Tonality: an owner's manual
"This encyclopaedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the im...
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY
Oxford University Press
[2023]
|
| Series: | Oxford studies in music theory
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "This encyclopaedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad range of music-making, much as the theory of grammar describes principles that tacitly guide our speaking and writing. Each of its central chapters re-examines a basic music-theoretical concept such as voice leading, repetition, nonharmonic tones, the origins of tonal harmony, the grammar of tonal harmony, modulation, and melody. These are flanked by two largely analytical chapters on rock harmony and Beethoven. Wide-ranging in scope, and with almost 700 musical examples from the middle ages to the present day, it weaves philosophy, mathematics, statistics, and computational analysis into a new and truly twenty-first century theory of music." |
| Physical Description: | xiii, 612 Seiten Illustrationen, Diagramme, Notenbeispiele 26 cm |
| ISBN: | 9780197577103 |
Staff View
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Contents Preface and Acknowledgments 1. Implicit Musical Knowledge 1. Gesualdostrick 2. The quadruple hierarchy 3. Philosophy 4. Statistics 5. Schema 6. Outline Prelude: Transposition Along a Collection 2. Rock Logic 1. A melodic principle 2. A harmonic principle 3. A first loop family 4. Two more families 5. Shepard-tone passacaglias 6. Minor triads and other trichords 7. A fourth family 8. Other modalities 9. Function and retrofunction 10. Continuity or reinvention? Prelude: The Tinctoris Transform 3. Line and Configuration 1. The imperfect system 2. Voice exchanges 3. Other intervals 4. The circle of diatonic triads 5. Voice exchanges and multiple chord types 6. Four-voice triadic counterpoint 7. Thinking within the chord 8. Seventh chords 9. Harmony and counterpoint Prelude: Sequence and Function 4. Repetition 1. Repetition reimagined 2. Repeating contrapuntal patterns 3. The geometry of two-voice sequences xi 1 4 10 15 22 26 33 37 47 48 54 57 61 64 68 71 74 78 82 87 96 97 103 107 113 119 125 132 138 146 151 155 155 159 165
viii CONTENTS 4. 5. 6. 7. 8. 9. 10. Three voices and the circle of triads Three voices arranged 2 + 1 Four voices Contrary-motion sequences Melodic sequences and near sequences Near sequences Sequences as reductional targets Prelude: Three Varieties of Analytical Reduction 171 175 179 184 188 193 198 203 5. Nonharmonic Tones 1. The first practice and the SNAP system 2. Schoenbergs critique 3. Monteverdis “Ohimè” 4. The standardized second practice 5. A loophole 6. After nonharmonicity 210 211 221 227 235 240 246 Prelude: Functional and Scale-Degree Analysis 253 6. The Origins of Functional Harmony 1. The logical structure of protofunctionality 2. Similarities and differences 3. Origin and meaning 4. Harmony and polyphony 5. The Pope Marcellus Kyrie 6. A broader perspective 7. “I cannot follow” Prelude: Could the Martians Understand Our Music? 7. Functional Progressions 1. A theory of harmonic cycles 2. A more principled view 3. Rameau and Bach 4. Functional melody, functional harmony 5. Fauxbourdon and linear idioms 6. Sequences 7. Bach the dualist Prelude: Chromatic or Diatonic? 8. Modulation 1. Two models of key distance 2. Enharmonicism and loops in scale space 3. Minor keys 4. Modulatory schemas 5. Up and down the ladder 6. Modal homogenization and scalar voice leading 7. Generalized set theory 257 258 264 269 275 282 290 296 303 311 311 316 321 326 330 336 343 357 361 361 366 371 376 379 384 393
CONTENTS Prelude: Hearing and Hearing-As 9. Heterogeneous Hierarchy 1. Strategy and reduction 2. Two models of the phrase 3. Chopin and the Prime Directive 4. An expanded vocabulary of reductional targets 5. Simple harmonic hierarchy 6. The four-part phrase 7. Grouping, melody, harmony 8. Beyond the phrase: hierarchy at the level of the piece ÎX 402 407 407 412 419 426 433 437 443 446 Prelude: Why Beethoven? 451 10. Beethoven Theorist 1. Meet the Ludwig 2. From schema to flow 3. The Tempest 4. The Fifth Symphony 5. The “Pastorale” sonata, Op. 28 6. Schuberts Quartettsatz 7. The prelude to Lohengrin 457 458 465 472 482 495 504 518 Conclusion 527 Appendix 1: Fundamentals Appendix 2: Deriving the Spiral Diagrams Appendix 3: Sequence and Transformation Appendix 4: Corpus Analysis, Statistics, and Grammar Terms, Symbols, and Abbreviations Bibliography Index 533 545 555 569 575 583 599 |
| adam_txt |
Contents Preface and Acknowledgments 1. Implicit Musical Knowledge 1. Gesualdostrick 2. The quadruple hierarchy 3. Philosophy 4. Statistics 5. Schema 6. Outline Prelude: Transposition Along a Collection 2. Rock Logic 1. A melodic principle 2. A harmonic principle 3. A first loop family 4. Two more families 5. Shepard-tone passacaglias 6. Minor triads and other trichords 7. A fourth family 8. Other modalities 9. Function and retrofunction 10. Continuity or reinvention? Prelude: The Tinctoris Transform 3. Line and Configuration 1. The imperfect system 2. Voice exchanges 3. Other intervals 4. The circle of diatonic triads 5. Voice exchanges and multiple chord types 6. Four-voice triadic counterpoint 7. Thinking within the chord 8. Seventh chords 9. Harmony and counterpoint Prelude: Sequence and Function 4. Repetition 1. Repetition reimagined 2. Repeating contrapuntal patterns 3. The geometry of two-voice sequences xi 1 4 10 15 22 26 33 37 47 48 54 57 61 64 68 71 74 78 82 87 96 97 103 107 113 119 125 132 138 146 151 155 155 159 165
