Bibles unbound: the material semantics of nineteenth-century scriptural illustration
This article takes as its starting point The Pictorial Bible, considering it as an historiographical vehicle for both biblical imagery and print history in the nineteenth century. The publication is significant alone as a compendium of visual forms, functioning for viewers even today as a vast colle...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
June 2022
|
| Online-Zugang: | Volltext |
| Zusammenfassung: | This article takes as its starting point The Pictorial Bible, considering it as an historiographical vehicle for both biblical imagery and print history in the nineteenth century. The publication is significant alone as a compendium of visual forms, functioning for viewers even today as a vast collection of Judeo-Christian pictorial expression in the West stretching back to antiquity. This will become an underlying characteristic of much nineteenth-century scriptural illustration: the attempt to underscore the heterogeneity of the Bible while preserving its status as discursively unified object. What distinguishes this context from earlier moments in the history of the Bible and of print culture are an increased emphasis on historical authenticity and objectivity, and the availability of a diverse set of print processes, each with its own layers of perceived value. |
| Beschreibung: | 1 Online-Ressource (16 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004086 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048928881 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230504s2022 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004086 |2 doi | |
| 035 | |a (OCoLC)1378489229 | ||
| 035 | |a (DE-599)BVBBV048928881 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Schaefer, Sarah |e Verfasser |0 (DE-588)1033634743 |4 aut | |
| 245 | 1 | 0 | |a Bibles unbound |b the material semantics of nineteenth-century scriptural illustration |c Sarah C. Schaefer |
| 264 | 1 | |c June 2022 | |
| 300 | |a 1 Online-Ressource (16 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a This article takes as its starting point The Pictorial Bible, considering it as an historiographical vehicle for both biblical imagery and print history in the nineteenth century. The publication is significant alone as a compendium of visual forms, functioning for viewers even today as a vast collection of Judeo-Christian pictorial expression in the West stretching back to antiquity. This will become an underlying characteristic of much nineteenth-century scriptural illustration: the attempt to underscore the heterogeneity of the Bible while preserving its status as discursively unified object. What distinguishes this context from earlier moments in the history of the Bible and of print culture are an increased emphasis on historical authenticity and objectivity, and the availability of a diverse set of print processes, each with its own layers of perceived value. | |
| 773 | 1 | 8 | |g number:26 |g year:2022 |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2022 |g Number 26 (June 2022) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004086 |x Verlag |z kostenfrei |3 Volltext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034192865 | ||
| 941 | |h 26 |j 2022 | ||
Datensatz im Suchindex
| _version_ | 1804185117467344896 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Schaefer, Sarah |
| author_GND | (DE-588)1033634743 |
| author_facet | Schaefer, Sarah |
| author_role | aut |
| author_sort | Schaefer, Sarah |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV048928881 |
| ctrlnum | (OCoLC)1378489229 (DE-599)BVBBV048928881 |
| doi_str_mv | 10.48352/uobxjah.00004086 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01979nma a2200313 c 4500</leader><controlfield tag="001">BV048928881</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230504s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004086</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1378489229</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048928881</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schaefer, Sarah</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1033634743</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Bibles unbound</subfield><subfield code="b">the material semantics of nineteenth-century scriptural illustration</subfield><subfield code="c">Sarah C. Schaefer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">June 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (16 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This article takes as its starting point The Pictorial Bible, considering it as an historiographical vehicle for both biblical imagery and print history in the nineteenth century. The publication is significant alone as a compendium of visual forms, functioning for viewers even today as a vast collection of Judeo-Christian pictorial expression in the West stretching back to antiquity. This will become an underlying characteristic of much nineteenth-century scriptural illustration: the attempt to underscore the heterogeneity of the Bible while preserving its status as discursively unified object. What distinguishes this context from earlier moments in the history of the Bible and of print culture are an increased emphasis on historical authenticity and objectivity, and the availability of a diverse set of print processes, each with its own layers of perceived value.</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:26</subfield><subfield code="g">year:2022</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2022</subfield><subfield code="g">Number 26 (June 2022)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004086</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034192865</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">26</subfield><subfield code="j">2022</subfield></datafield></record></collection> |
| id | DE-604.BV048928881 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:56:45Z |
| indexdate | 2024-07-10T09:50:08Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034192865 |
| oclc_num | 1378489229 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource (16 Seiten) |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Schaefer, Sarah Verfasser (DE-588)1033634743 aut Bibles unbound the material semantics of nineteenth-century scriptural illustration Sarah C. Schaefer June 2022 1 Online-Ressource (16 Seiten) txt rdacontent c rdamedia cr rdacarrier This article takes as its starting point The Pictorial Bible, considering it as an historiographical vehicle for both biblical imagery and print history in the nineteenth century. The publication is significant alone as a compendium of visual forms, functioning for viewers even today as a vast collection of Judeo-Christian pictorial expression in the West stretching back to antiquity. This will become an underlying characteristic of much nineteenth-century scriptural illustration: the attempt to underscore the heterogeneity of the Bible while preserving its status as discursively unified object. What distinguishes this context from earlier moments in the history of the Bible and of print culture are an increased emphasis on historical authenticity and objectivity, and the availability of a diverse set of print processes, each with its own layers of perceived value. number:26 year:2022 Journal of art historiography Glasgow, 2022 Number 26 (June 2022) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004086 Verlag kostenfrei Volltext |
| spellingShingle | Schaefer, Sarah Bibles unbound the material semantics of nineteenth-century scriptural illustration |
| title | Bibles unbound the material semantics of nineteenth-century scriptural illustration |
| title_auth | Bibles unbound the material semantics of nineteenth-century scriptural illustration |
| title_exact_search | Bibles unbound the material semantics of nineteenth-century scriptural illustration |
| title_exact_search_txtP | Bibles unbound the material semantics of nineteenth-century scriptural illustration |
| title_full | Bibles unbound the material semantics of nineteenth-century scriptural illustration Sarah C. Schaefer |
| title_fullStr | Bibles unbound the material semantics of nineteenth-century scriptural illustration Sarah C. Schaefer |
| title_full_unstemmed | Bibles unbound the material semantics of nineteenth-century scriptural illustration Sarah C. Schaefer |
| title_short | Bibles unbound |
| title_sort | bibles unbound the material semantics of nineteenth century scriptural illustration |
| title_sub | the material semantics of nineteenth-century scriptural illustration |
| url | https://doi.org/10.48352/uobxjah.00004086 |
| work_keys_str_mv | AT schaefersarah biblesunboundthematerialsemanticsofnineteenthcenturyscripturalillustration |