Women composers in new perspectives, 1800-1950: genres, contexts and repertoire
This volume offers new scholarship on women composers of the past two centuries, covering a wide range of repertoire, institutions and locations, with chapters focusing on such varied topics as women writing opera in early nineteenth-century Paris; the intertextual relationship between works by Fann...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English Italian French |
| Veröffentlicht: |
Turnhout
Brepols
2023
|
| Schriftenreihe: | Specvlvm mvsicae
volume 49 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | This volume offers new scholarship on women composers of the past two centuries, covering a wide range of repertoire, institutions and locations, with chapters focusing on such varied topics as women writing opera in early nineteenth-century Paris; the intertextual relationship between works by Fanny Hensel and Felix Mendelssohn; women composers writing for instruments not usually associated with them in their time - specifically horn, and organ; and the subversive musical activity of female prisoners in Spain under the Franco regime. In two introductory chapters the editors present their broad perspective on women composers both in history and in modern scholarship, with particular reference to socio-historical and pedagogical aspects, and arguing the case for continued efforts to promote women?s music. The 14 chapters that follow are arranged in two parts, divided between nineteenth- and twentieth-century topics. Their authors draw on a variety of sources, including archival documents, letters, diaries, and memoirs, to illuminate the musical works produced by women during the period and the contexts in which they were written, performed, and disseminated. Collectively the chapters demonstrate the richness inherent in this area of study; in reflecting some of the directions being explored in current scholarship, they provide impetus for further research. |
| Beschreibung: | xi, 350 Seiten Illustrationen, Notenbeispiele, Diagramme |
| ISBN: | 9782503606309 |
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Datensatz im Suchindex
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| adam_text | Contents Mariateresa Storino - Susan Wollenberg Preface ix Susan Wollenberg (Why) Do We Need‘Women Composers’? 1 Mariateresa Storino « She is not a woman composer - yet a composer, and also a woman » : La creatività femminile oltre’ il genere 15 Part і: Nineteenth-Century Music Chapter One: Florence Launay « She is the first, she is the only one of her sex who has vanquished on the operatic stage » : The Career of Sophie Gail at the Théâtre de l’Opéra- Comique, 1813-1818 39 Chapter Two: Maria Stratigou Louise Fartene ’s Piano Etudes: Dates, Purpose, Reception, and Function 63 Chapter Three: Siegwart Reichwald Hensel the Progressive: Narrative Strategies in Fanny Hensel’s Piano Trio, Op. 11 and Felix Mendelssohn’s String Quartet, Op. 80 81
Chapter Four: Anja Bunzel Countess Elise von Schlik (Eliška Sliková): Salonnière, Patroness, Composer 99 Chapter Five: Christine Fischer A Swiss Woman in Italy: Fanny Hiinerwadel on Her Study Trip 1853Ί854 121 Chapter Six: Fauve Bougard L’ascension des femmes vers les classes de composition: le cas du Conservatoire royal de Bruxelles au XIXe siècle 149 Chapter Seven: Steven Young Les Organistes oubliées: Forgotten Female ·, Organist-Composers of France 165 Part ii: Twentieth-Century Music Chapter Eight: Orietta Caianiello The Emancipation of Female Musical Writing in Post-Victorian England. From Song-Cycles to Phantasies: The Society of Women Musicians 181 Chapter Nine: Rhiannon Mathias Grace Williams and Welsh Music: Triads, Orchestral Music and New Beginnings 201 Chapter Ten: Amy E. Zigler «Perhaps what men call a sin...»: An Examination of Ethel Smyths The Prison 213 Chapter Eleven: Elisabeth Kappel The Compositional Œuvre of Two Viennese ‘Higher Daughters’: Else Réthi and Vilma Webenau (c. 1900-1950) 235
Chapter Twelve: Peter Asimov Yvonne Loriod, Ultramodernist: Preliminary Glimpses of a Compositional Legacy 265 Chapter Thirteen: Daniel Lienhard Chamber Music and Concertos for Horn/s by Women Composers - A Survey 291 Chapter Fourteen: Elsa Calero-Carramolino «You lack mens creativity » : Music and Women in Prisons under Franco (1938-1948) 307 Abstracts and Biographies 327 Index of Names 339
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| adam_txt |
Contents Mariateresa Storino - Susan Wollenberg Preface ix Susan Wollenberg (Why) Do We Need‘Women Composers’? 1 Mariateresa Storino « She is not a woman composer - yet a composer, and also a woman » : La creatività femminile oltre’ il genere 15 Part і: Nineteenth-Century Music Chapter One: Florence Launay « She is the first, she is the only one of her sex who has vanquished on the operatic stage » : The Career of Sophie Gail at the Théâtre de l’Opéra- Comique, 1813-1818 39 Chapter Two: Maria Stratigou Louise Fartene ’s Piano Etudes: Dates, Purpose, Reception, and Function 63 Chapter Three: Siegwart Reichwald Hensel the Progressive: Narrative Strategies in Fanny Hensel’s Piano Trio, Op. 11 and Felix Mendelssohn’s String Quartet, Op. 80 81
