How Greek Tragedy Works: A Guide for Directors, Dramaturges, and Playwrights
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Milton
Taylor & Francis Group
2020
|
| Schlagworte: | |
| Online-Zugang: | BSB01 |
| Beschreibung: | 1 Online-Ressource (195 Seiten) |
| ISBN: | 9781000291513 |
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| 100 | 1 | |a Kulick, Brian |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a How Greek Tragedy Works |b A Guide for Directors, Dramaturges, and Playwrights |
| 264 | 1 | |a Milton |b Taylor & Francis Group |c 2020 | |
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| 505 | 8 | |a Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction: 115th and Broadway, circa 410 BCE -- Part I Conversing with shadows: on the interpretation of ancient texts -- 1 Raising the dead -- or, theatre as thanatology -- 2 Antigone: a journey to the underworld of the text - how to read a Greek tragedy -- 3 Dictionary for the ghost language of the tragic -- Part II Toward an alternate poetics -- or, what our three Greek tragedians can tell us about the nature and function of the tragic -- 4 Aeschylus' Agamemnon -- or, first principles -- 5 Sophocles' Electra -- or, the dialectics of the tragic -- 6 Euripides' The Bacchae -- or, recognition as re-cognition -- Part III Further thoughts on form -- 7 Tragedy as "the metaphor of an intellectual intuition": Hölderlin on the poetics of the tragic -- 8 Among the ruins: what the fragments can tell us about Greek tragedy -- Coda Back to the light of day -- Appendices -- Appendix 1: what to think about when thinking about staging a Greek chorus -- Appendix 2: Agamemnon and the red carpet -- or how to create an event in 3 steps -- Appendix 3: scoring an agon logon -- or the music of actions -- Index | |
| 650 | 4 | |a Greek drama (Tragedy)-History and criticism | |
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Datensatz im Suchindex
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| author | Kulick, Brian |
| author_facet | Kulick, Brian |
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| bvnumber | BV048934853 |
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| contents | Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction: 115th and Broadway, circa 410 BCE -- Part I Conversing with shadows: on the interpretation of ancient texts -- 1 Raising the dead -- or, theatre as thanatology -- 2 Antigone: a journey to the underworld of the text - how to read a Greek tragedy -- 3 Dictionary for the ghost language of the tragic -- Part II Toward an alternate poetics -- or, what our three Greek tragedians can tell us about the nature and function of the tragic -- 4 Aeschylus' Agamemnon -- or, first principles -- 5 Sophocles' Electra -- or, the dialectics of the tragic -- 6 Euripides' The Bacchae -- or, recognition as re-cognition -- Part III Further thoughts on form -- 7 Tragedy as "the metaphor of an intellectual intuition": Hölderlin on the poetics of the tragic -- 8 Among the ruins: what the fragments can tell us about Greek tragedy -- Coda Back to the light of day -- Appendices -- Appendix 1: what to think about when thinking about staging a Greek chorus -- Appendix 2: Agamemnon and the red carpet -- or how to create an event in 3 steps -- Appendix 3: scoring an agon logon -- or the music of actions -- Index |
| ctrlnum | (ZDB-1-PQC)EBC6383629 (ZDB-30-PAD)EBC6383629 (ZDB-89-EBL)EBL6383629 (OCoLC)1226592242 (DE-599)BVBBV048934853 |
| format | Electronic eBook |
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| id | DE-604.BV048934853 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:07Z |
| indexdate | 2024-07-10T09:50:20Z |
| institution | BVB |
| isbn | 9781000291513 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034198722 |
| oclc_num | 1226592242 |
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| physical | 1 Online-Ressource (195 Seiten) |
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| publishDate | 2020 |
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| publisher | Taylor & Francis Group |
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| spelling | Kulick, Brian Verfasser aut How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights Milton Taylor & Francis Group 2020 ©2021 1 Online-Ressource (195 Seiten) txt rdacontent c rdamedia cr rdacarrier Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction: 115th and Broadway, circa 410 BCE -- Part I Conversing with shadows: on the interpretation of ancient texts -- 1 Raising the dead -- or, theatre as thanatology -- 2 Antigone: a journey to the underworld of the text - how to read a Greek tragedy -- 3 Dictionary for the ghost language of the tragic -- Part II Toward an alternate poetics -- or, what our three Greek tragedians can tell us about the nature and function of the tragic -- 4 Aeschylus' Agamemnon -- or, first principles -- 5 Sophocles' Electra -- or, the dialectics of the tragic -- 6 Euripides' The Bacchae -- or, recognition as re-cognition -- Part III Further thoughts on form -- 7 Tragedy as "the metaphor of an intellectual intuition": Hölderlin on the poetics of the tragic -- 8 Among the ruins: what the fragments can tell us about Greek tragedy -- Coda Back to the light of day -- Appendices -- Appendix 1: what to think about when thinking about staging a Greek chorus -- Appendix 2: Agamemnon and the red carpet -- or how to create an event in 3 steps -- Appendix 3: scoring an agon logon -- or the music of actions -- Index Greek drama (Tragedy)-History and criticism Electronic books Erscheint auch als Druck-Ausgabe Kulick, Brian How Greek Tragedy Works Milton : Taylor & Francis Group,c2020 9780367634070 |
| spellingShingle | Kulick, Brian How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction: 115th and Broadway, circa 410 BCE -- Part I Conversing with shadows: on the interpretation of ancient texts -- 1 Raising the dead -- or, theatre as thanatology -- 2 Antigone: a journey to the underworld of the text - how to read a Greek tragedy -- 3 Dictionary for the ghost language of the tragic -- Part II Toward an alternate poetics -- or, what our three Greek tragedians can tell us about the nature and function of the tragic -- 4 Aeschylus' Agamemnon -- or, first principles -- 5 Sophocles' Electra -- or, the dialectics of the tragic -- 6 Euripides' The Bacchae -- or, recognition as re-cognition -- Part III Further thoughts on form -- 7 Tragedy as "the metaphor of an intellectual intuition": Hölderlin on the poetics of the tragic -- 8 Among the ruins: what the fragments can tell us about Greek tragedy -- Coda Back to the light of day -- Appendices -- Appendix 1: what to think about when thinking about staging a Greek chorus -- Appendix 2: Agamemnon and the red carpet -- or how to create an event in 3 steps -- Appendix 3: scoring an agon logon -- or the music of actions -- Index Greek drama (Tragedy)-History and criticism |
| title | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_auth | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_exact_search | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_exact_search_txtP | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_full | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_fullStr | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_full_unstemmed | How Greek Tragedy Works A Guide for Directors, Dramaturges, and Playwrights |
| title_short | How Greek Tragedy Works |
| title_sort | how greek tragedy works a guide for directors dramaturges and playwrights |
| title_sub | A Guide for Directors, Dramaturges, and Playwrights |
| topic | Greek drama (Tragedy)-History and criticism |
| topic_facet | Greek drama (Tragedy)-History and criticism |
| work_keys_str_mv | AT kulickbrian howgreektragedyworksaguidefordirectorsdramaturgesandplaywrights |