Accenting the classics: editing European music in France, 1915-1925
"French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, M...
Gespeichert in:
| Hauptverfasser: | , , , |
|---|---|
| Format: | Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk ; Rochester, NY
Boydell & Brewer
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars." -- From the publisher's website |
| Beschreibung: | xv, 364 Seiten Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9781837650323 |
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| 505 | 8 | 0 | |t Introduction |r Barbara L. Kelly, Deborah Mawer, Rachel Moore and Graham Sadler |t Part I. Durand and his édition classique -- |t The historical evolution of the édition classique |r Graham Sadler |t Charting the édition: production data, musical contents and relationships |r Deborah Mawer and Graham Sadler |t Part II. Composer-editor case studies -- |t 'De-Germanising' music publishing: Dukas's Beethoven in wartime France |r Rachel Moore |t Mozart as 'classic' in early twentieth-century France: the case of Saint-Saëns's Mozart editions |r Barbara L. Kelly |t Making Mendelssohn (more) French: Ravel and Six pièces enfantines |r Deborah Mawer |t Accenting Bach: an editorial trajectory from Fauré to Roger-Ducasse |r Deborah Mawer |t Repackaging the Old Masters: the place of early keyboard music in the édition classique |r Graham Sadler |t Debussy's homage to Chopin: as editor, performer and composer, appendix: Debussy-Chopin entries in the Livres de cotage (1915-90s) |r Barbara L. Kelly |t Part III. Beyond editing: pedagogy, performance, composition -- |t The édition classique in action: pedagogy and performance |r Rachel Moore and Barbara L. Kelly |t The édition classique and French neoclassicism: L'École moderne as exemplar, appendix: alphabetical tabulation of composers and pieces |r Deborah Mawer |
| 520 | 3 | |a "French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars." -- From the publisher's website | |
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Datensatz im Suchindex
| _version_ | 1804185132378095616 |
|---|---|
| adam_text | Contents List of Figures List of Tables Notes on Co-authors Acknowledgements List ofAbbreviations Note on the Text vii xii xiv xvi xvii xviii i Introduction Barbara L. Kelly, Deborah Mawer, Rachel Moore and Graham Sadler PART I. DURAND AND HXS ÉDITION CLASSIQUE i The Historical Evolution of the Édition Classique Graham Sadler 2 Charting the Édition: Production Data, Musical Contents and Relationships 19 39 Deborah Mawer and Graham Sadler PART II. COMPOSER-EDITOR CASE STUDIES 3 ‘De-Germanising’ Music Publishing: Dukas’s Beethoven in Wartime France 73 Rachel Moore 4 Mozart as ‘Classic’ in Early Twentieth-Century France: The Case of Saint-Saëns’s Mozart Editions Barbara L. Kelly 5 Making Mendelssohn (More) French: Ravel and Six pièces enfantines 97 123 Deborah Mawer 6 Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse 153 Deborah Mawer 7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique Graham Sadler 189
vi Contents 8 Debussy’s Homage to Chopin: as Editor, Performer and Composer Appendix: Debussy-Chopin entries in the Livres de cotage (1915-905) Barbara L. Kelly 219 PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION 9 The Édition Classique in Action: Pedagogy and Performance Rachel Moore and Barbara L. Kelly 255 10 The Édition Classique and French Neoclassicism: L École moderne as Exemplar 289 Appendix: Alphabetical tabulation of composers and pieces Deborah Mawer Afierword Select Bibliography Index ЭЧ 331 347
|
| adam_txt |
Contents List of Figures List of Tables Notes on Co-authors Acknowledgements List ofAbbreviations Note on the Text vii xii xiv xvi xvii xviii i Introduction Barbara L. Kelly, Deborah Mawer, Rachel Moore and Graham Sadler PART I. DURAND AND HXS ÉDITION CLASSIQUE i The Historical Evolution of the Édition Classique Graham Sadler 2 Charting the Édition: Production Data, Musical Contents and Relationships 19 39 Deborah Mawer and Graham Sadler PART II. COMPOSER-EDITOR CASE STUDIES 3 ‘De-Germanising’ Music Publishing: Dukas’s Beethoven in Wartime France 73 Rachel Moore 4 Mozart as ‘Classic’ in Early Twentieth-Century France: The Case of Saint-Saëns’s Mozart Editions Barbara L. Kelly 5 Making Mendelssohn (More) French: Ravel and Six pièces enfantines 97 123 Deborah Mawer 6 Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse 153 Deborah Mawer 7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique Graham Sadler 189
