Art and ideology in European opera: essays in honour of Julian Rushton
Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant...
Gespeichert in:
Weitere Verfasser: | , , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Woodbridge, Suffolk, UK
Boydell Press
2010
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, JanaÌcek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL. |
Beschreibung: | Title from publisher's bibliographic system (viewed on 28 Feb 2023) I. Nationalism, cosmopolitanism and national opera. "Studying a little of the French air" : Louis Grabu's Albion and Albanius and the dramatic operas of Henry Purcell / Bryan White ; Mendelssohn's Die Hochzeit des Camacho : an unfulfilled vision for German opera / Clive Brown ; Funding grand opera in regional France : ideologies of the mid-nineteenth century / Katharine Ellis ; Stanford's and Le Fanu's Shamus O'Brien : Protestant constructions of Irish nationalism in late Victorian England / David Cooper ; Janáček, Nejedlý and the future of Czech national opera / John Tyrrell ; "As for opera I am bewildered" : Gustav Holst on the fringe of European opera / Richard Greene -- II. Opera, class and the politics of enlightenment. The Sadler's Wells dialogues of Charles Dibdin / Peter Holman ; Nobility in Mozart's operas / Mary Hunter ; New light and the man of might : revisiting early interpretations of Die Zauberflöte / Rachel Cowgill ; The Victorian Violetta : the social messages of Verdi's La traviata / Roberta Montemorra Marvin ; Carl Nielsen's carnival : time, space and the politics of identity in Maskarade / Daniel M. Grimley -- III. Opera and otherness. Beyond the exotic : how "Eastern" is Aida? / Ralph P. Locke ; Beyond Orientalism : the international rise of Japan and the revisions to Madama Butterfly / Domingos de Mascarenhas ; Opera as poetry : Bizet's Djamileh and the ironies of Orientalism / David Charlton ; Rimsky-Korsakov, Pan voyevoda and the Polish question : exposing the "Occidentalist irony" / Stephen Muir ; Modernism's distanced sound : a British approach to Schreker and others / Peter Franklin ; Being-with Grimes : the problem of others in Britten's first opera / J.P.E. Harper-Scott |
Beschreibung: | 1 Online-Ressource (xv, 413 Seiten) |
ISBN: | 9781846158759 |
DOI: | 10.1017/9781846158759 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048884584 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230331s2023 |||| o||u| ||||||eng d | ||
020 | |a 9781846158759 |c Online |9 978-1-84615-875-9 | ||
024 | 7 | |a 10.1017/9781846158759 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781846158759 | ||
035 | |a (OCoLC)1374567783 | ||
035 | |a (DE-599)BVBBV048884584 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 782.1094509032 | |
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LR 54172 |0 (DE-625)109640: |2 rvk | ||
084 | |a LR 57720 |0 (DE-625)109881:13528 |2 rvk | ||
245 | 1 | 0 | |a Art and ideology in European opera |b essays in honour of Julian Rushton |c edited by Rachel Cowgill, David Cooper & Clive Brown |
264 | 1 | |a Woodbridge, Suffolk, UK |b Boydell Press |c 2010 | |
300 | |a 1 Online-Ressource (xv, 413 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Title from publisher's bibliographic system (viewed on 28 Feb 2023) | ||
500 | |a I. Nationalism, cosmopolitanism and national opera. "Studying a little of the French air" : Louis Grabu's Albion and Albanius and the dramatic operas of Henry Purcell / Bryan White ; Mendelssohn's Die Hochzeit des Camacho : an unfulfilled vision for German opera / Clive Brown ; Funding grand opera in regional France : ideologies of the mid-nineteenth century / Katharine Ellis ; Stanford's and Le Fanu's Shamus O'Brien : Protestant constructions of Irish nationalism in late Victorian England / David Cooper ; Janáček, Nejedlý and the future of Czech national opera / John Tyrrell ; "As for opera I am bewildered" : Gustav Holst on the fringe of European opera / Richard Greene -- II. Opera, class and the politics of enlightenment. The Sadler's Wells dialogues of Charles Dibdin / Peter Holman ; Nobility in Mozart's operas / Mary Hunter ; New light and the man of might : revisiting early interpretations of Die Zauberflöte / Rachel Cowgill ; The Victorian Violetta : the social messages of Verdi's La traviata / Roberta Montemorra Marvin ; Carl Nielsen's carnival : time, space and the politics of identity in Maskarade / Daniel M. Grimley -- III. Opera and otherness. Beyond the exotic : how "Eastern" is Aida? / Ralph P. Locke ; Beyond Orientalism : the international rise of Japan and the revisions to Madama Butterfly / Domingos de Mascarenhas ; Opera as poetry : Bizet's Djamileh and the ironies of Orientalism / David Charlton ; Rimsky-Korsakov, Pan voyevoda and the Polish question : exposing the "Occidentalist irony" / Stephen Muir ; Modernism's distanced sound : a British approach to Schreker and others / Peter Franklin ; Being-with Grimes : the problem of others in Britten's first opera / J.P.E. Harper-Scott | ||
520 | |a Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. | ||
520 | |a This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, JanaÌcek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. | ||
520 | |a RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL. | ||
650 | 4 | |a Opera / Political aspects / Europe | |
650 | 4 | |a Ideology in opera | |
650 | 0 | 7 | |a Gesellschaft |0 (DE-588)4020588-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Nationalismus |0 (DE-588)4041300-7 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4016928-5 |a Festschrift |2 gnd-content | |
655 | 7 | |0 (DE-588)4016928-5 |a Festschrift |2 gnd-content | |
689 | 0 | 0 | |a Oper |0 (DE-588)4043582-9 |D s |
689 | 0 | 1 | |a Gesellschaft |0 (DE-588)4020588-5 |D s |
689 | 0 | 2 | |a Nationalismus |0 (DE-588)4041300-7 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Cowgill, Rachel |d ca. 20./21. Jh. |0 (DE-588)1033019011 |4 edt | |
700 | 1 | |a Cooper, David |d 1956- |0 (DE-588)122134567 |4 edt | |
700 | 1 | |a Brown, Clive |d 1947- |0 (DE-588)13483545X |4 edt | |
700 | 1 | |a Rushton, Julian |d 1941- |0 (DE-588)134504631 |4 hnr | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-84383-567-7 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781846158759 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034149240 | ||
966 | e | |u https://doi.org/10.1017/9781846158759 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781846158759 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804185033092628480 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Cowgill, Rachel ca. 20./21. Jh Cooper, David 1956- Brown, Clive 1947- |