viii CONTENTS 4. 5. 6. 7. 8. 9. 10. Three voices and the circle of triads Three voices arranged 2 + 1 Four voices Contrary-motion sequences Melodic sequences and near sequences Near sequences Sequences as reductional targets Prelude: Three Varieties of Analytical Reduction 171 175 179 184 188 193 198 203 5. Nonharmonic Tones 1. The first practice and the SNAP system 2. Schoenbergs critique 3. Monteverdis “Ohimè” 4. The standardized second practice 5. A loophole 6. After nonharmonicity 210 211 221 227 235 240 246 Prelude: Functional and Scale-Degree Analysis 253 6. The Origins of Functional Harmony 1. The logical structure of protofunctionality 2. Similarities and differences 3. Origin and meaning 4. Harmony and polyphony 5. The Pope Marcellus Kyrie 6. A broader perspective 7. “I cannot follow” Prelude: Could the Martians Understand Our Music? 7. Functional Progressions 1. A theory of harmonic cycles 2. A more principled view 3. Rameau and Bach 4. Functional melody, functional harmony 5. Fauxbourdon and linear idioms 6. Sequences 7. Bach the dualist Prelude: Chromatic or Diatonic? 8. Modulation 1. Two models of key distance 2. Enharmonicism and loops in scale space 3. Minor keys 4. Modulatory schemas 5. Up and down the ladder 6. Modal homogenization and scalar voice leading 7. Generalized set theory 257 258 264 269 275 282 290 296 303 311 311 316 321 326 330 336 343 357 361 361 366 371 376 379 384 393
CONTENTS Prelude: Hearing and Hearing-As 9. Heterogeneous Hierarchy 1. Strategy and reduction 2. Two models of the phrase 3. Chopin and the Prime Directive 4. An expanded vocabulary of reductional targets 5. Simple harmonic hierarchy 6. The four-part phrase 7. Grouping, melody, harmony 8. Beyond the phrase: hierarchy at the level of the piece ÎX 402 407 407 412 419 426 433 437 443 446 Prelude: Why Beethoven? 451 10. Beethoven Theorist 1. Meet the Ludwig 2. From schema to flow 3. The Tempest 4. The Fifth Symphony 5. The “Pastorale” sonata, Op. 28 6. Schuberts Quartettsatz 7. The prelude to Lohengrin 457 458 465 472 482 495 504 518 Conclusion 527 Appendix 1: Fundamentals Appendix 2: Deriving the Spiral Diagrams Appendix 3: Sequence and Transformation Appendix 4: Corpus Analysis, Statistics, and Grammar Terms, Symbols, and Abbreviations Bibliography Index 533 545 555 569 575 583 599 |
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| spelling | Tymoczko, Dmitri 1969- Verfasser (DE-588)1011976404 aut Tonality an owner's manual Dmitri Tymoczko New York, NY Oxford University Press [2023] © 2023 xiii, 612 Seiten Illustrationen, Diagramme, Notenbeispiele 26 cm txt rdacontent n rdamedia nc rdacarrier Oxford studies in music theory Implicit musical knowledge -- Rock logic -- Line and configuration -- Repetition -- Nonharmonic tones -- The origins of functional harmony -- Functional progressions -- Modulation -- Melodic strategies -- Beethoven theorist "This encyclopaedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad range of music-making, much as the theory of grammar describes principles that tacitly guide our speaking and writing. Each of its central chapters re-examines a basic music-theoretical concept such as voice leading, repetition, nonharmonic tones, the origins of tonal harmony, the grammar of tonal harmony, modulation, and melody. These are flanked by two largely analytical chapters on rock harmony and Beethoven. Wide-ranging in scope, and with almost 700 musical examples from the middle ages to the present day, it weaves philosophy, mathematics, statistics, and computational analysis into a new and truly twenty-first century theory of music." Geschichte gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf Tonality (DE-588)4006432-3 Bibliografie gnd-content Tonalität (DE-588)4185654-5 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-757711-0 Erscheint auch als Online-Ausgabe 978-0-19-757712-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034242346&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tymoczko, Dmitri 1969- Tonality an owner's manual Implicit musical knowledge -- Rock logic -- Line and configuration -- Repetition -- Nonharmonic tones -- The origins of functional harmony -- Functional progressions -- Modulation -- Melodic strategies -- Beethoven theorist Tonalität (DE-588)4185654-5 gnd |
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| title | Tonality an owner's manual |
| title_auth | Tonality an owner's manual |
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| title_full | Tonality an owner's manual Dmitri Tymoczko |
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