Contact languages and music:
Language and music are connected in many ways. As social and cultural practices, they have been intertwined in multiple ways. Musical and linguistic practices are often intertwined to express distinct and complex identities, attitudes, ideologies, social roles and political views. Spaces characteriz...
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Format: | Buch |
Sprache: | English |
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Kingston
The University of the West Indies Press
[2022]
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Language and music are connected in many ways. As social and cultural practices, they have been intertwined in multiple ways. Musical and linguistic practices are often intertwined to express distinct and complex identities, attitudes, ideologies, social roles and political views. Spaces characterized by migration, contact, multilingualism, and colonial inequalities, are particularly interesting for the study of the intersections between language and music.This volume is the first book-length account of contact languages and music. It offers a stimulating collection of contributions on different territories, multiple musical genres and topics, and various methodological approaches. The chapters address myriad topics such as nationality, ethnicity, identity, gender, migration and diaspora |
Beschreibung: | - 1. Introduction; - Part 1 Language, Music and Identity; - 2. Discoursing the State of a Caribbean Nation; - 3. "Dennery Segment ka mennen": Exploring the Dominance of Creole Languages in St Lucian Popular Music; - 4. Singing in Creole or Portuguese?: Santomean Musical Manifestations; - 5. Wi Ful a Patan: A Quantitative Approach to Language Use in Jamaican Popular Music; - 6. Styling through Rhyming: Gender and Vowel Variation in Jamaican Dancehall Lyrics; - 7. Language Use in Peter Ram’s Soca Performances; - 8. Singing the King’s Creole: The (Ethno)Linguistic Repertoire of Clifton Chenier; - Part 2 Translocal Perspectives; - 9. Rap Kriolu Revisited: From the Transnational Diaspora to Cape Verde and Back; - 10. Authentic Crossing?: Jamaican Creole in African Dancehall; - 11. Jamaican in Transatlantic Contact Spaces: Linguistic Practices in African Reggae, Dancehall and Other Popular Musics; - 12. Jamaric Reggae: Jamaican Speech Forms in Contemporary Ethiopian Reggae Music; - 13. Caribbean Identity in Pop Music: Rihanna’s and Nicki Minaj’s Multivocal Pop Personas; - List of Contributors; - Index |
Beschreibung: | vi, 342 Seiten Illustrationen, Diagramme |
ISBN: | 9789766409234 |
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500 | |a - 1. Introduction; - Part 1 Language, Music and Identity; - 2. Discoursing the State of a Caribbean Nation; - 3. "Dennery Segment ka mennen": Exploring the Dominance of Creole Languages in St Lucian Popular Music; - 4. Singing in Creole or Portuguese?: Santomean Musical Manifestations; - 5. Wi Ful a Patan: A Quantitative Approach to Language Use in Jamaican Popular Music; - 6. Styling through Rhyming: Gender and Vowel Variation in Jamaican Dancehall Lyrics; - 7. Language Use in Peter Ram’s Soca Performances; - 8. Singing the King’s Creole: The (Ethno)Linguistic Repertoire of Clifton Chenier; - Part 2 Translocal Perspectives; - 9. Rap Kriolu Revisited: From the Transnational Diaspora to Cape Verde and Back; - 10. Authentic Crossing?: Jamaican Creole in African Dancehall; - 11. Jamaican in Transatlantic Contact Spaces: Linguistic Practices in African Reggae, Dancehall and Other Popular Musics; - 12. Jamaric Reggae: Jamaican Speech Forms in Contemporary Ethiopian Reggae Music; - 13. Caribbean Identity in Pop Music: Rihanna’s and Nicki Minaj’s Multivocal Pop Personas; - List of Contributors; - Index | ||
