Creole Visions of Decolonial Monuments Sandrine Colard 105 7 Decolonizing La Revolution: Cuban Artistic Practice in a Liminal Space Maria de Lourdes Marino Fernandez 117 8 Museums Are Temples of Whiteness Sumaya Kassim 128 9 Stepping Out of the Shadow of Imperial Monochrony: A PlaceCentric Approach to Decolonizing Japanese Art History Akiko Walley 139 10 On Failure and the Nation-State: A Decolonial Reading of Alfredo Jaar’s A Logo for America Florencia San Martin 151 11 Light as a Feather: The Anti-Capitalist Radiance of Decolonial Art History Wendy M. K. Shaw 164 SECTION П1 183 Learning and Listening 12 Where’s Decolonization? The Ohketeau Cultural Center, Indigenous Sovereignty, and Arts Institutions Rhonda Anderson and Larry Spotted Crow Mann, with Jonathan P. Eburne, Stacy Klein, and Carlos Uriona 185 13 Overcoming Art History’s Meta-Narrative Deborah Hutton 14 Pathways to Art History: Pedagogy, Research, and Praxis through a Decolonial Lens Ananda Cohen-Aponte 15 Pedagogies of Place: Listening and Learning in the Margins Keg de Souza viii 196 207 218
Contents 16 The Unbearable Lightness of Adjuncting Art History Claire Raymond 228 17 Decolonial Cinematic Flows: Histories, Movements, Confluences Dalida Maria Benfield 240 18 Re-indigenizing Ancient Mexican Glyphic Codices Felicia Rhapsody Lopez 251 19 (Not) Performing Pasifika Indigeneity: Destabilizing the Researcher as Decolonizing Method in Art History Amelia Jones 263 20 Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing Roshini Kempadoo 274 21 Decolonizing California Mission Art and Architecture Studies Yue Chavez 22 Radical Pedagogy: Environmental Performances and the Politics of Hope Jane Chin Davidson 286 297 SECTION IV Sensing and Seeing 313 23 Spooky Art History (or, Whatever Happened to the Postcolonial?) Kajri Jain 315 24 Spatial Abstraction as a Colonizing Tool Fernando Luiz Lara 331 25 Dishumanizing Art History? Carolyn Dean 342 26 The Digital Voice as Postcolonial Proxy Pamela N. Corey 353 27 Reflecting on Whiteness in Recent Contemporary Artwork Exploring Transnational Poland Alpesh Kantilal Patel ix 363
Contents 28 Racialization, Creolization, and Minor Transnationalism: Black and Indigenous Exchange in Spanish Colonial Visual Culture Elena FitzPatrick Sifford 374 29 The Imperial Landscape of Eighteenth-Century Anglo-Indian Portraiture Zirwat Chowdhury 385 30 Unseeing Art History: Inca Material Culture Andrew James Hamilton 31 Debility and the Ethics of Proximity: Spatial and Temporal Immediacy in the Work of Candice Lin Hentyle Yapp 398 409 32 Decolonizing Crocodiles, Repatriating Birds: Human-Animal Relations in the Indian Landscape Tamara Sears 419 33 “We Are So Many Bodies, My Friends”: Countervisibility as Resurgent Tactics Sarita Echavez See 432 SECTION V Living and Loving 445 34 “She Carried with Her . A Large Bundle of Wearing Apparel Belonging to Herself”: Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements Charmaine A. Nelson 35 Rina Banerjee’s Decolonial Ecologies Rebecca M. Brown 36 The Teaching Is in the Making: A Relational and Embodied Experience of Anishinaabe Photographs Celeste Pedri-Spade 37 Reflections on a Latinx Decolonial Praxis for Medievalists Roland Betancourt X 447 459 470 482
Contents 38 The Waters Surrounding Wallmapu, the Waters Surrounding Life Seba Calfuqueo 493 39 Dialogical Episodes for Decolonizing (Art) History Ana Maria Reyes 503 40 Inner Spaces: The Depth Imagination Elizabeth DeLoughrey 519 41 Maria Auxiliadora da Silva: Nossa Mae Maria of Terreiro Life and Faith on Black Grounds Genevieve Hyacinthe 531 42 Michael Richards: Performance as Ritual and Black-Indigenous Haptic Visuality Gigi Otdlvaro-Hormillosa 544 43 Bittersweet Histories and Tarnished Gold: Slavery’s Sounds, Sights, and Silences in the Legacy of Dutch Brazil Anuradha Gobin 44 A Personal Take, or Stuck in the Middle/Side and Going Nowhere: An Attempt at Imagining a Methodology for Engaging Colonial Photographic Archives, Histories, and Subjectivities George Mahashe 555 568 SECTION VI Afterword 581 45 Towards a Combative Decolonial Aesthetics Nelson Maldonado-Torres 583 Index 591 xi |
| adam_txt |
