Back matter:
This publication can be considered an omnibus of sorts, accompanying the exhibition of the same name that took place at the MACRO – Museum of Contemporary Art in Rome in 2021. Held at the IN-DESIGN section of the museum, the monographic column of Museum for Preventive Imagination devoted to the lang...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leipzig
Spector Books
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This publication can be considered an omnibus of sorts, accompanying the exhibition of the same name that took place at the MACRO – Museum of Contemporary Art in Rome in 2021. Held at the IN-DESIGN section of the museum, the monographic column of Museum for Preventive Imagination devoted to the languages of Graphic Design. The title of the exhibition, Back Matter, refers to all of the parts which follow the central body of a publication, such as an epilogue, a colophon, a glossary, an appendix, and so forth. The term, defining the material and narrative body that can offer reflections to the subject matter of a book, is used metaphorically in this case, in relation to the content of the exhibition. The artists invited to present during the exhibition included Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul and Peter Wächtler. The choice of an omnibus as the editorial structure for this publication is based upon Maximilien Vox’s Bibliothèque Imaginaire. Maximilien Vox was the driving force behind this prestigious French typographic yearbook that aimed to reunite disparate French printing houses after World War II. These issues largely contained vintage advertisements from printers, publishers and print-related services. A total of 74 different printers contributed material to these volumes, as did 17 different paper manufacturers. Hundreds of examples of lithography, collage, printed matter and all kinds of drawings and advertisements, from wine labels, to stationary, to bound menus, were brought together, unpaginated. Vox foresaw a restoration of equality between commercial printing, typesetting and the refined editions that characterized French book art before the war |
| Beschreibung: | Impressum: This catalogue was published on the occasion of "Back Matter" by Boy Vereecken curated by Luca Lo Pinto held at MACRO - Museum of Contemporary Art of Rome (3 February - 13 June 2021) |
| Beschreibung: | 144 Seiten Illustrationen 30 cm x 22.5 cm |
| ISBN: | 9783959057257 3959057253 |
Internformat
MARC
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| 500 | |a Impressum: This catalogue was published on the occasion of "Back Matter" by Boy Vereecken curated by Luca Lo Pinto held at MACRO - Museum of Contemporary Art of Rome (3 February - 13 June 2021) | ||
| 520 | 3 | |a This publication can be considered an omnibus of sorts, accompanying the exhibition of the same name that took place at the MACRO – Museum of Contemporary Art in Rome in 2021. Held at the IN-DESIGN section of the museum, the monographic column of Museum for Preventive Imagination devoted to the languages of Graphic Design. The title of the exhibition, Back Matter, refers to all of the parts which follow the central body of a publication, such as an epilogue, a colophon, a glossary, an appendix, and so forth. The term, defining the material and narrative body that can offer reflections to the subject matter of a book, is used metaphorically in this case, in relation to the content of the exhibition. The artists invited to present during the exhibition included Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul and Peter Wächtler. The choice of an omnibus as the editorial structure for this publication is based upon Maximilien Vox’s Bibliothèque Imaginaire. Maximilien Vox was the driving force behind this prestigious French typographic yearbook that aimed to reunite disparate French printing houses after World War II. These issues largely contained vintage advertisements from printers, publishers and print-related services. A total of 74 different printers contributed material to these volumes, as did 17 different paper manufacturers. Hundreds of examples of lithography, collage, printed matter and all kinds of drawings and advertisements, from wine labels, to stationary, to bound menus, were brought together, unpaginated. Vox foresaw a restoration of equality between commercial printing, typesetting and the refined editions that characterized French book art before the war | |
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Datensatz im Suchindex
| _version_ | 1804185105354194944 |
|---|---|
| adam_text | 1-4
DUELLING
IN
AMBIGUITY,
SIMONE
C.
NIQUILLE.
IN
THE
FLOOR
IS
UNEVEN.
DOES
IT
SLOPE?.
MOUSSE
PUBLISHING,
2019
5-8
THERAPEUTIC
SKIN,
BEN
THORP
BROWN.
IN
THE
FLOOR
IS
UNEVEN.