Chapter Four: Anja Bunzel Countess Elise von Schlik (Eliška Sliková): Salonnière, Patroness, Composer 99 Chapter Five: Christine Fischer A Swiss Woman in Italy: Fanny Hiinerwadel on Her Study Trip 1853Ί854 121 Chapter Six: Fauve Bougard L’ascension des femmes vers les classes de composition: le cas du Conservatoire royal de Bruxelles au XIXe siècle 149 Chapter Seven: Steven Young Les Organistes oubliées: Forgotten Female ·, Organist-Composers of France 165 Part ii: Twentieth-Century Music Chapter Eight: Orietta Caianiello The Emancipation of Female Musical Writing in Post-Victorian England. From Song-Cycles to Phantasies: The Society of Women Musicians 181 Chapter Nine: Rhiannon Mathias Grace Williams and Welsh Music: Triads, Orchestral Music and New Beginnings 201 Chapter Ten: Amy E. Zigler «Perhaps what men call a sin.»: An Examination of Ethel Smyths The Prison 213 Chapter Eleven: Elisabeth Kappel The Compositional Œuvre of Two Viennese ‘Higher Daughters’: Else Réthi and Vilma Webenau (c. 1900-1950) 235
Chapter Twelve: Peter Asimov Yvonne Loriod, Ultramodernist: Preliminary Glimpses of a Compositional Legacy 265 Chapter Thirteen: Daniel Lienhard Chamber Music and Concertos for Horn/s by Women Composers - A Survey 291 Chapter Fourteen: Elsa Calero-Carramolino «You lack mens creativity » : Music and Women in Prisons under Franco (1938-1948) 307 Abstracts and Biographies 327 Index of Names 339 |
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| series | Specvlvm mvsicae |
| series2 | Specvlvm mvsicae |
| spelling | Women Are Not Born to Compose: Female Musical Works from 1750 to 1950 (Veranstaltung) 2020 Online Verfasser (DE-588)1294796100 aut Women composers in new perspectives, 1800-1950 genres, contexts and repertoire edited by Mariateresa Storino and Susan Wollenberg Turnhout Brepols 2023 xi, 350 Seiten Illustrationen, Notenbeispiele, Diagramme txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 49 This volume offers new scholarship on women composers of the past two centuries, covering a wide range of repertoire, institutions and locations, with chapters focusing on such varied topics as women writing opera in early nineteenth-century Paris; the intertextual relationship between works by Fanny Hensel and Felix Mendelssohn; women composers writing for instruments not usually associated with them in their time - specifically horn, and organ; and the subversive musical activity of female prisoners in Spain under the Franco regime. In two introductory chapters the editors present their broad perspective on women composers both in history and in modern scholarship, with particular reference to socio-historical and pedagogical aspects, and arguing the case for continued efforts to promote women?s music. The 14 chapters that follow are arranged in two parts, divided between nineteenth- and twentieth-century topics. Their authors draw on a variety of sources, including archival documents, letters, diaries, and memoirs, to illuminate the musical works produced by women during the period and the contexts in which they were written, performed, and disseminated. Collectively the chapters demonstrate the richness inherent in this area of study; in reflecting some of the directions being explored in current scholarship, they provide impetus for further research. Beiträge teilweise englisch, teilweise italienisch, teilweise französisch Geschichte 1800-1950 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Komponistin (DE-588)4032010-8 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift Centro Studi Opera Omnia Luigi Boccherini 2020 Lucca gnd-content (DE-588)1071861417 Konferenzschrift Palazzetto Bru Zane 2020 Venedig gnd-content Europa (DE-588)4015701-5 g Komponistin (DE-588)4032010-8 s Komposition Musik (DE-588)4133320-2 s Musikleben (DE-588)4075128-4 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1800-1950 z DE-604 Storino, Mariateresa (DE-588)1061067874 edt Wollenberg, Susan 1949- (DE-588)103994793 edt Specvlvm mvsicae volume 49 (DE-604)BV011188963 49 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034173261&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034173261&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire Specvlvm mvsicae Komposition Musik (DE-588)4133320-2 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musikleben (DE-588)4075128-4 gnd Komponistin (DE-588)4032010-8 gnd |
| subject_GND | (DE-588)4133320-2 (DE-588)4071776-8 (DE-588)4075128-4 (DE-588)4032010-8 (DE-588)4015701-5 (DE-588)1071861417 |
| title | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire |
| title_auth | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire |
| title_exact_search | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire |
| title_exact_search_txtP | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire |
| title_full | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire edited by Mariateresa Storino and Susan Wollenberg |
| title_fullStr | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire edited by Mariateresa Storino and Susan Wollenberg |
| title_full_unstemmed | Women composers in new perspectives, 1800-1950 genres, contexts and repertoire edited by Mariateresa Storino and Susan Wollenberg |
| title_short | Women composers in new perspectives, 1800-1950 |
| title_sort | women composers in new perspectives 1800 1950 genres contexts and repertoire |
| title_sub | genres, contexts and repertoire |
| topic | Komposition Musik (DE-588)4133320-2 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musikleben (DE-588)4075128-4 gnd Komponistin (DE-588)4032010-8 gnd |
| topic_facet | Komposition Musik Geschlechterrolle Musikleben Komponistin Europa Konferenzschrift Centro Studi Opera Omnia Luigi Boccherini 2020 Lucca Konferenzschrift Palazzetto Bru Zane 2020 Venedig |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034173261&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034173261&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011188963 |
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