Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017: the aesthetics of enclosure
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Liverpool
Liverpool University Press
2023
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Schriftenreihe: | Liverpool science fiction texts and studies
77 |
Schlagworte: | |
Beschreibung: | ix, 202 Seiten Illustrationen |
ISBN: | 9781802077612 |
Internformat
MARC
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245 | 1 | 0 | |a Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 |b the aesthetics of enclosure |c Harry Warwick |
264 | 1 | |a Liverpool |b Liverpool University Press |c 2023 | |
300 | |a ix, 202 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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490 | 1 | |a Liverpool science fiction texts and studies |v 77 | |
505 | 8 | |a Introduction -- Anticipation: Science Fiction between Spectacle and Speculation PART 1: ENCLOSURE AFTER ENCLOSURE1. Extrapolation: The New Enclosures in New Hollywood2. Privatisation: Conceptualising Enclosure in RoboCop and Total Recall3. Urbanisation: Images of Los Angeles in Blade Runner and The Truman Show PART 2: DYSTOPIA AFTER DYSTOPIA4. Expropriation: Marx, Utopia, and the Limits of Political Economy5. Innovation: Intellectual Property in The Matrix, The Island, and District 96. Speculation: Credit, Crisis, and Foreclosure in Repo Men and The Purge Conclusion -- Negation: Capitalism at the End of the World | |
648 | 7 | |a Geschichte 1979-2017 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Science-Fiction-Film |0 (DE-588)4054023-6 |2 gnd |9 rswk-swf |
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651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
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653 | 0 | |a Science fiction films / United States / History and criticism | |
653 | 0 | |a Dystopian films | |
653 | 0 | |a Science fiction films | |
653 | 2 | |a United States | |
653 | 6 | |a Criticism, interpretation, etc | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Warwick, Harry |
author_GND | (DE-588)1300464100 |
author_facet | Warwick, Harry |
author_role | aut |
author_sort | Warwick, Harry |
author_variant | h w hw |
building | Verbundindex |
bvnumber | BV048917288 |
classification_rvk | AP 53900 |
contents | Introduction -- Anticipation: Science Fiction between Spectacle and Speculation PART 1: ENCLOSURE AFTER ENCLOSURE1. Extrapolation: The New Enclosures in New Hollywood2. Privatisation: Conceptualising Enclosure in RoboCop and Total Recall3. Urbanisation: Images of Los Angeles in Blade Runner and The Truman Show PART 2: DYSTOPIA AFTER DYSTOPIA4. Expropriation: Marx, Utopia, and the Limits of Political Economy5. Innovation: Intellectual Property in The Matrix, The Island, and District 96. Speculation: Credit, Crisis, and Foreclosure in Repo Men and The Purge Conclusion -- Negation: Capitalism at the End of the World |
ctrlnum | (OCoLC)1381303952 (DE-599)BVBBV048917288 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
era | Geschichte 1979-2017 gnd |
era_facet | Geschichte 1979-2017 |
format | Book |
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geographic_facet | USA |
id | DE-604.BV048917288 |
illustrated | Illustrated |
index_date | 2024-07-03T21:54:58Z |
indexdate | 2024-07-10T09:49:46Z |
institution | BVB |
isbn | 9781802077612 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034181398 |
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physical | ix, 202 Seiten Illustrationen |
psigel | BSB_NED_20230906 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Liverpool University Press |
record_format | marc |
series | Liverpool science fiction texts and studies |
series2 | Liverpool science fiction texts and studies |
spelling | Warwick, Harry Verfasser (DE-588)1300464100 aut Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure Harry Warwick Liverpool Liverpool University Press 2023 ix, 202 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Liverpool science fiction texts and studies 77 Introduction -- Anticipation: Science Fiction between Spectacle and Speculation PART 1: ENCLOSURE AFTER ENCLOSURE1. Extrapolation: The New Enclosures in New Hollywood2. Privatisation: Conceptualising Enclosure in RoboCop and Total Recall3. Urbanisation: Images of Los Angeles in Blade Runner and The Truman Show PART 2: DYSTOPIA AFTER DYSTOPIA4. Expropriation: Marx, Utopia, and the Limits of Political Economy5. Innovation: Intellectual Property in The Matrix, The Island, and District 96. Speculation: Credit, Crisis, and Foreclosure in Repo Men and The Purge Conclusion -- Negation: Capitalism at the End of the World Geschichte 1979-2017 gnd rswk-swf Science-Fiction-Film (DE-588)4054023-6 gnd rswk-swf Kapitalismus Motiv (DE-588)4221315-0 gnd rswk-swf Privatisierung Motiv (DE-588)1234075156 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Dystopian films / United States / History and criticism Science fiction films / United States / History and criticism Dystopian films Science fiction films United States Criticism, interpretation, etc USA (DE-588)4078704-7 g Science-Fiction-Film (DE-588)4054023-6 s Kapitalismus Motiv (DE-588)4221315-0 s Privatisierung Motiv (DE-588)1234075156 s Geschichte 1979-2017 z DE-604 Liverpool science fiction texts and studies 77 (DE-604)BV010367999 77 |
spellingShingle | Warwick, Harry Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure Liverpool science fiction texts and studies Introduction -- Anticipation: Science Fiction between Spectacle and Speculation PART 1: ENCLOSURE AFTER ENCLOSURE1. Extrapolation: The New Enclosures in New Hollywood2. Privatisation: Conceptualising Enclosure in RoboCop and Total Recall3. Urbanisation: Images of Los Angeles in Blade Runner and The Truman Show PART 2: DYSTOPIA AFTER DYSTOPIA4. Expropriation: Marx, Utopia, and the Limits of Political Economy5. Innovation: Intellectual Property in The Matrix, The Island, and District 96. Speculation: Credit, Crisis, and Foreclosure in Repo Men and The Purge Conclusion -- Negation: Capitalism at the End of the World Science-Fiction-Film (DE-588)4054023-6 gnd Kapitalismus Motiv (DE-588)4221315-0 gnd Privatisierung Motiv (DE-588)1234075156 gnd |
subject_GND | (DE-588)4054023-6 (DE-588)4221315-0 (DE-588)1234075156 (DE-588)4078704-7 |
title | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure |
title_auth | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure |
title_exact_search | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure |
title_exact_search_txtP | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure |
title_full | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure Harry Warwick |
title_fullStr | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure Harry Warwick |
title_full_unstemmed | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 the aesthetics of enclosure Harry Warwick |
title_short | Dystopia and dispossession in the Hollywood science-fiction film, 1979-2017 |
title_sort | dystopia and dispossession in the hollywood science fiction film 1979 2017 the aesthetics of enclosure |
title_sub | the aesthetics of enclosure |
topic | Science-Fiction-Film (DE-588)4054023-6 gnd Kapitalismus Motiv (DE-588)4221315-0 gnd Privatisierung Motiv (DE-588)1234075156 gnd |
topic_facet | Science-Fiction-Film Kapitalismus Motiv Privatisierung Motiv USA |
volume_link | (DE-604)BV010367999 |
work_keys_str_mv | AT warwickharry dystopiaanddispossessioninthehollywoodsciencefictionfilm19792017theaestheticsofenclosure |