520 | |a Language and music are connected in many ways. As social and cultural practices, they have been intertwined in multiple ways. Musical and linguistic practices are often intertwined to express distinct and complex identities, attitudes, ideologies, social roles and political views. Spaces characterized by migration, contact, multilingualism, and colonial inequalities, are particularly interesting for the study of the intersections between language and music.This volume is the first book-length account of contact languages and music. It offers a stimulating collection of contributions on different territories, multiple musical genres and topics, and various methodological approaches. The chapters address myriad topics such as nationality, ethnicity, identity, gender, migration and diaspora | ||
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adam_text | Contents i. Part 1 Introduction 1 Joseph T. Farquharson, Andrea Hollington and Byron Μ. Jones Jr. Language, Music and Identity 2. Discoursing the State of a Caribbean Nation 17 Hubert Devonish 3. “Dennery Segment ka mennen”: Exploring the Dominance of Creole Languages in St Lucian Popular Music 37 Ronald T. Francis and R. Sandra Evans 4. Singing in Creole or Portuguese?: Santomean Musical Manifestations 64 Marie-Eve Bouchard 5. Wi Ful a Patan: A Quantitative Approach to Language Use in Jamaican Popular Music 89 Byron Μ. Jones Jr. 6. Styling through Rhyming: Gender and Vowel Variation in Jamaican Dancehall Lyrics 103 Nickesha Dawkins 7. Language Use in Peter Ram’s Soca Performances 138 Cuyanne Wilson 8. Singing the King’s Creole: The (Ethno) Linguistic Repertoire of Clifton Chenier 159 Nathan A. Wendte Part 2 9. Translocal Perspectives Rap Kriolu Revisited: From the Transnational Diaspora to Cape Verde and Back 193 Christina Märzhäuser
vi I Contents io. Authentic Crossing?: Jamaican Creole in African Dancehall 231 Anika Gerfer 11. Jamaican in Transatlantic Contact Spaces: Linguistic Practices in African Reggae, Dancehall and Other Popular Musics 258 Andrea Hollington 12. Jamaric Reggae: Jamaican Speech Forms in Contemporary Ethiopian Reggae Music 284 Renato Tomei 13. Caribbean Identity in Pop Music: Rihanna’s and Nicki Minaj’s Multivocal Pop Personas 313 Lisa Jansen and Michael Westphal List of Contributors 337 Index 339
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adam_txt |
Contents i. Part 1 Introduction \ 1 Joseph T. Farquharson, Andrea Hollington and Byron Μ. Jones Jr. Language, Music and Identity 2. Discoursing the State of a Caribbean Nation \ 17 Hubert Devonish 3. “Dennery Segment ka mennen”: Exploring the Dominance of Creole Languages in St Lucian Popular Music \ 37 Ronald T. Francis and R. Sandra Evans 4. Singing in Creole or Portuguese?: Santomean Musical Manifestations \ 64 Marie-Eve Bouchard 5. Wi Ful a Patan: A Quantitative Approach to Language Use in Jamaican Popular Music \ 89 Byron Μ. Jones Jr. 6. Styling through Rhyming: Gender and Vowel Variation in Jamaican Dancehall Lyrics \ 103 Nickesha Dawkins 7. Language Use in Peter Ram’s Soca Performances \ 138 Cuyanne Wilson 8. Singing the King’s Creole: The (Ethno) Linguistic Repertoire of Clifton Chenier \ 159 Nathan A. Wendte Part 2 9. Translocal Perspectives Rap Kriolu Revisited: From the Transnational Diaspora to Cape Verde and Back \ 193 Christina Märzhäuser
vi I Contents io. Authentic Crossing?: Jamaican Creole in African Dancehall \ 231 Anika Gerfer 11. Jamaican in Transatlantic Contact Spaces: Linguistic Practices in African Reggae, Dancehall and Other Popular Musics \ 258 Andrea Hollington 12. Jamaric Reggae: Jamaican Speech Forms in Contemporary Ethiopian Reggae Music \ 284 Renato Tomei 13. Caribbean Identity in Pop Music: Rihanna’s and Nicki Minaj’s Multivocal Pop Personas \ 313 Lisa Jansen and Michael Westphal List of Contributors \ 337 Index \ 339 |
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ctrlnum | (OCoLC)1401177417 (DE-599)BVBBV049011099 |
