A dark knight on Elm Street: discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
2022
|
| Item Description: | Part IV. Fans and audiences |
| ISBN: | 1-4744-5137-3 |
Staff View
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048890839 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 230405s2022 |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV048890839 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Proctor, William |0 (DE-588)1206259868 |4 aut | |
| 245 | 1 | 0 | |a A dark knight on Elm Street |b discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |c William Proctor |
| 264 | 1 | |c 2022 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part IV. Fans and audiences | ||
| 773 | 1 | 8 | |g pages:219-232 |
| 773 | 0 | 8 | |t Film reboots / edited by Daniel Herbert and Constantine Verevis |d Edinburgh, 2022 |g Seite 219-232 |k Screen serialities |w (DE-604)BV048889811 |z 1-4744-5137-3 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034155419 | ||
| 941 | |s 219-232 | ||
Record in the Search Index
| _version_ | 1804185046396960768 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV048889811 |
| author | Proctor, William |
| author_GND | (DE-588)1206259868 |
| author_facet | Proctor, William |
| author_role | aut |
| author_sort | Proctor, William |
| author_variant | w p wp |
| building | Verbundindex |
| bvnumber | BV048890839 |
| ctrlnum | (DE-599)BVBBV048890839 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00965naa a2200265 c 4500</leader><controlfield tag="001">BV048890839</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230405s2022 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048890839</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Proctor, William</subfield><subfield code="0">(DE-588)1206259868</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A dark knight on Elm Street</subfield><subfield code="b">discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema</subfield><subfield code="c">William Proctor</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part IV. Fans and audiences</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:219-232</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Film reboots / edited by Daniel Herbert and Constantine Verevis</subfield><subfield code="d">Edinburgh, 2022</subfield><subfield code="g">Seite 219-232</subfield><subfield code="k">Screen serialities</subfield><subfield code="w">(DE-604)BV048889811</subfield><subfield code="z">1-4744-5137-3</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034155419</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">219-232</subfield></datafield></record></collection> |
| id | DE-604.BV048890839 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:48:23Z |
| indexdate | 2024-07-10T09:49:00Z |
| institution | BVB |
| isbn | 1-4744-5137-3 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034155419 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Proctor, William (DE-588)1206259868 aut A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema William Proctor 2022 txt rdacontent n rdamedia nc rdacarrier Part IV. Fans and audiences pages:219-232 Film reboots / edited by Daniel Herbert and Constantine Verevis Edinburgh, 2022 Seite 219-232 Screen serialities (DE-604)BV048889811 1-4744-5137-3 |
| spellingShingle | Proctor, William A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |
| title | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |
| title_auth | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |
| title_exact_search | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |
| title_exact_search_txtP | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |
| title_full | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema William Proctor |
| title_fullStr | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema William Proctor |
| title_full_unstemmed | A dark knight on Elm Street discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema William Proctor |
| title_short | A dark knight on Elm Street |
| title_sort | a dark knight on elm street discursive regimes of sub cultural value paratextual bonding and the perils of remaking and rebooting canonical horror cinema |
| title_sub | discursive regimes of (sub)cultural value, paratextual bonding, and the perils of remaking and rebooting canonical horror cinema |
| work_keys_str_mv | AT proctorwilliam adarkknightonelmstreetdiscursiveregimesofsubculturalvalueparatextualbondingandtheperilsofremakingandrebootingcanonicalhorrorcinema |