Markers of allusion in archaic Greek poetry:
"Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries bce) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the &...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
|
| Schriftenreihe: | Cambridge classical studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries bce) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition"-- |
| Beschreibung: | xvi, 441 Seiten |
| ISBN: | 9781009078191 9781316514375 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Acknowledgements List of Conventions and Abbreviations i Introduction 1.1 1.2 Indexicality: Marking Allusion 1.1.1 The Alexandrian Footnote i. i. 2 Troping Allusion 1.1.3 Problems and Limitations: Terminology and Assumptions 1.1.4 The Path Ahead Frameworks for Allusion in Archaic Greek Poetry 1.2.1 Mythological Intertextuality 1.2.2 Reconstructing Lost Traditions 1.2.3 From Myth to Text 1.2.4 Agents and Audiences π The Pre-Alexandrian Footnote π. i 11.2 11.3 11.4 Introduction Epic Fama π.2. i The Iliad’s First φασί and TheogonieMyth n.2.2 Other Worlds and Others’ Words: Tydeus and Theban Myth 11.2.3 The Trojan War Tradition 11.2.4 Contesting Tradition 11.2.5 Beyond Homer Lyric Fama 11.3.1 Indexing Authority: Traditions and Texts π.3.2 Suppression and Contestation π.3.3 The Poetics of Supplementation n.3.4 Lyric Innovation: Faux Footnoting? Conclusions in Poetic Memory in. i Introduction 111.2 Epic Recall 111.2.1 Intertextual Memories page ix xii i 6 9 12 16 23 27 33 43 51 63 73 73 73 76 85 93 I08 125 132 133 149 156 166 172 176 176 178 181 vii
Contents пі. շ. 2 Intratextual Memories 111.2.3 Selective Recall 111.2.4 Proleptic Knowledge 111.2.5 Mapping Epic Memory 111.3 Lyric Recall 111.3.1 Mythical Recall 111.3.2 Personal and Mythical Memory 111,3.3 Memories of the Moment 111.3.4 Audience Knowledge III.4 Conclusions iv Time for Allusion iv. i Introduction IV.2 Epic Temporalities IV.2.1 Pointers to the Past iv.2.2 Poetic Déjà Vu iv.2.3 Epic Epigonality IV.3 Lyric Temporalities 1V.3. i Once upon a Time iv.3.2 Iterative Poetics iv.3.3 Poetic Predecessors IV.4 Conclusions v Epilogue Bibliography Index Locorum Index ofIndices General Index viii 191 196 204 209 214 2l6 223 226 234 242 244 244 247 248 262 273 291 291 3°θ 3^5 З2? 328 332 417 43 2 435
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| adam_txt |
CONTENTS Acknowledgements List of Conventions and Abbreviations i Introduction 1.1 1.2 Indexicality: Marking Allusion 1.1.1 The Alexandrian Footnote i. i. 2 Troping Allusion 1.1.3 Problems and Limitations: Terminology and Assumptions 1.1.4 The Path Ahead Frameworks for Allusion in Archaic Greek Poetry 1.2.1 Mythological Intertextuality 1.2.2 Reconstructing Lost Traditions 1.2.3 From Myth to Text 1.2.4 Agents and Audiences π The Pre-Alexandrian Footnote π. i 11.2 11.3 11.4 Introduction Epic Fama π.2. i The Iliad’s First φασί and TheogonieMyth n.2.2 Other Worlds and Others’ Words: Tydeus and Theban Myth 11.2.3 The Trojan War Tradition 11.2.4 Contesting Tradition 11.2.5 Beyond Homer Lyric Fama 11.3.1 Indexing Authority: Traditions and Texts π.3.2 Suppression and Contestation π.3.3 The Poetics of Supplementation n.3.4 Lyric Innovation: Faux Footnoting? Conclusions in Poetic Memory in. i Introduction 111.2 Epic Recall 111.2.1 Intertextual Memories page ix xii i 6 9 12 16 23 27 33 43 51 63 73 73 73 76 85 93 I08 125 132 133 149 156 166 172 176 176 178 181 vii
Contents пі. շ. 2 Intratextual Memories 111.2.3 Selective Recall 111.2.4 Proleptic Knowledge 111.2.5 Mapping Epic Memory 111.3 Lyric Recall 111.3.1 Mythical Recall 111.3.2 Personal and Mythical Memory 111,3.3 Memories of the Moment 111.3.4 Audience Knowledge III.4 Conclusions iv Time for Allusion iv. i Introduction IV.2 Epic Temporalities IV.2.1 Pointers to the Past iv.2.2 Poetic Déjà Vu iv.2.3 Epic Epigonality IV.3 Lyric Temporalities 1V.3. i Once upon a Time iv.3.2 Iterative Poetics iv.3.3 Poetic Predecessors IV.4 Conclusions v Epilogue Bibliography Index Locorum Index ofIndices General Index viii 191 196 204 209 214 2l6 223 226 234 242 244 244 247 248 262 273 291 291 3°θ 3^5 З2? 328 332 417 43 2 435 |
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| spelling | Nelson, Thomas J. 1991- Verfasser (DE-588)1300979046 aut Markers of allusion in archaic Greek poetry Thomas J. Nelson (University of Oxford) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 xvi, 441 Seiten txt rdacontent n rdamedia nc rdacarrier Cambridge classical studies Dissertation University of Cambridge 2018 revidierte und erweiterte Version einer Dissertation "Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries bce) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition"-- Geschichte 800 v.Chr.-500 v.Chr. gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Anspielung (DE-588)4133177-1 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Greek poetry / History and criticism Allusions in literature Intertextuality Greek poetry Criticism, interpretation, etc Literary criticism (DE-588)4113937-9 Hochschulschrift gnd-content Griechische Literatur, Archaische Zeit (DE-2581)TH000005165 gbd Anspielung (DE-2581)TH000005032 gbd Griechisch (DE-588)4113791-7 s Lyrik (DE-588)4036774-5 s Anspielung (DE-588)4133177-1 s Geschichte 800 v.Chr.-500 v.Chr. z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034256115&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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