The evolution of Chinese popular music: modernization and globalization, 1927 to the present
"Ya-Hui Cheng examines the emergence of popular music genres-jazz, rock, and hip hop-in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. Four monumenta...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Ya-Hui Cheng examines the emergence of popular music genres-jazz, rock, and hip hop-in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. Four monumental social progressive moments impacted Chinese popular music: the influence of the 1930s Shanghai Chinese style of jazz, which marked the modernization of China following the anti-imperialist, anti-feudalist May Fourth Movement; 1970s campus folksongs, also called pre-rock, which emerged from university campus music events in Taiwan; 1980s Chinese rock at the time of the Tiananmen Square protests; and hip hop after 2000, representing the latest Chinese social identity following resumption of relations between republican Taiwan and communist China after four decades of separation. Cheng demonstrates how western musical genres were used by Chinese songwriters to express moments of social progress, utilizing new styles and sounds that expressed the people's voices of the time. Moreover, some Chinese musical elements remained, resulting in indigenous characteristics in the new western genres and producing what Cheng calls a "modern Chinese nostalgia." The book discusses how this integrated sound facilitated the popularity of western music spreading through Chinese society and further led to cultural exchanges between the west and east"-- |
| Beschreibung: | XI, 218 Seiten Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9781032314037 9781032314044 |
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| 520 | 3 | |a "Ya-Hui Cheng examines the emergence of popular music genres-jazz, rock, and hip hop-in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. Four monumental social progressive moments impacted Chinese popular music: the influence of the 1930s Shanghai Chinese style of jazz, which marked the modernization of China following the anti-imperialist, anti-feudalist May Fourth Movement; 1970s campus folksongs, also called pre-rock, which emerged from university campus music events in Taiwan; 1980s Chinese rock at the time of the Tiananmen Square protests; and hip hop after 2000, representing the latest Chinese social identity following resumption of relations between republican Taiwan and communist China after four decades of separation. Cheng demonstrates how western musical genres were used by Chinese songwriters to express moments of social progress, utilizing new styles and sounds that expressed the people's voices of the time. Moreover, some Chinese musical elements remained, resulting in indigenous characteristics in the new western genres and producing what Cheng calls a "modern Chinese nostalgia." The book discusses how this integrated sound facilitated the popularity of western music spreading through Chinese society and further led to cultural exchanges between the west and east"-- | |
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Datensatz im Suchindex
| _version_ | 1804185110648455168 |
|---|---|
| adam_text | Contents viii x Acknowledgments Preface 1 Introduction 2 Early Western Sounds: From Christian-based Music to the Shanghai Modern Song 3 Music in Taiwan: Migration, Westernization, Campus Folk Songs, and Rock Music 4 The Collective Sound: From Propaganda Music to Sent-Down Youth Songs 5 Modernizing Chinese Vernacular Music: From Red Songs to Rock Music in China 1 22 58 90 117 6 Global Image, Chinese Wind, Rap, and Hip-Hop 147 7 The Chinese Dream and the Latest Popular Music Scene in Greater China 180 Select Bibliography Appendix Index 198 213 214
|
| adam_txt |
Contents viii x Acknowledgments Preface 1 Introduction 2 Early Western Sounds: From Christian-based Music to the Shanghai Modern Song 3 Music in Taiwan: Migration, Westernization, Campus Folk Songs, and Rock Music 4 The Collective Sound: From Propaganda Music to Sent-Down Youth Songs 5 Modernizing Chinese Vernacular Music: From Red Songs to Rock Music in China 1 22 58 90 117 6 Global Image, Chinese Wind, Rap, and Hip-Hop 147 7 The Chinese Dream and the Latest Popular Music Scene in Greater China 180 Select Bibliography Appendix Index 198 213 214 |
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| author | Cheng, Ya-Hui |
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| building | Verbundindex |
| bvnumber | BV048925256 |
| contents | Introduction -- Early Western Sounds : from Christian-based Music to the Shanghai Modern Song -- Music in Taiwan : Migration, Westernization, Campus Folksongs, and Rock Music -- The Collective Sound : From Propaganda Music to Sent-Down Youth Songs -- Modernizing Chinese Vernacular Music : From Red Songs to Rock Music in China -- Global Image, Chinese Wind, Rap, and Hip-Hop -- The Chinese Dream and the Latest Popular Music Scene in Greater China |
| ctrlnum | (OCoLC)1379218459 (DE-599)BVBBV048925256 |
| era | Geschichte 1927- gnd |
| era_facet | Geschichte 1927- |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:55:49Z |
| indexdate | 2024-07-10T09:50:02Z |
| institution | BVB |