DOES
IT
SLOPE?
MOUSSE
PUBLISHING,
2019
9
BACK
MATTER
OF
THE
FLOOR
IS
UNEVEN.
DOES
IT
SLOPE?
MOUSSE
PUBLISHING,
2019
10,11
BACK
MATTER,
BOY
VEREECKEN.
MAC
RO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
12-20
AFTER
SERVICE:
A
SELECTION
OF
PROJECT
BY
STEPHANE
BARBIER
BOUVET.
LAURA
HERMAN
&
ANNE-CLAIRE
SCHMITZ
(EDS.),
LA
LOGE,
2017
21-26
AGAINST
THE
GRAIN:
LA
SCULPTURE
A
REBOURS
DE
DEVOUR
&
GICQUEL,
ALICE
MOTARD.
IN
BODY
OF
WORK,
DANIEL
DEWAR
&
GREGORY
GICQUEL.
WALTER
KONIG,
2019
27
BACK
MATTER
OF
BODY
OF
WORK,
DANIEL
DEWAR
&
GREGORY
GICQUEL,
WALTER
KONIG,
2019
28,29
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
30
EXHIBITION
31-36
AGAINST
THE
GRAIN:
LA
SCULPTURE
A
REBOURS
DE
DEVOUR
&
GICQUEL,
ALICE
MOTARD.
IN
BODY
OF
WORK,
DANIEL
DEWAR
&
GREGORY
GICQUEL.
WALTER
KONIG,
2019
37-43
KUNSTHALLE
WIEN,
CULTURAL
IDENTITY,
ART
DIRECTION,
2013-2019.
INCL.
MARCEL
BROODTHAERS, ISA
GENZKEN,
MARKUS
MIESSEN,
PIERRE
BISMUTH,
AND
CAMILLE
HENROT
44-45
LA
LOGE
BRUSSELS,
CULTURAL
IDENTITY.
VARIOUS,
2012-ONGOING
46-51
BUCK
MUTTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
52-53
WORKS
IN
THE
EXHIBITION
54
EXHIBITION
FLOOR
PLAN
55-60
BUCK
MUTTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
61-68
TRIPOD,
HANNE
LIPPARD.
IN
LOOK:
LODGED
IN
VOICES.
ANNE-CLAIRE
SCHMITZ
(ED.).
LA
LOGE,
BRUSSELS,
2018
69
BACK
MATTER
OF
LOOK:
LODGED
IN
VOICES.
ANNE-CLAIRE
SCHMITZ
(ED.).
LA
LOGE,
BRUSSELS,
2018
70-71
BUCK
MUTTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
72
BACK
MATTER
OF
SIGNUTURE
STRENGTHS.
STERNBERG
PRESS,
2016
73-81
SIGNATURE
STRENGTHS,
MARK
MANN.
IN
SIGNATURE
STRENGTHS.
STERNBERG
PRESS,
2016
82-86
THE
WEIGHT
OF
THE
IMAGE,
LILOU
VIDAL.
IN
EZIO
GRIBAUDO-.
LOGOGRIFO,
PALM
TREE,
CACTUS,
DE
CHIRICO,
DINO,
PINOCCHIO
&
PUBLISHING.
NERO,
2019
87
BACK
MATTER
OF
EZIO
GRIBAUDO .
LOGOGRIFO,
PALM
TREE,
CACTUS,
DE
CHIRICO,
DINO,
PINOCCHIO
&
PUBLISHING.
NERO,
2019
88-89
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
90
PREFACE
91-94;
THE
WEIGHT
OF
THE
IMAGE,
LILOU
VIDAL.
IN
EZIO
GRIBAUDO-.
LOGOGRIFO,
PALM
TREE,
CACTUS,
DE
CHIRICO,
DINO,
PINOCCHIO
^PUBLISHING.
NERO,
2019
95-104
FIVE
MAJOR
MISTAKES
IN
PLUMBING,
PETER
WACHTLER.
IN
JOLLY
ROGERS,
PETER
WACHTLER,
STERNBERG
PRESS,
2019
105
BACK
MATTER
OF
JOLLY
ROGERS,
PETER
WACHTLER.