CONTENTS xii List of contributors SECTION I Introduction 1 Introduction Tatiana Flores, Florencia San Martin, and Charlene Villasenor Black 3 SECTION П Being and Doing 47 1 Writing Art History in the Age of Black Lives Matter Eddie Chambers 2 Being an Indigenous Art Historian in the Twenty-First Century: How Can Maori Adornment Reveal New Ways of Thinking about Art, Its Histories, and Futures Ngarino Ellis 3 Reinvention at the Wheel: Shaping New Histories in the Decolonization of Disability Amanda Cachia 4 The Power of Absence: An Interview with Ken Gonzales-Day Tatiana Flores vii 49 61 73 84
Contents 5 Art in Paradise Found and Lost LeGrace Benson 96 6 The Maquette-Modèles of Bodys Isek Kingelez: Creole Visions of Decolonial Monuments Sandrine Colard 105 7 Decolonizing La Revolution: Cuban Artistic Practice in a Liminal Space Maria de Lourdes Marino Fernandez 117 8 Museums Are Temples of Whiteness Sumaya Kassim 128 9 Stepping Out of the Shadow of Imperial Monochrony: A PlaceCentric Approach to Decolonizing Japanese Art History Akiko Walley 139 10 On Failure and the Nation-State: A Decolonial Reading of Alfredo Jaar’s A Logo for America Florencia San Martin 151 11 Light as a Feather: The Anti-Capitalist Radiance of Decolonial Art History Wendy M. K. Shaw 164 SECTION П1 183 Learning and Listening 12 Where’s Decolonization? The Ohketeau Cultural Center, Indigenous Sovereignty, and Arts Institutions Rhonda Anderson and Larry Spotted Crow Mann, with Jonathan P. Eburne, Stacy Klein, and Carlos Uriona 185 13 Overcoming Art History’s Meta-Narrative Deborah Hutton 14 Pathways to Art History: Pedagogy, Research, and Praxis through a Decolonial Lens Ananda Cohen-Aponte 15 Pedagogies of Place: Listening and Learning in the Margins Keg de Souza viii 196 207 218
Contents 16 The Unbearable Lightness of Adjuncting Art History Claire Raymond 228 17 Decolonial Cinematic Flows: Histories, Movements, Confluences Dalida Maria Benfield 240 18 Re-indigenizing Ancient Mexican Glyphic Codices Felicia Rhapsody Lopez 251 19 (Not) Performing Pasifika Indigeneity: Destabilizing the Researcher as Decolonizing Method in Art History Amelia Jones 263 20 Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing Roshini Kempadoo 274 21 Decolonizing California Mission Art and Architecture Studies Yue Chavez 22 Radical Pedagogy: Environmental Performances and the Politics of Hope Jane Chin Davidson 286 297 SECTION IV Sensing and Seeing 313 23 Spooky Art History (or, Whatever Happened to the Postcolonial?) Kajri Jain 315 24 Spatial Abstraction as a Colonizing Tool Fernando Luiz Lara 331 25 Dishumanizing Art History? Carolyn Dean 342 26 The Digital Voice as Postcolonial Proxy Pamela N. Corey 353 27 Reflecting on Whiteness in Recent Contemporary Artwork Exploring Transnational Poland Alpesh Kantilal Patel ix 363
Contents 28 Racialization, Creolization, and Minor Transnationalism: Black and Indigenous Exchange in Spanish Colonial Visual Culture Elena FitzPatrick Sifford 374 29 The Imperial Landscape of Eighteenth-Century Anglo-Indian Portraiture Zirwat Chowdhury 385 30 Unseeing Art History: Inca Material Culture Andrew James Hamilton 31 Debility and the Ethics of Proximity: Spatial and Temporal Immediacy in the Work of Candice Lin Hentyle Yapp 398 409 32 Decolonizing Crocodiles, Repatriating Birds: Human-Animal Relations in the Indian Landscape Tamara Sears 419 33 “We Are So Many Bodies, My Friends”: Countervisibility as Resurgent Tactics Sarita Echavez See 432 SECTION V Living and Loving 445 34 “She Carried with Her . A Large Bundle of Wearing Apparel Belonging to Herself”: Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements Charmaine A. Nelson 35 Rina Banerjee’s Decolonial Ecologies Rebecca M. Brown 36 The Teaching Is in the Making: A Relational and Embodied Experience of Anishinaabe Photographs Celeste Pedri-Spade 37 Reflections on a Latinx Decolonial Praxis for Medievalists Roland Betancourt X 447 459 470 482
