Why Sinéad O'Connor matters:
"Irish singer-songwriter Sinéad O'Connor burst onto the pop scene in 1987 with her album The Lion and the Cobra, and followed it with the Grammy-winning I Do Not Want What I Haven't Got (1990), which featured a cover of Prince's song "Nothing Compares 2 U." In 1992, she...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Austin, TX
University of Texas Press
2023
|
| Ausgabe: | First edition |
| Schriftenreihe: | Music matters
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Irish singer-songwriter Sinéad O'Connor burst onto the pop scene in 1987 with her album The Lion and the Cobra, and followed it with the Grammy-winning I Do Not Want What I Haven't Got (1990), which featured a cover of Prince's song "Nothing Compares 2 U." In 1992, she infamously tore a picture of Pope John Paul II on Saturday Night Live to protest the sexual abuse committed by priests and covered up by church authorities. O'Connor was immediately castigated for her politics, which were already radical, and her career has suffered ever since. For many people-including, for many years, the author-what they know of O'Connor stops there. Allyson McCabe argues that both that moment and O'Connor's long career deserve re-examination. For McCabe, hindsight suggests that O'Connor "was right." Right about the church, right about how the music industry uses women, and "most of all, she was right to seek and speak her own truth" no matter the price she's paid for it. O'Connor continues to be controversial, with public breakdowns and problematic statements (to say nothing of changing her name twice). She also has released 10 albums in addition to one-off collaborations and singles. She is a hero (as this book makes clear) to Fiona Apple and other influential women in music. McCabe plans to address both triumphs and struggles, to offer "a fresh look at Sinéad O'Connor's life through the lenses of music criticism, cultural analysis, and personal reflection." The book works through O'Connor's life and career in chronological order, from her abused childhood to initial success, stardom, and the ensuing fallout. McCabe compares O'Connor with Madonna, digs into how she aspires to be a protest singer rather than a pop star, and McCabe explores O'Connor's attempts to de-stigmatize mental illness"-- |
| Beschreibung: | 209 Seiten 22 cm |
| ISBN: | 9781477325704 |
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| 520 | 3 | |a "Irish singer-songwriter Sinéad O'Connor burst onto the pop scene in 1987 with her album The Lion and the Cobra, and followed it with the Grammy-winning I Do Not Want What I Haven't Got (1990), which featured a cover of Prince's song "Nothing Compares 2 U." In 1992, she infamously tore a picture of Pope John Paul II on Saturday Night Live to protest the sexual abuse committed by priests and covered up by church authorities. O'Connor was immediately castigated for her politics, which were already radical, and her career has suffered ever since. For many people-including, for many years, the author-what they know of O'Connor stops there. Allyson McCabe argues that both that moment and O'Connor's long career deserve re-examination. For McCabe, hindsight suggests that O'Connor "was right." Right about the church, right about how the music industry uses women, and "most of all, she was right to seek and speak her own truth" no matter the price she's paid for it. O'Connor continues to be controversial, with public breakdowns and problematic statements (to say nothing of changing her name twice). She also has released 10 albums in addition to one-off collaborations and singles. She is a hero (as this book makes clear) to Fiona Apple and other influential women in music. McCabe plans to address both triumphs and struggles, to offer "a fresh look at Sinéad O'Connor's life through the lenses of music criticism, cultural analysis, and personal reflection." The book works through O'Connor's life and career in chronological order, from her abused childhood to initial success, stardom, and the ensuing fallout. McCabe compares O'Connor with Madonna, digs into how she aspires to be a protest singer rather than a pop star, and McCabe explores O'Connor's attempts to de-stigmatize mental illness"-- | |
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Datensatz im Suchindex
| _version_ | 1804185247138447360 |
|---|---|
| adam_text | CONTENTS Prologue.......................................................................... I Framing.......................................................................... II Takel............................................................................ 19 The Lion and the Cobra................................................ 31 As Seen on MTV.......................................................... 43 Rock-’n’-Roll Cassandra............................................. 53 SP/Nning Sinead..........................................................67 She’ll Talk but You Won’t Listen................................. 75 The Takedown............................................................. 83 Is She Not Your Girl?................................................... 97 This Means War......................................................... 103 We Do Not Want What She Has Got.......................... 117 Wrecking Ball............................................................. 137 Things Need to Change...............................................151 We Need to Talk about Prince.................................... 159 Hurt People Hurt........................................................ 169 Truthful Witness........................................................ 177 Acknowledgments..................................................... 187 Notes......................................................................... 189