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spelling | Contact languages and music edited by Andrea Hollington, Joseph T. Farquharson, Byron M. Jones Jr. Kingston The University of the West Indies Press [2022] vi, 342 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier - 1. Introduction; - Part 1 Language, Music and Identity; - 2. Discoursing the State of a Caribbean Nation; - 3. "Dennery Segment ka mennen": Exploring the Dominance of Creole Languages in St Lucian Popular Music; - 4. Singing in Creole or Portuguese?: Santomean Musical Manifestations; - 5. Wi Ful a Patan: A Quantitative Approach to Language Use in Jamaican Popular Music; - 6. Styling through Rhyming: Gender and Vowel Variation in Jamaican Dancehall Lyrics; - 7. Language Use in Peter Ram’s Soca Performances; - 8. Singing the King’s Creole: The (Ethno)Linguistic Repertoire of Clifton Chenier; - Part 2 Translocal Perspectives; - 9. Rap Kriolu Revisited: From the Transnational Diaspora to Cape Verde and Back; - 10. Authentic Crossing?: Jamaican Creole in African Dancehall; - 11. Jamaican in Transatlantic Contact Spaces: Linguistic Practices in African Reggae, Dancehall and Other Popular Musics; - 12. Jamaric Reggae: Jamaican Speech Forms in Contemporary Ethiopian Reggae Music; - 13. Caribbean Identity in Pop Music: Rihanna’s and Nicki Minaj’s Multivocal Pop Personas; - List of Contributors; - Index Language and music are connected in many ways. As social and cultural practices, they have been intertwined in multiple ways. Musical and linguistic practices are often intertwined to express distinct and complex identities, attitudes, ideologies, social roles and political views. Spaces characterized by migration, contact, multilingualism, and colonial inequalities, are particularly interesting for the study of the intersections between language and music.This volume is the first book-length account of contact languages and music. It offers a stimulating collection of contributions on different territories, multiple musical genres and topics, and various methodological approaches. The chapters address myriad topics such as nationality, ethnicity, identity, gender, migration and diaspora bicssc / linguistics bicssc bicssc / Theory of music & musicology bisacsh Kreolische Sprachen (DE-588)4073790-1 gnd rswk-swf Sprachkontakt (DE-588)4077723-6 gnd rswk-swf Pidgin-Sprachen (DE-588)4076134-4 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Internationaler Vergleich (DE-588)4120509-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Pidgin-Sprachen (DE-588)4076134-4 s Kreolische Sprachen (DE-588)4073790-1 s Unterhaltungsmusik (DE-588)4061916-3 s Sprachkontakt (DE-588)4077723-6 s Internationaler Vergleich (DE-588)4120509-1 s DE-604 Hollington, Andrea (DE-588)1076811833 edt Farquharson, Joseph T. (DE-588)1136095950 edt Jones Jr., Byron M. edt Erscheint auch als Online-Ausgabe, EPUB 978-976-640-924-1 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034274152&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Contact languages and music bicssc / linguistics bicssc bicssc / Theory of music & musicology bisacsh Kreolische Sprachen (DE-588)4073790-1 gnd Sprachkontakt (DE-588)4077723-6 gnd Pidgin-Sprachen (DE-588)4076134-4 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Internationaler Vergleich (DE-588)4120509-1 gnd |
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title | Contact languages and music |
title_auth | Contact languages and music |
title_exact_search | Contact languages and music |
title_exact_search_txtP | Contact languages and music |
title_full | Contact languages and music edited by Andrea Hollington, Joseph T. Farquharson, Byron M. Jones Jr. |
title_fullStr | Contact languages and music edited by Andrea Hollington, Joseph T. Farquharson, Byron M. Jones Jr. |
title_full_unstemmed | Contact languages and music edited by Andrea Hollington, Joseph T. Farquharson, Byron M. Jones Jr. |
title_short | Contact languages and music |
title_sort | contact languages and music |
topic | bicssc / linguistics bicssc bicssc / Theory of music & musicology bisacsh Kreolische Sprachen (DE-588)4073790-1 gnd Sprachkontakt (DE-588)4077723-6 gnd Pidgin-Sprachen (DE-588)4076134-4 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Internationaler Vergleich (DE-588)4120509-1 gnd |
topic_facet | bicssc / linguistics bicssc bicssc / Theory of music & musicology bisacsh Kreolische Sprachen Sprachkontakt Pidgin-Sprachen Unterhaltungsmusik Internationaler Vergleich Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034274152&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT hollingtonandrea contactlanguagesandmusic AT farquharsonjosepht contactlanguagesandmusic AT jonesjrbyronm contactlanguagesandmusic |