Contents 38 The Waters Surrounding Wallmapu, the Waters Surrounding Life Seba Calfuqueo 493 39 Dialogical Episodes for Decolonizing (Art) History Ana Maria Reyes 503 40 Inner Spaces: The Depth Imagination Elizabeth DeLoughrey 519 41 Maria Auxiliadora da Silva: Nossa Mae Maria of Terreiro Life and Faith on Black Grounds Genevieve Hyacinthe 531 42 Michael Richards: Performance as Ritual and Black-Indigenous Haptic Visuality Gigi Otdlvaro-Hormillosa 544 43 Bittersweet Histories and Tarnished Gold: Slavery’s Sounds, Sights, and Silences in the Legacy of Dutch Brazil Anuradha Gobin 44 A Personal Take, or Stuck in the Middle/Side and Going Nowhere: An Attempt at Imagining a Methodology for Engaging Colonial Photographic Archives, Histories, and Subjectivities George Mahashe 555 568 SECTION VI Afterword 581 45 Towards a Combative Decolonial Aesthetics Nelson Maldonado-Torres 583 Index 591 xi |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Flores, Tatiana San Martín, Florencia 1982- |
| author2 | Flores, Tatiana San Martín, Florencia 1982- Black, Charlene Villaseñor 1962- |
| author2_role | edt edt edt |
| author2_variant | t f tf m f s mf mfs c v b cv cvb |
| author_GND | (DE-588)13705906X (DE-588)1323847162 (DE-588)132363798 |
| author_facet | Flores, Tatiana San Martín, Florencia 1982- Flores, Tatiana San Martín, Florencia 1982- Black, Charlene Villaseñor 1962- |
| author_role | aut aut |
| author_sort | Flores, Tatiana |
| author_variant | t f tf m f s mf mfs |
| building | Verbundindex |
| bvnumber | BV049013787 |
| classification_rvk | LH 62000 |
| ctrlnum | (OCoLC)1408822919 (DE-599)BVBBV049013787 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049013787</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240418</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230621s2024 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367714819</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-367-71481-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367714826</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-367-71482-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1408822919</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049013787</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 62000</subfield><subfield code="0">(DE-625)94235:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Routledge companion to decolonizing art history</subfield><subfield code="c">edited by Tatiana Flores, Florencia San Martin and Charlene Villaseñor Black</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Companion to decolonizing art history</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Decolonizing art history</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xv, 609 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">25,4 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge companions</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies."</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstwissenschaft</subfield><subfield code="0">(DE-588)4120632-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Entkolonialisierung</subfield><subfield code="0">(DE-588)4070860-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Forschungsmethode</subfield><subfield code="0">(DE-588)4155046-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Entkolonialisierung</subfield><subfield code="0">(DE-588)4070860-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Forschungsmethode</subfield><subfield code="0">(DE-588)4155046-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunstwissenschaft</subfield><subfield code="0">(DE-588)4120632-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Entkolonialisierung</subfield><subfield code="0">(DE-588)4070860-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Flores, Tatiana</subfield><subfield code="0">(DE-588)13705906X</subfield><subfield code="4">edt</subfield><subfield code="4">win</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">San Martín, Florencia</subfield><subfield code="d">1982-</subfield><subfield code="0">(DE-588)1323847162</subfield><subfield code="4">edt</subfield><subfield code="4">win</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Black, Charlene Villaseñor</subfield><subfield code="d">1962-</subfield><subfield code="0">(DE-588)132363798</subfield><subfield code="4">edt</subfield><subfield code="4">win</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-367-71482-6</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-367-71482-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-003-15226-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034276787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV049013787 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:12:25Z |