| isbn | 9781032314037 9781032314044 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034189306 |
| oclc_num | 1379218459 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XI, 218 Seiten Illustrationen, Notenbeispiele 24 cm |
| psigel | BSB_NED_20230713 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge |
| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Cheng, Ya-Hui Verfasser (DE-588)1294987100 aut The evolution of Chinese popular music modernization and globalization, 1927 to the present Ya-Hui Cheng London ; New York Routledge 2023 XI, 218 Seiten Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Introduction -- Early Western Sounds : from Christian-based Music to the Shanghai Modern Song -- Music in Taiwan : Migration, Westernization, Campus Folksongs, and Rock Music -- The Collective Sound : From Propaganda Music to Sent-Down Youth Songs -- Modernizing Chinese Vernacular Music : From Red Songs to Rock Music in China -- Global Image, Chinese Wind, Rap, and Hip-Hop -- The Chinese Dream and the Latest Popular Music Scene in Greater China "Ya-Hui Cheng examines the emergence of popular music genres-jazz, rock, and hip hop-in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. Four monumental social progressive moments impacted Chinese popular music: the influence of the 1930s Shanghai Chinese style of jazz, which marked the modernization of China following the anti-imperialist, anti-feudalist May Fourth Movement; 1970s campus folksongs, also called pre-rock, which emerged from university campus music events in Taiwan; 1980s Chinese rock at the time of the Tiananmen Square protests; and hip hop after 2000, representing the latest Chinese social identity following resumption of relations between republican Taiwan and communist China after four decades of separation. Cheng demonstrates how western musical genres were used by Chinese songwriters to express moments of social progress, utilizing new styles and sounds that expressed the people's voices of the time. Moreover, some Chinese musical elements remained, resulting in indigenous characteristics in the new western genres and producing what Cheng calls a "modern Chinese nostalgia." The book discusses how this integrated sound facilitated the popularity of western music spreading through Chinese society and further led to cultural exchanges between the west and east"-- Geschichte 1927- gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Popular music / China / History and criticism Popular music / Social aspects / China / History Music and globalization / China / History Music / China / Western influences Music and globalization Music / Western influences Popular music Popular music / Social aspects China Criticism, interpretation, etc History China (DE-588)4009937-4 g Popmusik (DE-588)4046781-8 s Sozialer Wandel (DE-588)4077587-2 s Globalisierung (DE-588)4557997-0 s Geschichte 1927- z DE-604 Äquivalent Druck-Ausgabe, Paperback Erscheint auch als Online-Ausgabe 978-1-00-086683-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034189306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cheng, Ya-Hui The evolution of Chinese popular music modernization and globalization, 1927 to the present Introduction -- Early Western Sounds : from Christian-based Music to the Shanghai Modern Song -- Music in Taiwan : Migration, Westernization, Campus Folksongs, and Rock Music -- The Collective Sound : From Propaganda Music to Sent-Down Youth Songs -- Modernizing Chinese Vernacular Music : From Red Songs to Rock Music in China -- Global Image, Chinese Wind, Rap, and Hip-Hop -- The Chinese Dream and the Latest Popular Music Scene in Greater China Globalisierung (DE-588)4557997-0 gnd Popmusik (DE-588)4046781-8 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
| subject_GND | (DE-588)4557997-0 (DE-588)4046781-8 (DE-588)4077587-2 (DE-588)4009937-4 |
| title | The evolution of Chinese popular music modernization and globalization, 1927 to the present |
| title_auth | The evolution of Chinese popular music modernization and globalization, 1927 to the present |
| title_exact_search | The evolution of Chinese popular music modernization and globalization, 1927 to the present |
| title_exact_search_txtP | The evolution of Chinese popular music modernization and globalization, 1927 to the present |
| title_full | The evolution of Chinese popular music modernization and globalization, 1927 to the present Ya-Hui Cheng |
| title_fullStr | The evolution of Chinese popular music modernization and globalization, 1927 to the present Ya-Hui Cheng |
| title_full_unstemmed | The evolution of Chinese popular music modernization and globalization, 1927 to the present Ya-Hui Cheng |
| title_short | The evolution of Chinese popular music |
| title_sort | the evolution of chinese popular music modernization and globalization 1927 to the present |
| title_sub | modernization and globalization, 1927 to the present |
| topic | Globalisierung (DE-588)4557997-0 gnd Popmusik (DE-588)4046781-8 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
| topic_facet | Globalisierung Popmusik Sozialer Wandel China |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034189306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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