Race, nation and cultural power in film adaptation:
Examines race and nation in postcolonial, settler-colonial, and Indigenous film adaptationAdvances adaptation studies by offering a nuanced critique of the injunction against fidelity criticism16 case studies of film adaptations across 7 chapters, detailing different modes of postcolonial, settler-c...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2023]
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| Subjects: | |
| Online Access: | DE-12 DE-355 DE-20 Volltext |
| Summary: | Examines race and nation in postcolonial, settler-colonial, and Indigenous film adaptationAdvances adaptation studies by offering a nuanced critique of the injunction against fidelity criticism16 case studies of film adaptations across 7 chapters, detailing different modes of postcolonial, settler-colonial, and Indigenous film adaptationWide-ranging comparative study, including literary and cinematic texts from Aotearoa/New Zealand, Australia, Canada, India, the UK, and the USIn Race, Nation and Cultural Power in Film Adaptation, Roberts undertakes the first full-length study of postcolonial, settler-colonial and Indigenous film adaptation, encompassing literary and cinematic texts from Australian, Canadian, New Zealand, Indian, British, and US cultures.A necessary rethinking of adaptation in the context of race and nation, this book interrogates adaptation studies' rejection of 'fidelity criticism' to consider the ethics and aesthetics of translating narratives from literature to cinema and across national borders for circulation in the global cultural marketplace. In this way, Roberts also traces the circulation of cultural power through these adaptations as they move into new contexts and find new audiences, often at a considerable geographical remove from the production of the source material. Further, this book assesses the impact of national and transnational industrial contexts of cultural production on the film adaptations themselves |
| Physical Description: | 1 Online-Ressource (viii, 271 Seiten) Illustrationen |
| ISBN: | 9781474483551 9781474483568 |
| DOI: | 10.1515/9781474483551 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T22:06:38Z |
| indexdate | 2025-02-19T17:37:06Z |
| institution | BVB |
| isbn | 9781474483551 9781474483568 |
| language | English |
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| spelling | Roberts, Gillian 1976- Verfasser (DE-588)1018422323 aut Race, nation and cultural power in film adaptation Gillian Roberts Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (viii, 271 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Examines race and nation in postcolonial, settler-colonial, and Indigenous film adaptationAdvances adaptation studies by offering a nuanced critique of the injunction against fidelity criticism16 case studies of film adaptations across 7 chapters, detailing different modes of postcolonial, settler-colonial, and Indigenous film adaptationWide-ranging comparative study, including literary and cinematic texts from Aotearoa/New Zealand, Australia, Canada, India, the UK, and the USIn Race, Nation and Cultural Power in Film Adaptation, Roberts undertakes the first full-length study of postcolonial, settler-colonial and Indigenous film adaptation, encompassing literary and cinematic texts from Australian, Canadian, New Zealand, Indian, British, and US cultures.A necessary rethinking of adaptation in the context of race and nation, this book interrogates adaptation studies' rejection of 'fidelity criticism' to consider the ethics and aesthetics of translating narratives from literature to cinema and across national borders for circulation in the global cultural marketplace. In this way, Roberts also traces the circulation of cultural power through these adaptations as they move into new contexts and find new audiences, often at a considerable geographical remove from the production of the source material. Further, this book assesses the impact of national and transnational industrial contexts of cultural production on the film adaptations themselves Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Film adaptations History and criticism Film adaptations Political aspects Indigenous peoples in motion pictures Race in motion pictures Racism in motion pictures Erscheint auch als Druck-Ausgabe 978-1-4744-8353-7 https://doi.org/10.1515/9781474483551 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Roberts, Gillian 1976- Race, nation and cultural power in film adaptation Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Film adaptations History and criticism Film adaptations Political aspects Indigenous peoples in motion pictures Race in motion pictures Racism in motion pictures |
| title | Race, nation and cultural power in film adaptation |
| title_auth | Race, nation and cultural power in film adaptation |
| title_exact_search | Race, nation and cultural power in film adaptation |
| title_exact_search_txtP | Race, nation and cultural power in film adaptation |
| title_full | Race, nation and cultural power in film adaptation Gillian Roberts |
| title_fullStr | Race, nation and cultural power in film adaptation Gillian Roberts |
| title_full_unstemmed | Race, nation and cultural power in film adaptation Gillian Roberts |
| title_short | Race, nation and cultural power in film adaptation |
| title_sort | race nation and cultural power in film adaptation |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Film adaptations History and criticism Film adaptations Political aspects Indigenous peoples in motion pictures Race in motion pictures Racism in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Film adaptations History and criticism Film adaptations Political aspects Indigenous peoples in motion pictures Race in motion pictures Racism in motion pictures |
| url | https://doi.org/10.1515/9781474483551 |
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