Art rebellion: the aesthetics of social transformation
Art has always been central to moments of great social change. From the avant-garde to the ages of revolution, the act of rebellious creation has been crucial to bringing people and ideas together. However, in an increasingly fractured world characterised by upheaval and crisis, what role can art pl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Art has always been central to moments of great social change. From the avant-garde to the ages of revolution, the act of rebellious creation has been crucial to bringing people and ideas together. However, in an increasingly fractured world characterised by upheaval and crisis, what role can art play in ushering in transformation? Malcolm Miles offers a guide to contemporary art and activism, setting it firmly within the context of the avant garde and its legacies in the postwar period. He explores the rise of direct action to replace representational politics in organizations like Occupy and Extinction Rebellion, and in the movements to destroy or remove statues of slavers, and finds parallels in anti-institutional art practices. By engaging with the significant theoretical innovations of the last 50 years -- modernism, postmodernism and contemporary critical thinking - Miles provides both an overview of political aesthetics and an introduction to how art activism works in its most memorable moments in history. Art Rebellion argues that beauty is radically other to the dominant society; that power relations can be transformed; that protest cultures and contemporary art grow together; and that art has a crucial interruptive role in forming new, more equal and just, realities |
| Beschreibung: | viii, 215 Seiten Illustrationen 22 cm |
| ISBN: | 9781350239982 9781350239975 |
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| 505 | 8 | |a Part One: Avant-Gardes -- 1. Signed In Red. The First Avant-Garde -- 2. Blue Voids. The Modernist Avant-Garde And The Permanence Of Art -- Part Two: Theories and Critiques -- 3. Society as a Work of Art? -- 4. States of Exception -- 5. Saying The Unsayable -- Part Three: Critical Practices -- 6. After The Statues -- 7. Exhibiting Dissent -- 8. Revolution is Sublime -- 9. Beauty is Convulsive -Bibliography -- Index | |
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Datensatz im Suchindex
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Contents List of illustrations vii Acknowledgements ix Introduction i Part One Avant-gardes 1 э Signed in red: The first avant-garde 11 2 Blue voids: The modernist avant-garde and the permanence of art зі Part Two Theories and critiques 3 Society as a work of art? 51 4 States of exception 71 5 Saying the unsayable 91 Part Three Critical practices 6 After the statues 115 7 Exhibiting dissent 131 113 49
vi Contents 8 Revolution is sublime 153 9 Beauty is convulsive Notes 185 Bibliography 206 Index 212 vi |
| adam_txt |
Contents List of illustrations vii Acknowledgements ix Introduction i Part One Avant-gardes 1 э Signed in red: The first avant-garde 11 2 Blue voids: The modernist avant-garde and the permanence of art зі Part Two Theories and critiques 3 Society as a work of art? 51 4 States of exception 71 5 Saying the unsayable 91 Part Three Critical practices 6 After the statues 115 7 Exhibiting dissent 131 113 49
vi Contents 8 Revolution is sublime 153 9 Beauty is convulsive Notes 185 Bibliography 206 Index 212 vi |
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| author | Miles, Malcolm 1950- |
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| contents | Part One: Avant-Gardes -- 1. Signed In Red. The First Avant-Garde -- 2. Blue Voids. The Modernist Avant-Garde And The Permanence Of Art -- Part Two: Theories and Critiques -- 3. Society as a Work of Art? -- 4. States of Exception -- 5. Saying The Unsayable -- Part Three: Critical Practices -- 6. After The Statues -- 7. Exhibiting Dissent -- 8. Revolution is Sublime -- 9. Beauty is Convulsive -Bibliography -- Index |
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| index_date | 2024-07-03T21:52:12Z |
| indexdate | 2024-10-17T18:03:06Z |
| institution | BVB |
| isbn | 9781350239982 9781350239975 |
| language | English |
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| physical | viii, 215 Seiten Illustrationen 22 cm |
| publishDate | 2023 |
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| spelling | Miles, Malcolm 1950- Verfasser (DE-588)139457925 aut Art rebellion the aesthetics of social transformation Malcolm Miles London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2023 viii, 215 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Part One: Avant-Gardes -- 1. Signed In Red. The First Avant-Garde -- 2. Blue Voids. The Modernist Avant-Garde And The Permanence Of Art -- Part Two: Theories and Critiques -- 3. Society as a Work of Art? -- 4. States of Exception -- 5. Saying The Unsayable -- Part Three: Critical Practices -- 6. After The Statues -- 7. Exhibiting Dissent -- 8. Revolution is Sublime -- 9. Beauty is Convulsive -Bibliography -- Index Art has always been central to moments of great social change. From the avant-garde to the ages of revolution, the act of rebellious creation has been crucial to bringing people and ideas together. However, in an increasingly fractured world characterised by upheaval and crisis, what role can art play in ushering in transformation? Malcolm Miles offers a guide to contemporary art and activism, setting it firmly within the context of the avant garde and its legacies in the postwar period. He explores the rise of direct action to replace representational politics in organizations like Occupy and Extinction Rebellion, and in the movements to destroy or remove statues of slavers, and finds parallels in anti-institutional art practices. By engaging with the significant theoretical innovations of the last 50 years -- modernism, postmodernism and contemporary critical thinking - Miles provides both an overview of political aesthetics and an introduction to how art activism works in its most memorable moments in history. Art Rebellion argues that beauty is radically other to the dominant society; that power relations can be transformed; that protest cultures and contemporary art grow together; and that art has a crucial interruptive role in forming new, more equal and just, realities Extinction Rebellion (DE-588)119488928X gnd rswk-swf Occupy-Bewegung (DE-588)1025508335 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Politisches Engagement (DE-588)4076232-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Engagierte Kunst (DE-588)4681311-1 gnd rswk-swf Aesthetics / Political aspects Aesthetics / Social aspects Politisches Engagement (DE-588)4076232-4 s Kunst (DE-588)4114333-4 s Occupy-Bewegung (DE-588)1025508335 s Extinction Rebellion (DE-588)119488928X b Ästhetik (DE-588)4000626-8 s DE-604 Engagierte Kunst (DE-588)4681311-1 s Erscheint auch als Online-Ausgabe, PDF 978-1-3502-3999-9 Erscheint auch als Online-Ausgabe 978-1-3502-4000-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034170272&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Miles, Malcolm 1950- Art rebellion the aesthetics of social transformation Part One: Avant-Gardes -- 1. Signed In Red. The First Avant-Garde -- 2. Blue Voids. The Modernist Avant-Garde And The Permanence Of Art -- Part Two: Theories and Critiques -- 3. Society as a Work of Art? -- 4. States of Exception -- 5. Saying The Unsayable -- Part Three: Critical Practices -- 6. After The Statues -- 7. Exhibiting Dissent -- 8. Revolution is Sublime -- 9. Beauty is Convulsive -Bibliography -- Index Extinction Rebellion (DE-588)119488928X gnd Occupy-Bewegung (DE-588)1025508335 gnd Kunst (DE-588)4114333-4 gnd Politisches Engagement (DE-588)4076232-4 gnd Ästhetik (DE-588)4000626-8 gnd Engagierte Kunst (DE-588)4681311-1 gnd |
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| title | Art rebellion the aesthetics of social transformation |
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