STERNBERG
PRESS,
2019
106-107
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
108
BACK
MATTER
OF
WHERE
THE
ENERGY
COMES
FROM,
JANA
EULER.
CABINET,
LONDON;
DEPENDANCE,
BRUSSELS;
GALERIE
NEU,
BERLIN,
2017
109-120
WHERE
THE
ENERGY
COMES
FROM,
CATHERINE
CHEVALIER.
IN
WHERE
THE
ENERGY
COMES
FROMF^M
EULER.
CABINET,
LONDON;
DEPENDANCE,
BRUSSELS;
GALERIE
NEU,
BERLIN,
2017
121-124
SYSTEM
EXTENSION,
VANESSA
JOAN
M
FILLER.
IN
ONE,
NO
ONE,
AND
ONE
HUNDRED
THOUSAND.
STERNBERG
PRESS,
2016
125
BACK
MATTER
OF
ONE,
NO
ONE,
AND
ONE
HUNDRED
THOUSAND.
STERNBERG
PRESS,
2016
126-127
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
128
BACK
MATTER
OF
MONDO
CANE,
JOS
DE
GRUYTER
&
HARALD
THYS.
MERCATORFONDS,
2019
129-136
MONDO
CANE,
JOS
DE
GRUYTER
&
HARALD
THYS.
BELGIAN
PAVILION,
58TH
LA
BIENNALE
DI
VENEZIA,
2019.
137-138
LAB
WORK,
ANNA
VOSWINCKEL.
IN
TOMATO
TARGET,
ANNETTE
KEIM.
STERNBERG
PRESS,
2019
139
BACK
MATTER
OF
TOMATO
TARGET,
ANNETTE
KEIM.
STERNBERG
PRESS,
2019
140-141
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
142
PUBLICATION
143-144
LAB
WORK,
ANNA
VOSWINCKEL.
IN
TOMATO
TARGET,
ANNETTE
KEIM.
STERNBERG
PRESS,
2019
|
| adam_txt |
1-4
DUELLING
IN
AMBIGUITY,
SIMONE
C.
NIQUILLE.
IN
THE
FLOOR
IS
UNEVEN.
DOES
IT
SLOPE?.
MOUSSE
PUBLISHING,
2019
5-8
THERAPEUTIC
SKIN,
BEN
THORP
BROWN.
IN
THE
FLOOR
IS
UNEVEN.
DOES
IT
SLOPE?
MOUSSE
PUBLISHING,
2019
9
BACK
MATTER
OF
THE
FLOOR
IS
UNEVEN.
DOES
IT
SLOPE?
MOUSSE
PUBLISHING,
2019
10,11
BACK
MATTER,
BOY
VEREECKEN.
MAC
RO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
12-20
AFTER
SERVICE:
A
SELECTION
OF
PROJECT
BY
STEPHANE
BARBIER
BOUVET.
LAURA
HERMAN
&
ANNE-CLAIRE
SCHMITZ
(EDS.),
LA
LOGE,
2017
21-26
AGAINST
THE
GRAIN:
LA
SCULPTURE
A
REBOURS
DE
DEVOUR
&
GICQUEL,
ALICE
MOTARD.
IN
BODY
OF
WORK,
DANIEL
DEWAR
&
GREGORY
GICQUEL.
WALTER
KONIG,
2019
27
BACK
MATTER
OF
BODY
OF
WORK,
DANIEL
DEWAR
&
GREGORY
GICQUEL,
WALTER
KONIG,
2019
28,29
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
30
EXHIBITION
31-36
AGAINST
THE
GRAIN:
LA
SCULPTURE
A
REBOURS
DE
DEVOUR
&
GICQUEL,
ALICE
MOTARD.
IN
BODY
OF
WORK,
DANIEL
DEWAR
&
GREGORY
GICQUEL.
WALTER
KONIG,
2019
37-43
KUNSTHALLE
WIEN,
CULTURAL
IDENTITY,
ART
DIRECTION,
2013-2019.
INCL.