|
| adam_txt |
CONTENTS Prologue. I Framing. II Takel. 19 The Lion and the Cobra. 31 As Seen on MTV. 43 Rock-’n’-Roll Cassandra. 53 SP/Nning Sinead.67 She’ll Talk but You Won’t Listen. 75 The Takedown. 83 Is She Not Your Girl?. 97 This Means War. 103 We Do Not Want What She Has Got. 117 Wrecking Ball. 137 Things Need to Change.151 We Need to Talk about Prince. 159 Hurt People Hurt. 169 Truthful Witness. 177 Acknowledgments. 187 Notes. 189 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | McCabe, Allyson |
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| building | Verbundindex |
| bvnumber | BV048991201 |
| contents | Framing -- Take 1 -- The lion and the cobra -- As seen on MTV -- Rock-and-roll Cassandra -- SPINning Sinéad -- The takedown -- Is she not your girl? -- This means war -- We do not want what she has got -- Wrecking ball -- Things need to change -- We need to talk about Prince -- Hurt people hurt -- Truthful witness |
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| edition | First edition |
| era | Geschichte 1966-2023 gnd |
| era_facet | Geschichte 1966-2023 |
| format | Book |
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| spelling | McCabe, Allyson Verfasser (DE-588)1299834787 aut Why Sinéad O'Connor matters Allyson McCabe First edition Austin, TX University of Texas Press 2023 209 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Music matters Framing -- Take 1 -- The lion and the cobra -- As seen on MTV -- Rock-and-roll Cassandra -- SPINning Sinéad -- The takedown -- Is she not your girl? -- This means war -- We do not want what she has got -- Wrecking ball -- Things need to change -- We need to talk about Prince -- Hurt people hurt -- Truthful witness "Irish singer-songwriter Sinéad O'Connor burst onto the pop scene in 1987 with her album The Lion and the Cobra, and followed it with the Grammy-winning I Do Not Want What I Haven't Got (1990), which featured a cover of Prince's song "Nothing Compares 2 U." In 1992, she infamously tore a picture of Pope John Paul II on Saturday Night Live to protest the sexual abuse committed by priests and covered up by church authorities. O'Connor was immediately castigated for her politics, which were already radical, and her career has suffered ever since. For many people-including, for many years, the author-what they know of O'Connor stops there. Allyson McCabe argues that both that moment and O'Connor's long career deserve re-examination. For McCabe, hindsight suggests that O'Connor "was right." Right about the church, right about how the music industry uses women, and "most of all, she was right to seek and speak her own truth" no matter the price she's paid for it. O'Connor continues to be controversial, with public breakdowns and problematic statements (to say nothing of changing her name twice). She also has released 10 albums in addition to one-off collaborations and singles. She is a hero (as this book makes clear) to Fiona Apple and other influential women in music. McCabe plans to address both triumphs and struggles, to offer "a fresh look at Sinéad O'Connor's life through the lenses of music criticism, cultural analysis, and personal reflection." The book works through O'Connor's life and career in chronological order, from her abused childhood to initial success, stardom, and the ensuing fallout. McCabe compares O'Connor with Madonna, digs into how she aspires to be a protest singer rather than a pop star, and McCabe explores O'Connor's attempts to de-stigmatize mental illness"-- O'Connor, Sinéad 1966-2023 (DE-588)119006375 gnd rswk-swf Geschichte 1966-2023 gnd rswk-swf Popmusikerin (DE-588)4262743-6 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf O'Connor, Sinéad / Criticism and interpretation O'Connor, Sinéad / Influence Women rock musicians / Biography Women singers / Biography MUSIC / History & Criticism O'Connor, Sinéad Influence (Literary, artistic, etc.) Women rock musicians Women singers Biographies Criticism, interpretation, etc (DE-588)4006804-3 Biografie gnd-content O'Connor, Sinéad 1966-2023 (DE-588)119006375 p DE-604 Rezeption (DE-588)4049716-1 s Irland (DE-588)4027667-3 g Popmusikerin (DE-588)4262743-6 s Geschichte 1966-2023 z Erscheint auch als Online-Ausgabe 9781477325711 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034254543&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McCabe, Allyson Why Sinéad O'Connor matters Framing -- Take 1 -- The lion and the cobra -- As seen on MTV -- Rock-and-roll Cassandra -- SPINning Sinéad -- The takedown -- Is she not your girl? -- This means war -- We do not want what she has got -- Wrecking ball -- Things need to change -- We need to talk about Prince -- Hurt people hurt -- Truthful witness O'Connor, Sinéad 1966-2023 (DE-588)119006375 gnd Popmusikerin (DE-588)4262743-6 gnd Rezeption (DE-588)4049716-1 gnd |
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| title | Why Sinéad O'Connor matters |
| title_auth | Why Sinéad O'Connor matters |
| title_exact_search | Why Sinéad O'Connor matters |
| title_exact_search_txtP | Why Sinéad O'Connor matters |
| title_full | Why Sinéad O'Connor matters Allyson McCabe |
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| title_full_unstemmed | Why Sinéad O'Connor matters Allyson McCabe |
| title_short | Why Sinéad O'Connor matters |
| title_sort | why sinead o connor matters |
| topic | O'Connor, Sinéad 1966-2023 (DE-588)119006375 gnd Popmusikerin (DE-588)4262743-6 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | O'Connor, Sinéad 1966-2023 Popmusikerin Rezeption Irland Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034254543&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mccabeallyson whysineadoconnormatters |