vi Contents 8 Debussy’s Homage to Chopin: as Editor, Performer and Composer Appendix: Debussy-Chopin entries in the Livres de cotage (1915-905) Barbara L. Kelly 219 PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION 9 The Édition Classique in Action: Pedagogy and Performance Rachel Moore and Barbara L. Kelly 255 10 The Édition Classique and French Neoclassicism: L'École moderne as Exemplar 289 Appendix: Alphabetical tabulation of composers and pieces Deborah Mawer Afierword Select Bibliography Index ЭЧ 331 347 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mawer, Deborah 1961- Kelly, Barbara ca. 20./21. Jh Moore, Rachel 1981- Sadler, Graham ca. 20./21. Jh |
| author_GND | (DE-588)143276549 (DE-588)138761612 (DE-588)1103833448 (DE-588)104010304 |
| author_additional | Barbara L. Kelly, Deborah Mawer, Rachel Moore and Graham Sadler Graham Sadler Deborah Mawer and Graham Sadler Rachel Moore Barbara L. Kelly Deborah Mawer Rachel Moore and Barbara L. Kelly |
| author_facet | Mawer, Deborah 1961- Kelly, Barbara ca. 20./21. Jh Moore, Rachel 1981- Sadler, Graham ca. 20./21. Jh |
| author_role | cmp cmp cmp cmp |
| author_sort | Mawer, Deborah 1961- |
| author_variant | d m dm b k bk r m rm g s gs |
| building | Verbundindex |
| bvnumber | BV048936079 |
| contents | Introduction Part I. Durand and his édition classique -- The historical evolution of the édition classique Charting the édition: production data, musical contents and relationships Part II. Composer-editor case studies -- 'De-Germanising' music publishing: Dukas's Beethoven in wartime France Mozart as 'classic' in early twentieth-century France: the case of Saint-Saëns's Mozart editions Making Mendelssohn (more) French: Ravel and Six pièces enfantines Accenting Bach: an editorial trajectory from Fauré to Roger-Ducasse Repackaging the Old Masters: the place of early keyboard music in the édition classique Debussy's homage to Chopin: as editor, performer and composer, appendix: Debussy-Chopin entries in the Livres de cotage (1915-90s) Part III. Beyond editing: pedagogy, performance, composition -- The édition classique in action: pedagogy and performance The édition classique and French neoclassicism: L'École moderne as exemplar, appendix: alphabetical tabulation of composers and pieces |
| ctrlnum | (OCoLC)1401182787 (DE-599)BVBBV048936079 |
| era | Geschichte 1915-1925 gnd |
| era_facet | Geschichte 1915-1925 |
| format | Musical Score Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV048936079 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:18Z |
| indexdate | 2024-07-10T09:50:22Z |
| institution | BVB |
| isbn | 9781837650323 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034199932 |
| oclc_num | 1401182787 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xv, 364 Seiten Illustrationen, Notenbeispiele 24 cm |
| psigel | BSB_NED_20230912 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Boydell & Brewer |
| record_format | marc |
| spelling | Mawer, Deborah 1961- (DE-588)143276549 cmp Accenting the classics editing European music in France, 1915-1925 by Deborah Mawer, Barbara L. Kelly, Rachel Moore and Graham Sadler Woodbridge, Suffolk ; Rochester, NY Boydell & Brewer 2023 xv, 364 Seiten Illustrationen, Notenbeispiele 24 cm txt rdacontent sti rdacontent ntm rdacontent n rdamedia nc rdacarrier Introduction Barbara L. Kelly, Deborah Mawer, Rachel Moore and Graham Sadler Part I. Durand and his édition classique -- The historical evolution of the édition classique Graham Sadler Charting the édition: production data, musical contents and relationships Deborah Mawer and Graham Sadler Part II. Composer-editor case studies -- 'De-Germanising' music publishing: Dukas's Beethoven in wartime France Rachel Moore Mozart as 'classic' in early twentieth-century France: the case of Saint-Saëns's Mozart editions Barbara L. Kelly Making Mendelssohn (more) French: Ravel and Six pièces enfantines Deborah Mawer Accenting Bach: an editorial trajectory from Fauré to Roger-Ducasse Deborah Mawer Repackaging the Old Masters: the place of early keyboard music in the édition classique Graham Sadler Debussy's homage to Chopin: as editor, performer and composer, appendix: Debussy-Chopin entries in the Livres de cotage (1915-90s) Barbara L. Kelly Part III. Beyond editing: pedagogy, performance, composition -- The édition classique in action: pedagogy and performance Rachel Moore and Barbara L. Kelly The édition classique and French neoclassicism: L'École moderne as exemplar, appendix: alphabetical tabulation of composers and pieces Deborah Mawer "French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars." -- From the publisher's website Geschichte 1915-1925 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Edition (DE-588)4132033-5 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Musikmarkt (DE-588)4396689-5 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Music publishing / France / History / 20th century Music / Editing / Case studies Music / 18th century / History and criticism Music / 19th century / History and criticism Music Music / Editing Music publishing France 1700-1999 Case studies Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content Frankreich (DE-588)4018145-5 g Komponist (DE-588)4032009-1 s Klassische Musik (DE-588)4164043-3 s Musikmarkt (DE-588)4396689-5 s Edition (DE-588)4132033-5 s Musikalische Aufführungspraxis (DE-588)4170800-3 s Geschichte 1915-1925 z DE-604 Kelly, Barbara ca. 20./21. Jh. Komponist (DE-588)138761612 cmp Moore, Rachel 1981- Komponist (DE-588)1103833448 cmp Sadler, Graham ca. 20./21. Jh. Komponist (DE-588)104010304 cmp Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034199932&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mawer, Deborah 1961- Kelly, Barbara ca. 20./21. Jh Moore, Rachel 1981- Sadler, Graham ca. 20./21. Jh Accenting the classics editing European music in France, 1915-1925 Introduction Part I. Durand and his édition classique -- The historical evolution of the édition classique Charting the édition: production data, musical contents and relationships Part II. Composer-editor case studies -- 'De-Germanising' music publishing: Dukas's Beethoven in wartime France Mozart as 'classic' in early twentieth-century France: the case of Saint-Saëns's Mozart editions Making Mendelssohn (more) French: Ravel and Six pièces enfantines Accenting Bach: an editorial trajectory from Fauré to Roger-Ducasse Repackaging the Old Masters: the place of early keyboard music in the édition classique Debussy's homage to Chopin: as editor, performer and composer, appendix: Debussy-Chopin entries in the Livres de cotage (1915-90s) Part III. Beyond editing: pedagogy, performance, composition -- The édition classique in action: pedagogy and performance The édition classique and French neoclassicism: L'École moderne as exemplar, appendix: alphabetical tabulation of composers and pieces Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Komponist (DE-588)4032009-1 gnd Edition (DE-588)4132033-5 gnd Klassische Musik (DE-588)4164043-3 gnd Musikmarkt (DE-588)4396689-5 gnd |
| subject_GND | (DE-588)4170800-3 (DE-588)4032009-1 (DE-588)4132033-5 (DE-588)4164043-3 (DE-588)4396689-5 (DE-588)4018145-5 (DE-588)4143413-4 |
| title | Accenting the classics editing European music in France, 1915-1925 |
| title_alt | Introduction Part I. Durand and his édition classique -- The historical evolution of the édition classique Charting the édition: production data, musical contents and relationships Part II. Composer-editor case studies -- 'De-Germanising' music publishing: Dukas's Beethoven in wartime France Mozart as 'classic' in early twentieth-century France: the case of Saint-Saëns's Mozart editions Making Mendelssohn (more) French: Ravel and Six pièces enfantines Accenting Bach: an editorial trajectory from Fauré to Roger-Ducasse Repackaging the Old Masters: the place of early keyboard music in the édition classique Debussy's homage to Chopin: as editor, performer and composer, appendix: Debussy-Chopin entries in the Livres de cotage (1915-90s) Part III. Beyond editing: pedagogy, performance, composition -- The édition classique in action: pedagogy and performance The édition classique and French neoclassicism: L'École moderne as exemplar, appendix: alphabetical tabulation of composers and pieces |
| title_auth | Accenting the classics editing European music in France, 1915-1925 |
| title_exact_search | Accenting the classics editing European music in France, 1915-1925 |
| title_exact_search_txtP | Accenting the classics editing European music in France, 1915-1925 |
| title_full | Accenting the classics editing European music in France, 1915-1925 by Deborah Mawer, Barbara L. Kelly, Rachel Moore and Graham Sadler |
| title_fullStr | Accenting the classics editing European music in France, 1915-1925 by Deborah Mawer, Barbara L. Kelly, Rachel Moore and Graham Sadler |
| title_full_unstemmed | Accenting the classics editing European music in France, 1915-1925 by Deborah Mawer, Barbara L. Kelly, Rachel Moore and Graham Sadler |
| title_short | Accenting the classics |
| title_sort | accenting the classics editing european music in france 1915 1925 |
| title_sub | editing European music in France, 1915-1925 |
| topic | Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Komponist (DE-588)4032009-1 gnd Edition (DE-588)4132033-5 gnd Klassische Musik (DE-588)4164043-3 gnd Musikmarkt (DE-588)4396689-5 gnd |
| topic_facet | Musikalische Aufführungspraxis Komponist Edition Klassische Musik Musikmarkt Frankreich Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034199932&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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