The origins of Kant's aesthetics:
"Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and no...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts"-- |
| Beschreibung: | xiv, 265 Seiten Illustrationen |
| ISBN: | 9781009209427 9781009209434 |
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| 505 | 8 | |a Introduction -- Part I. Aesthetic Judgment and Beauty : 1. On Rules of Taste -- 2. Beauty Free -- 3. Beauty Grounded -- Part II. Genius and the Fine Arts : 4. Genius, Thick and Thin -- 5. Classifying the Fine Arts -- Part III. Negative and Positive States : 6. Meet the Sublime Now: It's a Negative Pleasure -- 7. Ugliness and Disgust: Disagreeable Sensations -- 8. Playing with Humor -- Closing Reflections | |
| 520 | 3 | |a "Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts"-- | |
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Datensatz im Suchindex
| _version_ | 1822785437542907904 |
|---|---|
| adam_text |
CONTENTS List of Figures viii Acknowledgments ix A Note on Citations xii List of Abbreviations xiii Introduction PART I 1 Aesthetic Judgment and Beauty 1 On Rules of Taste 2 Beauty Free 3 Beauty Grounded PART II 21 23 51 70 Genius and the Fine Arts 4 Genius, Thick and Thin 5 Classifying the Fine Arts PART III 101 103 129 Negative and Positive States 6 Meet the Sublime Now: It’s a Negative Pleasure 7 Ugliness and Disgust: Disagreeable Sensations 8 Playing with Humor Closing Reflections Bibliography Index 258 211 241 243 vii 149 151 179 |
| adam_txt |
CONTENTS List of Figures viii Acknowledgments ix A Note on Citations xii List of Abbreviations xiii Introduction PART I 1 Aesthetic Judgment and Beauty 1 On Rules of Taste 2 Beauty Free 3 Beauty Grounded PART II 21 23 51 70 Genius and the Fine Arts 4 Genius, Thick and Thin 5 Classifying the Fine Arts PART III 101 103 129 Negative and Positive States 6 Meet the Sublime Now: It’s a Negative Pleasure 7 Ugliness and Disgust: Disagreeable Sensations 8 Playing with Humor Closing Reflections Bibliography Index 258 211 241 243 vii 149 151 179 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Clewis, Robert R. 1977- |
| author_GND | (DE-588)13815158X |
| author_facet | Clewis, Robert R. 1977- |
| author_role | aut |
| author_sort | Clewis, Robert R. 1977- |
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| building | Verbundindex |
| bvnumber | BV048892359 |
| classification_rvk | CF 5017 |
| contents | Introduction -- Part I. Aesthetic Judgment and Beauty : 1. On Rules of Taste -- 2. Beauty Free -- 3. Beauty Grounded -- Part II. Genius and the Fine Arts : 4. Genius, Thick and Thin -- 5. Classifying the Fine Arts -- Part III. Negative and Positive States : 6. Meet the Sublime Now: It's a Negative Pleasure -- 7. Ugliness and Disgust: Disagreeable Sensations -- 8. Playing with Humor -- Closing Reflections |
| ctrlnum | (OCoLC)1358778685 (DE-599)BVBBV048892359 |
| discipline | Philosophie |
| discipline_str_mv | Philosophie |
| format | Book |
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| index_date | 2024-07-03T21:48:41Z |
| indexdate | 2025-01-31T17:14:15Z |
| institution | BVB |
| isbn | 9781009209427 9781009209434 |
| language | English |
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| spelling | Clewis, Robert R. 1977- Verfasser (DE-588)13815158X aut The origins of Kant's aesthetics Robert R. Clewis (Gwynnedd Mercy University) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 xiv, 265 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction -- Part I. Aesthetic Judgment and Beauty : 1. On Rules of Taste -- 2. Beauty Free -- 3. Beauty Grounded -- Part II. Genius and the Fine Arts : 4. Genius, Thick and Thin -- 5. Classifying the Fine Arts -- Part III. Negative and Positive States : 6. Meet the Sublime Now: It's a Negative Pleasure -- 7. Ugliness and Disgust: Disagreeable Sensations -- 8. Playing with Humor -- Closing Reflections "Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts"-- Kant, Immanuel 1724-1804 (DE-588)118559796 gnd rswk-swf Schönheit (DE-588)4053125-9 gnd rswk-swf Ästhetisches Urteil (DE-588)4141539-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kant, Immanuel / 1724-1804 Aesthetics Philosophy, German / 18th century Philosophy, German 1700-1799 Kant, Immanuel 1724-1804 (DE-588)118559796 p Ästhetik (DE-588)4000626-8 s DE-604 Schönheit (DE-588)4053125-9 s Ästhetisches Urteil (DE-588)4141539-5 s Erscheint auch als Online-Ausgabe, EPUB 978-1-00-920940-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034156925&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Clewis, Robert R. 1977- The origins of Kant's aesthetics Introduction -- Part I. Aesthetic Judgment and Beauty : 1. On Rules of Taste -- 2. Beauty Free -- 3. Beauty Grounded -- Part II. Genius and the Fine Arts : 4. Genius, Thick and Thin -- 5. Classifying the Fine Arts -- Part III. Negative and Positive States : 6. Meet the Sublime Now: It's a Negative Pleasure -- 7. Ugliness and Disgust: Disagreeable Sensations -- 8. Playing with Humor -- Closing Reflections Kant, Immanuel 1724-1804 (DE-588)118559796 gnd Schönheit (DE-588)4053125-9 gnd Ästhetisches Urteil (DE-588)4141539-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118559796 (DE-588)4053125-9 (DE-588)4141539-5 (DE-588)4000626-8 |
| title | The origins of Kant's aesthetics |
| title_auth | The origins of Kant's aesthetics |
| title_exact_search | The origins of Kant's aesthetics |
| title_exact_search_txtP | The origins of Kant's aesthetics |
| title_full | The origins of Kant's aesthetics Robert R. Clewis (Gwynnedd Mercy University) |
| title_fullStr | The origins of Kant's aesthetics Robert R. Clewis (Gwynnedd Mercy University) |
| title_full_unstemmed | The origins of Kant's aesthetics Robert R. Clewis (Gwynnedd Mercy University) |
| title_short | The origins of Kant's aesthetics |
| title_sort | the origins of kant s aesthetics |
| topic | Kant, Immanuel 1724-1804 (DE-588)118559796 gnd Schönheit (DE-588)4053125-9 gnd Ästhetisches Urteil (DE-588)4141539-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kant, Immanuel 1724-1804 Schönheit Ästhetisches Urteil Ästhetik |
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