Film reboots:
The first edited collection with a specific focus on the new millennial phenomenon of rebooting. Provides extended case studies of key rebooted films and franchises. Interrogates the film reboot as an industrial, textual and discursive category. Considers the reboot in relation to other formatting p...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Screen serialities
|
| Schlagworte: | |
| Zusammenfassung: | The first edited collection with a specific focus on the new millennial phenomenon of rebooting. Provides extended case studies of key rebooted films and franchises. Interrogates the film reboot as an industrial, textual and discursive category. Considers the reboot in relation to other formatting practices: remakes, sequels, prequels, series and franchises. Situates film reboots in relation to larger political and social realities, including issues of gender and race. Brings together the research of key scholars working internationally in the field of media seriality to provide insights to the category of the reboot. Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today |
| Beschreibung: | xi, 244 Seiten Illustrationen 24 cm |
| ISBN: | 1474451373 9781474451376 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048889811 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 230404s2022 a||| b||| 00||| eng d | ||
| 020 | |a 1474451373 |9 1-4744-5137-3 | ||
| 020 | |a 9781474451376 |c (paperback) |9 978-1-4744-5137-6 | ||
| 035 | |a (DE-599)BVBBV048889811 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 245 | 1 | 0 | |a Film reboots |c edited by Daniel Herbert and Constantine Verevis |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 300 | |a xi, 244 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Screen serialities | |
| 505 | 8 | 0 | |t Introduction: Film Reboots |r Daniel Herbert and Constantine Verevis |t Part I Industry and Commerce -- |t Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles |r Daniel Herbert |t Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom |r Erin Hanna |t Many Reboots of the Batman |r Eileen R. Meehan |t Part II Structure and Narrative -- |t Edge of Reality: Replicating Blade Runner |r Constantine Verevis |t Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight |r Jennifer Forrest |t Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising |r Matt Hills |t All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot |r Nicholas Benson & Jonathan Gray |t Part III Politics and Identity -- |t Resistance and Empire: Star Wars and the Social Justice Reboot |r Derek Johnson |t Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky |r Chuck Tryon |t Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot |r Claire Perkins |t Part IV Fans and Audiences -- |t Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise |r Kathleen Loock |t Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies |r James Fleury |t Anticipating the Reboot: Teasing Top Gun 2 |r Paul Grainge |t Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema |r William Proctor |
| 520 | 3 | |a The first edited collection with a specific focus on the new millennial phenomenon of rebooting. Provides extended case studies of key rebooted films and franchises. Interrogates the film reboot as an industrial, textual and discursive category. Considers the reboot in relation to other formatting practices: remakes, sequels, prequels, series and franchises. Situates film reboots in relation to larger political and social realities, including issues of gender and race. Brings together the research of key scholars working internationally in the field of media seriality to provide insights to the category of the reboot. Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today | |
| 653 | 0 | |a Film remakes / History and criticism | |
| 653 | 0 | |a Nouvelles versions (Films) / Histoire et critique | |
| 653 | 0 | |a Film remakes | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 700 | 1 | |a Herbert, Daniel |d 1974- |0 (DE-588)1071568124 |4 edt | |
| 700 | 1 | |a Verevis, Constantine |d 1956- |0 (DE-588)1037699491 |4 edt | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |z 978-1-4744-5136-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-4744-5138-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-4744-5139-0 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034154399 | ||
Datensatz im Suchindex
| _version_ | 1804185044035567616 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Herbert, Daniel 1974- Verevis, Constantine 1956- |
| author2_role | edt edt |
| author2_variant | d h dh c v cv |
| author_GND | (DE-588)1071568124 (DE-588)1037699491 |
| author_additional | Daniel Herbert and Constantine Verevis Daniel Herbert Erin Hanna Eileen R. Meehan Constantine Verevis Jennifer Forrest Matt Hills Nicholas Benson & Jonathan Gray Derek Johnson Chuck Tryon Claire Perkins Kathleen Loock James Fleury Paul Grainge William Proctor |
| author_facet | Herbert, Daniel 1974- Verevis, Constantine 1956- |
| building | Verbundindex |
| bvnumber | BV048889811 |
| contents | Introduction: Film Reboots Part I Industry and Commerce -- Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom Many Reboots of the Batman Part II Structure and Narrative -- Edge of Reality: Replicating Blade Runner Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot Part III Politics and Identity -- Resistance and Empire: Star Wars and the Social Justice Reboot Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot Part IV Fans and Audiences -- Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies Anticipating the Reboot: Teasing Top Gun 2 Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema |
| ctrlnum | (DE-599)BVBBV048889811 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04181nam a2200397 c 4500</leader><controlfield tag="001">BV048889811</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230404s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474451373</subfield><subfield code="9">1-4744-5137-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474451376</subfield><subfield code="c">(paperback)</subfield><subfield code="9">978-1-4744-5137-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048889811</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film reboots</subfield><subfield code="c">edited by Daniel Herbert and Constantine Verevis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 244 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Screen serialities</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction: Film Reboots</subfield><subfield code="r">Daniel Herbert and Constantine Verevis</subfield><subfield code="t">Part I Industry and Commerce --</subfield><subfield code="t">Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles</subfield><subfield code="r">Daniel Herbert</subfield><subfield code="t">Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom</subfield><subfield code="r">Erin Hanna</subfield><subfield code="t">Many Reboots of the Batman</subfield><subfield code="r">Eileen R. Meehan</subfield><subfield code="t">Part II Structure and Narrative --</subfield><subfield code="t">Edge of Reality: Replicating Blade Runner</subfield><subfield code="r">Constantine Verevis</subfield><subfield code="t">Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight</subfield><subfield code="r">Jennifer Forrest</subfield><subfield code="t">Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising</subfield><subfield