"It was mainly in the Orient, which gave a strong and important note": orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2023
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Beschreibung: | Illustrationen |
ISBN: | 978-3-7774-4122-1 |
Internformat
MARC
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245 | 1 | 0 | |a "It was mainly in the Orient, which gave a strong and important note" |b orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |c Wilko Beckmann |
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773 | 1 | 8 | |g pages:130-137 |
773 | 0 | 8 | |t Re-Orientations - Europe and Islamic art from 1851 to today / editor: Zürcher Kunstgesellschaft/Kunsthaus Zürich ; concept: Sandra Gianfreda ; editing: Sandra Gianfreda, Martina Ciardelli |d München, 2023 |g Seite 130-137 |w (DE-604)BV048815253 |z 978-3-7774-4122-1 |
999 | |a oai:aleph.bib-bvb.de:BVB01-034166828 | ||
941 | |s 130-137 |
Datensatz im Suchindex
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author | Beckmann, Wilko 1982- |
author_GND | (DE-588)1066323879 |
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illustrated | Illustrated |
index_date | 2024-07-03T21:51:18Z |
indexdate | 2024-07-10T09:49:20Z |
institution | BVB |
isbn | 978-3-7774-4122-1 |
language | English |
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physical | Illustrationen |
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spelling | Beckmann, Wilko 1982- Verfasser (DE-588)1066323879 aut "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century Wilko Beckmann 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier pages:130-137 Re-Orientations - Europe and Islamic art from 1851 to today / editor: Zürcher Kunstgesellschaft/Kunsthaus Zürich ; concept: Sandra Gianfreda ; editing: Sandra Gianfreda, Martina Ciardelli München, 2023 Seite 130-137 (DE-604)BV048815253 978-3-7774-4122-1 |
spellingShingle | Beckmann, Wilko 1982- "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |
title | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |
title_auth | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |
title_exact_search | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |
title_exact_search_txtP | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |
title_full | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century Wilko Beckmann |
title_fullStr | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century Wilko Beckmann |
title_full_unstemmed | "It was mainly in the Orient, which gave a strong and important note" orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century Wilko Beckmann |
title_short | "It was mainly in the Orient, which gave a strong and important note" |
title_sort | it was mainly in the orient which gave a strong and important note orientalist applied arts european ceramics glass and furniture in the nineteenth century |
title_sub | orientalist applied arts: European ceramics, glass, and furniture in the nineteenth century |
work_keys_str_mv | AT beckmannwilko itwasmainlyintheorientwhichgaveastrongandimportantnoteorientalistappliedartseuropeanceramicsglassandfurnitureinthenineteenthcentury |