MARCEL
BROODTHAERS, ISA
GENZKEN,
MARKUS
MIESSEN,
PIERRE
BISMUTH,
AND
CAMILLE
HENROT
44-45
LA
LOGE
BRUSSELS,
CULTURAL
IDENTITY.
VARIOUS,
2012-ONGOING
46-51
BUCK
MUTTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
52-53
WORKS
IN
THE
EXHIBITION
54
EXHIBITION
FLOOR
PLAN
55-60
BUCK
MUTTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
61-68
TRIPOD,
HANNE
LIPPARD.
IN
LOOK:
LODGED
IN
VOICES.
ANNE-CLAIRE
SCHMITZ
(ED.).
LA
LOGE,
BRUSSELS,
2018
69
BACK
MATTER
OF
LOOK:
LODGED
IN
VOICES.
ANNE-CLAIRE
SCHMITZ
(ED.).
LA
LOGE,
BRUSSELS,
2018
70-71
BUCK
MUTTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
72
BACK
MATTER
OF
SIGNUTURE
STRENGTHS.
STERNBERG
PRESS,
2016
73-81
SIGNATURE
STRENGTHS,
MARK
MANN.
IN
SIGNATURE
STRENGTHS.
STERNBERG
PRESS,
2016
82-86
THE
WEIGHT
OF
THE
IMAGE,
LILOU
VIDAL.
IN
EZIO
GRIBAUDO-.
LOGOGRIFO,
PALM
TREE,
CACTUS,
DE
CHIRICO,
DINO,
PINOCCHIO
&
PUBLISHING.
NERO,
2019
87
BACK
MATTER
OF
EZIO
GRIBAUDO'.
LOGOGRIFO,
PALM
TREE,
CACTUS,
DE
CHIRICO,
DINO,
PINOCCHIO
&
PUBLISHING.
NERO,
2019
88-89
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
90
PREFACE
91-94;
THE
WEIGHT
OF
THE
IMAGE,
LILOU
VIDAL.
IN
EZIO
GRIBAUDO-.
LOGOGRIFO,
PALM
TREE,
CACTUS,
DE
CHIRICO,
DINO,
PINOCCHIO
^PUBLISHING.
NERO,
2019
95-104
FIVE
MAJOR
MISTAKES
IN
PLUMBING,
PETER
WACHTLER.
IN
JOLLY
ROGERS,
PETER
WACHTLER,
STERNBERG
PRESS,
2019
105
BACK
MATTER
OF
JOLLY
ROGERS,
PETER
WACHTLER.
STERNBERG
PRESS,
2019
106-107
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
108
BACK
MATTER
OF
WHERE
THE
ENERGY
COMES
FROM,
JANA
EULER.
CABINET,
LONDON;
DEPENDANCE,
BRUSSELS;
GALERIE
NEU,
BERLIN,
2017
109-120
WHERE
THE
ENERGY
COMES
FROM,
CATHERINE
CHEVALIER.
IN
WHERE
THE
ENERGY
COMES
FROMF^M
EULER.
CABINET,
LONDON;
DEPENDANCE,
BRUSSELS;
GALERIE
NEU,
BERLIN,
2017
121-124
SYSTEM
EXTENSION,
VANESSA
JOAN
M
FILLER.
IN
ONE,
NO
ONE,
AND
ONE
HUNDRED
THOUSAND.
STERNBERG
PRESS,
2016
125
BACK
MATTER
OF
ONE,
NO
ONE,
AND
ONE
HUNDRED
THOUSAND.
STERNBERG
PRESS,
2016
126-127
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
128
BACK
MATTER
OF
MONDO
CANE,
JOS
DE
GRUYTER
&
HARALD
THYS.
MERCATORFONDS,
2019
129-136
MONDO
CANE,
JOS
DE
GRUYTER
&
HARALD
THYS.
BELGIAN
PAVILION,
58TH
LA
BIENNALE
DI
VENEZIA,
2019.
137-138
LAB
WORK,
ANNA
VOSWINCKEL.
IN
TOMATO
TARGET,
ANNETTE
KEIM.
