On the question of a philosophical art history: philosophy, theory and thought
Decades since the radicalising impacts of ‘theory’ have been levelled into disciplinary practice, what might be invited by a philosophical art history today? I outline the shape of this problem by retracing the presence of the philosophical in early art history, contextualising the emergence of theo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2022
|
| Online-Zugang: | kostenfrei |
| Zusammenfassung: | Decades since the radicalising impacts of ‘theory’ have been levelled into disciplinary practice, what might be invited by a philosophical art history today? I outline the shape of this problem by retracing the presence of the philosophical in early art history, contextualising the emergence of theory in 20th-century continental philosophy’s self-examination, and surveying the impact and afterlife of the assimilation of French thought, as ‘theory’, into the Anglo-American academy. Faced by an ever-expanding ‘menu of methods’ and interpretive toolkits, the challenge for a philosophical art history today is to interrogate and reverse the conversion of what the French called thought (pensée) into what became theory. By considering the philosophy of thought developed by Gilles Deleuze, and his ideas of ‘superior empiricism’ and ‘constructivism’, I explore one route to such interrogation. I argue that a philosophical art history as a thoughtful art history moves away from preoccupations of methodology to a practice of problematology. |
| Beschreibung: | 1 Online-Ressource (21 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004167 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048956263 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230510s2022 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004167 |2 doi | |
| 035 | |a (OCoLC)1379389049 | ||
| 035 | |a (DE-599)BVBBV048956263 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Vellodi, Kamini |e Verfasser |0 (DE-588)1176661434 |4 aut | |
| 245 | 1 | 0 | |a On the question of a philosophical art history |b philosophy, theory and thought |c Kamini Vellodi |
| 264 | 1 | |c December 2022 | |
| 300 | |a 1 Online-Ressource (21 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a Decades since the radicalising impacts of ‘theory’ have been levelled into disciplinary practice, what might be invited by a philosophical art history today? I outline the shape of this problem by retracing the presence of the philosophical in early art history, contextualising the emergence of theory in 20th-century continental philosophy’s self-examination, and surveying the impact and afterlife of the assimilation of French thought, as ‘theory’, into the Anglo-American academy. Faced by an ever-expanding ‘menu of methods’ and interpretive toolkits, the challenge for a philosophical art history today is to interrogate and reverse the conversion of what the French called thought (pensée) into what became theory. By considering the philosophy of thought developed by Gilles Deleuze, and his ideas of ‘superior empiricism’ and ‘constructivism’, I explore one route to such interrogation. I argue that a philosophical art history as a thoughtful art history moves away from preoccupations of methodology to a practice of problematology. | |
| 773 | 1 | 8 | |g number:27 |g year:2022 |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2022 |g Heft 27 (2022) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004167 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034220100 | ||
| 941 | |h 27 |j 2022 | ||
Datensatz im Suchindex
| _version_ | 1804185184440942592 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Vellodi, Kamini |
| author_GND | (DE-588)1176661434 |
| author_facet | Vellodi, Kamini |
| author_role | aut |
| author_sort | Vellodi, Kamini |
| author_variant | k v kv |
| building | Verbundindex |
| bvnumber | BV048956263 |
| collection | ebook |
| ctrlnum | (OCoLC)1379389049 (DE-599)BVBBV048956263 |
| doi_str_mv | 10.48352/uobxjah.00004167 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02179nma a2200325 c 4500</leader><controlfield tag="001">BV048956263</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230510s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004167</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1379389049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048956263</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Vellodi, Kamini</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1176661434</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">On the question of a philosophical art history</subfield><subfield code="b">philosophy, theory and thought</subfield><subfield code="c">Kamini Vellodi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">December 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (21 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Decades since the radicalising impacts of ‘theory’ have been levelled into disciplinary practice, what might be invited by a philosophical art history today? I outline the shape of this problem by retracing the presence of the philosophical in early art history, contextualising the emergence of theory in 20th-century continental philosophy’s self-examination, and surveying the impact and afterlife of the assimilation of French thought, as ‘theory’, into the Anglo-American academy. Faced by an ever-expanding ‘menu of methods’ and interpretive toolkits, the challenge for a philosophical art history today is to interrogate and reverse the conversion of what the French called thought (pensée) into what became theory. By considering the philosophy of thought developed by Gilles Deleuze, and his ideas of ‘superior empiricism’ and ‘constructivism’, I explore one route to such interrogation. I argue that a philosophical art history as a thoughtful art history moves away from preoccupations of methodology to a practice of problematology.</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:27</subfield><subfield code="g">year:2022</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2022</subfield><subfield code="g">Heft 27 (2022)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004167</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034220100</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">27</subfield><subfield code="j">2022</subfield></datafield></record></collection> |
| id | DE-604.BV048956263 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:59:11Z |
| indexdate | 2024-07-10T09:51:12Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034220100 |
| oclc_num | 1379389049 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource (21 Seiten) |
| psigel | ebook |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Vellodi, Kamini Verfasser (DE-588)1176661434 aut On the question of a philosophical art history philosophy, theory and thought Kamini Vellodi December 2022 1 Online-Ressource (21 Seiten) txt rdacontent c rdamedia cr rdacarrier Decades since the radicalising impacts of ‘theory’ have been levelled into disciplinary practice, what might be invited by a philosophical art history today? I outline the shape of this problem by retracing the presence of the philosophical in early art history, contextualising the emergence of theory in 20th-century continental philosophy’s self-examination, and surveying the impact and afterlife of the assimilation of French thought, as ‘theory’, into the Anglo-American academy. Faced by an ever-expanding ‘menu of methods’ and interpretive toolkits, the challenge for a philosophical art history today is to interrogate and reverse the conversion of what the French called thought (pensée) into what became theory. By considering the philosophy of thought developed by Gilles Deleuze, and his ideas of ‘superior empiricism’ and ‘constructivism’, I explore one route to such interrogation. I argue that a philosophical art history as a thoughtful art history moves away from preoccupations of methodology to a practice of problematology. number:27 year:2022 Journal of art historiography Glasgow, 2022 Heft 27 (2022) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004167 Verlag kostenfrei Volltext |
| spellingShingle | Vellodi, Kamini On the question of a philosophical art history philosophy, theory and thought |
| title | On the question of a philosophical art history philosophy, theory and thought |
| title_auth | On the question of a philosophical art history philosophy, theory and thought |
| title_exact_search | On the question of a philosophical art history philosophy, theory and thought |
| title_exact_search_txtP | On the question of a philosophical art history philosophy, theory and thought |
| title_full | On the question of a philosophical art history philosophy, theory and thought Kamini Vellodi |
| title_fullStr | On the question of a philosophical art history philosophy, theory and thought Kamini Vellodi |
| title_full_unstemmed | On the question of a philosophical art history philosophy, theory and thought Kamini Vellodi |
| title_short | On the question of a philosophical art history |
| title_sort | on the question of a philosophical art history philosophy theory and thought |
| title_sub | philosophy, theory and thought |
| url | https://doi.org/10.48352/uobxjah.00004167 |
| work_keys_str_mv | AT vellodikamini onthequestionofaphilosophicalarthistoryphilosophytheoryandthought |