| indexdate | 2024-07-20T04:08:38Z |
| institution | BVB |
| isbn | 9780367714819 9780367714826 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034276787 |
| oclc_num | 1408822919 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-12 |
| owner_facet | DE-355 DE-BY-UBR DE-12 |
| physical | xv, 609 Seiten Illustrationen 25,4 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge companions |
| spelling | The Routledge companion to decolonizing art history edited by Tatiana Flores, Florencia San Martin and Charlene Villaseñor Black Companion to decolonizing art history Decolonizing art history New York ; London Routledge 2024 xv, 609 Seiten Illustrationen 25,4 cm txt rdacontent n rdamedia nc rdacarrier Routledge companions "This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies." Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Forschungsmethode (DE-588)4155046-8 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Geschichte (DE-588)4020517-4 s Entkolonialisierung (DE-588)4070860-3 s Forschungsmethode (DE-588)4155046-8 s DE-604 Kunstwissenschaft (DE-588)4120632-0 s Flores, Tatiana (DE-588)13705906X edt win aut San Martín, Florencia 1982- (DE-588)1323847162 edt win aut Black, Charlene Villaseñor 1962- (DE-588)132363798 edt win Äquivalent Druck-Ausgabe, Paperback 978-0-367-71482-6 Erscheint auch als Online-Ausgabe 978-1-003-15226-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034276787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Flores, Tatiana San Martín, Florencia 1982- The Routledge companion to decolonizing art history Kunstwissenschaft (DE-588)4120632-0 gnd Entkolonialisierung (DE-588)4070860-3 gnd Kunst (DE-588)4114333-4 gnd Forschungsmethode (DE-588)4155046-8 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4120632-0 (DE-588)4070860-3 (DE-588)4114333-4 (DE-588)4155046-8 (DE-588)4020517-4 (DE-588)4143413-4 |
| title | The Routledge companion to decolonizing art history |
| title_alt | Companion to decolonizing art history Decolonizing art history |
| title_auth | The Routledge companion to decolonizing art history |
| title_exact_search | The Routledge companion to decolonizing art history |
| title_exact_search_txtP | The Routledge companion to decolonizing art history |
| title_full | The Routledge companion to decolonizing art history edited by Tatiana Flores, Florencia San Martin and Charlene Villaseñor Black |
| title_fullStr | The Routledge companion to decolonizing art history edited by Tatiana Flores, Florencia San Martin and Charlene Villaseñor Black |
| title_full_unstemmed | The Routledge companion to decolonizing art history edited by Tatiana Flores, Florencia San Martin and Charlene Villaseñor Black |
| title_short | The Routledge companion to decolonizing art history |
| title_sort | the routledge companion to decolonizing art history |
| topic | Kunstwissenschaft (DE-588)4120632-0 gnd Entkolonialisierung (DE-588)4070860-3 gnd Kunst (DE-588)4114333-4 gnd Forschungsmethode (DE-588)4155046-8 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Kunstwissenschaft Entkolonialisierung Kunst Forschungsmethode Geschichte Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034276787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT florestatiana theroutledgecompaniontodecolonizingarthistory AT sanmartinflorencia theroutledgecompaniontodecolonizingarthistory AT blackcharlenevillasenor theroutledgecompaniontodecolonizingarthistory AT florestatiana companiontodecolonizingarthistory AT sanmartinflorencia companiontodecolonizingarthistory AT blackcharlenevillasenor companiontodecolonizingarthistory AT florestatiana decolonizingarthistory AT sanmartinflorencia decolonizingarthistory AT blackcharlenevillasenor decolonizingarthistory |