The Eye of the Cinematograph: Lévinas and Realisms of the Body
Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 Volltext |
| Zusammenfassung: | Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) |
| Beschreibung: | 1 Online-Ressource (248 pages) 27 B/W illustrations 27 B&W images |
| ISBN: | 9781399507264 |
| DOI: | 10.1515/9781399507264 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) | ||
| 520 | |a Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure | ||
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Datensatz im Suchindex
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| author | Manafi, Keyvan |
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| building | Verbundindex |
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| ctrlnum | (ZDB-23-DGG)9781399507264 (OCoLC)1376405082 (DE-599)BVBBV048890177 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781399507264 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:48:18Z |
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| institution | BVB |
| isbn | 9781399507264 |
| language | English |
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| physical | 1 Online-Ressource (248 pages) 27 B/W illustrations 27 B&W images |
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| spelling | Manafi, Keyvan Verfasser aut The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (248 pages) 27 B/W illustrations 27 B&W images txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Human body in motion pictures Motion pictures Philosophy https://doi.org/10.1515/9781399507264 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Manafi, Keyvan The Eye of the Cinematograph Lévinas and Realisms of the Body Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Human body in motion pictures Motion pictures Philosophy |
| title | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_auth | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_exact_search | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_exact_search_txtP | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_full | The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi |
| title_fullStr | The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi |
| title_full_unstemmed | The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi |
| title_short | The Eye of the Cinematograph |
| title_sort | the eye of the cinematograph levinas and realisms of the body |
| title_sub | Lévinas and Realisms of the Body |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Human body in motion pictures Motion pictures Philosophy |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Human body in motion pictures Motion pictures Philosophy |
| url | https://doi.org/10.1515/9781399507264 |
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