STERNBERG
PRESS,
2019
139
BACK
MATTER
OF
TOMATO
TARGET,
ANNETTE
KEIM.
STERNBERG
PRESS,
2019
140-141
BACK
MATTER,
BOY
VEREECKEN.
MACRO-MUSEUM
OF
CONTEMPORARY
ART
OF
ROME,
2021.
PHOTO
CREDIT:
AGNESE
BEDINI
AND
MELANIA
DALLE
GRAVE
OF
DSL
142
PUBLICATION
143-144
LAB
WORK,
ANNA
VOSWINCKEL.
IN
TOMATO
TARGET,
ANNETTE
KEIM.
STERNBERG
PRESS,
2019 |
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| any_adam_object_boolean | 1 |
| author2 | Vereecken, Boy 1982- |
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| building | Verbundindex |
| bvnumber | BV048922521 |
| ctrlnum | (OCoLC)1381308171 (DE-599)BVBBV048922521 |
| format | Book |
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| id | DE-604.BV048922521 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:55:25Z |
| indexdate | 2024-07-10T09:49:56Z |
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| language | English |
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| physical | 144 Seiten Illustrationen 30 cm x 22.5 cm |
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| publisher | Spector Books |
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| spelling | Back matter editor: Boy Vereecken Boy Vereecken, Back matter Leipzig Spector Books [2023] © 2023 144 Seiten Illustrationen 30 cm x 22.5 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: This catalogue was published on the occasion of "Back Matter" by Boy Vereecken curated by Luca Lo Pinto held at MACRO - Museum of Contemporary Art of Rome (3 February - 13 June 2021) This publication can be considered an omnibus of sorts, accompanying the exhibition of the same name that took place at the MACRO – Museum of Contemporary Art in Rome in 2021. Held at the IN-DESIGN section of the museum, the monographic column of Museum for Preventive Imagination devoted to the languages of Graphic Design. The title of the exhibition, Back Matter, refers to all of the parts which follow the central body of a publication, such as an epilogue, a colophon, a glossary, an appendix, and so forth. The term, defining the material and narrative body that can offer reflections to the subject matter of a book, is used metaphorically in this case, in relation to the content of the exhibition. The artists invited to present during the exhibition included Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul and Peter Wächtler. The choice of an omnibus as the editorial structure for this publication is based upon Maximilien Vox’s Bibliothèque Imaginaire. Maximilien Vox was the driving force behind this prestigious French typographic yearbook that aimed to reunite disparate French printing houses after World War II. These issues largely contained vintage advertisements from printers, publishers and print-related services. A total of 74 different printers contributed material to these volumes, as did 17 different paper manufacturers. Hundreds of examples of lithography, collage, printed matter and all kinds of drawings and advertisements, from wine labels, to stationary, to bound menus, were brought together, unpaginated. Vox foresaw a restoration of equality between commercial printing, typesetting and the refined editions that characterized French book art before the war Buchgestaltung (DE-588)4146814-4 gnd rswk-swf Buchgestaltung Kunst Design (DE-588)4135467-9 Ausstellungskatalog MACRO - Museo d'arte contemporanea Roma 03.02.2021-13.06.2021 Rom gnd-content Buchgestaltung (DE-588)4146814-4 s DE-604 Vereecken, Boy 1982- (DE-588)1186746351 edt MACRO - Museo d'arte contemporanea Roma (DE-588)5547038-5 his Spector Books OHG (DE-588)1065024045 pbl DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034186597&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20230223 DE-101 https://d-nb.info/provenance/plan#vlb |
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| title | Back matter |
| title_alt | Boy Vereecken, Back matter |
| title_auth | Back matter |
| title_exact_search | Back matter |
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| title_full | Back matter editor: Boy Vereecken |
| title_fullStr | Back matter editor: Boy Vereecken |
| title_full_unstemmed | Back matter editor: Boy Vereecken |
| title_short | Back matter |
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| topic | Buchgestaltung (DE-588)4146814-4 gnd |
| topic_facet | Buchgestaltung Ausstellungskatalog MACRO - Museo d'arte contemporanea Roma 03.02.2021-13.06.2021 Rom |
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