code="r">Matt Hills</subfield><subfield code="t">All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot</subfield><subfield code="r">Nicholas Benson & Jonathan Gray</subfield><subfield code="t">Part III Politics and Identity --</subfield><subfield code="t">Resistance and Empire: Star Wars and the Social Justice Reboot</subfield><subfield code="r">Derek Johnson</subfield><subfield code="t">Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky</subfield><subfield code="r">Chuck Tryon</subfield><subfield code="t">Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot</subfield><subfield code="r">Claire Perkins</subfield><subfield code="t">Part IV Fans and Audiences --</subfield><subfield code="t">Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise</subfield><subfield code="r">Kathleen Loock</subfield><subfield code="t">Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies</subfield><subfield code="r">James Fleury</subfield><subfield code="t">Anticipating the Reboot: Teasing Top Gun 2</subfield><subfield code="r">Paul Grainge</subfield><subfield code="t">Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema</subfield><subfield code="r">William Proctor</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The first edited collection with a specific focus on the new millennial phenomenon of rebooting. Provides extended case studies of key rebooted films and franchises. Interrogates the film reboot as an industrial, textual and discursive category. Considers the reboot in relation to other formatting practices: remakes, sequels, prequels, series and franchises. Situates film reboots in relation to larger political and social realities, including issues of gender and race. Brings together the research of key scholars working internationally in the field of media seriality to provide insights to the category of the reboot. Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film remakes / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Nouvelles versions (Films) / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film remakes</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Herbert, Daniel</subfield><subfield code="d">1974-</subfield><subfield code="0">(DE-588)1071568124</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Verevis, Constantine</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)1037699491</subfield><subfield code="4">edt</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4744-5136-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-4744-5138-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-4744-5139-0</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034154399</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048889811 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:48:14Z |
| indexdate | 2024-07-10T09:48:58Z |
| institution | BVB |
| isbn | 1474451373 9781474451376 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034154399 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | xi, 244 Seiten Illustrationen 24 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Screen serialities |
| spelling | Film reboots edited by Daniel Herbert and Constantine Verevis Edinburgh Edinburgh University Press [2022] xi, 244 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Screen serialities Introduction: Film Reboots Daniel Herbert and Constantine Verevis Part I Industry and Commerce -- Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles Daniel Herbert Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom Erin Hanna Many Reboots of the Batman Eileen R. Meehan Part II Structure and Narrative -- Edge of Reality: Replicating Blade Runner Constantine Verevis Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight Jennifer Forrest Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising Matt Hills All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot Nicholas Benson & Jonathan Gray Part III Politics and Identity -- Resistance and Empire: Star Wars and the Social Justice Reboot Derek Johnson Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky Chuck Tryon Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot Claire Perkins Part IV Fans and Audiences -- Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise Kathleen Loock Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies James Fleury Anticipating the Reboot: Teasing Top Gun 2 Paul Grainge Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema William Proctor The first edited collection with a specific focus on the new millennial phenomenon of rebooting. Provides extended case studies of key rebooted films and franchises. Interrogates the film reboot as an industrial, textual and discursive category. Considers the reboot in relation to other formatting practices: remakes, sequels, prequels, series and franchises. Situates film reboots in relation to larger political and social realities, including issues of gender and race. Brings together the research of key scholars working internationally in the field of media seriality to provide insights to the category of the reboot. Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today Film remakes / History and criticism Nouvelles versions (Films) / Histoire et critique Film remakes Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Herbert, Daniel 1974- (DE-588)1071568124 edt Verevis, Constantine 1956- (DE-588)1037699491 edt Äquivalent Druck-Ausgabe, Hardcover 978-1-4744-5136-9 Erscheint auch als Online-Ausgabe, PDF 978-1-4744-5138-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-5139-0 |
| spellingShingle | Film reboots Introduction: Film Reboots Part I Industry and Commerce -- Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom Many Reboots of the Batman Part II Structure and Narrative -- Edge of Reality: Replicating Blade Runner Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot Part III Politics and Identity -- Resistance and Empire: Star Wars and the Social Justice Reboot Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot Part IV Fans and Audiences -- Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies Anticipating the Reboot: Teasing Top Gun 2 Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema |
| subject_GND | (DE-588)4143413-4 |
| title | Film reboots |
| title_alt | Introduction: Film Reboots Part I Industry and Commerce -- Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom Many Reboots of the Batman Part II Structure and Narrative -- Edge of Reality: Replicating Blade Runner Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot Part III Politics and Identity -- Resistance and Empire: Star Wars and the Social Justice Reboot Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot Part IV Fans and Audiences -- Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies Anticipating the Reboot: Teasing Top Gun 2 Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema |
| title_auth | Film reboots |
| title_exact_search | Film reboots |
| title_exact_search_txtP | Film reboots |
| title_full | Film reboots edited by Daniel Herbert and Constantine Verevis |
| title_fullStr | Film reboots edited by Daniel Herbert and Constantine Verevis |
| title_full_unstemmed | Film reboots edited by Daniel Herbert and Constantine Verevis |
| title_short | Film reboots |
| title_sort | film reboots |
| topic_facet | Aufsatzsammlung |
| work_keys_str_mv | AT herbertdaniel filmreboots AT verevisconstantine filmreboots |