author2_role | edt edt edt |
author2_variant | r c rc d c dc c b cb |
author_GND | (DE-588)1033019011 (DE-588)122134567 (DE-588)13483545X (DE-588)134504631 |
author_facet | Cowgill, Rachel ca. 20./21. Jh Cooper, David 1956- Brown, Clive 1947- |
building | Verbundindex |
bvnumber | BV048884584 |
classification_rvk | LR 54172 LR 57720 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781846158759 (OCoLC)1374567783 (DE-599)BVBBV048884584 |
dewey-full | 782.1094509032 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.1094509032 |
dewey-search | 782.1094509032 |
dewey-sort | 3782.1094509032 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1017/9781846158759 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06415nmm a2200613zc 4500</leader><controlfield tag="001">BV048884584</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230331s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781846158759</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-84615-875-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781846158759</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781846158759</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1374567783</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048884584</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.1094509032</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54172</subfield><subfield code="0">(DE-625)109640:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57720</subfield><subfield code="0">(DE-625)109881:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art and ideology in European opera</subfield><subfield code="b">essays in honour of Julian Rushton</subfield><subfield code="c">edited by Rachel Cowgill, David Cooper & Clive Brown</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Woodbridge, Suffolk, UK</subfield><subfield code="b">Boydell Press</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 413 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 28 Feb 2023)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">I. Nationalism, cosmopolitanism and national opera. "Studying a little of the French air" : Louis Grabu's Albion and Albanius and the dramatic operas of Henry Purcell / Bryan White ; Mendelssohn's Die Hochzeit des Camacho : an unfulfilled vision for German opera / Clive Brown ; Funding grand opera in regional France : ideologies of the mid-nineteenth century / Katharine Ellis ; Stanford's and Le Fanu's Shamus O'Brien : Protestant constructions of Irish nationalism in late Victorian England / David Cooper ; Janáček, Nejedlý and the future of Czech national opera / John Tyrrell ; "As for opera I am bewildered" : Gustav Holst on the fringe of European opera / Richard Greene -- II. Opera, class and the politics of enlightenment. The Sadler's Wells dialogues of Charles Dibdin / Peter Holman ; Nobility in Mozart's operas / Mary Hunter ; New light and the man of might : revisiting early interpretations of Die Zauberflöte / Rachel Cowgill ; The Victorian Violetta : the social messages of Verdi's La traviata / Roberta Montemorra Marvin ; Carl Nielsen's carnival : time, space and the politics of identity in Maskarade / Daniel M. Grimley -- III. Opera and otherness. Beyond the exotic : how "Eastern" is Aida? / Ralph P. Locke ; Beyond Orientalism : the international rise of Japan and the revisions to Madama Butterfly / Domingos de Mascarenhas ; Opera as poetry : Bizet's Djamileh and the ironies of Orientalism / David Charlton ; Rimsky-Korsakov, Pan voyevoda and the Polish question : exposing the "Occidentalist irony" / Stephen Muir ; Modernism's distanced sound : a British approach to Schreker and others / Peter Franklin ; Being-with Grimes : the problem of others in Britten's first opera / J.P.E. Harper-Scott</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, JanaÌcek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / Political aspects / Europe</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ideology in opera</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gesellschaft</subfield><subfield code="0">(DE-588)4020588-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalismus</subfield><subfield code="0">(DE-588)4041300-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4016928-5</subfield><subfield code="a">Festschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4016928-5</subfield><subfield code="a">Festschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Gesellschaft</subfield><subfield code="0">(DE-588)4020588-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Nationalismus</subfield><subfield code="0">(DE-588)4041300-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cowgill, Rachel</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1033019011</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cooper, David</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)122134567</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brown, Clive</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)13483545X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rushton, Julian</subfield><subfield code="d">1941-</subfield><subfield code="0">(DE-588)134504631</subfield><subfield code="4">hnr</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-84383-567-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781846158759</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034149240</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781846158759</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781846158759</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4016928-5 Festschrift gnd-content |
genre_facet | Festschrift |
id | DE-604.BV048884584 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:47:04Z |
indexdate | 2024-07-10T09:48:48Z |
institution | BVB |
isbn | 9781846158759 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034149240 |
oclc_num | 1374567783 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xv, 413 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2010 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Boydell Press |
record_format | marc |
spelling | Art and ideology in European opera essays in honour of Julian Rushton edited by Rachel Cowgill, David Cooper & Clive Brown Woodbridge, Suffolk, UK Boydell Press 2010 1 Online-Ressource (xv, 413 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 28 Feb 2023) I. Nationalism, cosmopolitanism and national opera. "Studying a little of the French air" : Louis Grabu's Albion and Albanius and the dramatic operas of Henry Purcell / Bryan White ; Mendelssohn's Die Hochzeit des Camacho : an unfulfilled vision for German opera / Clive Brown ; Funding grand opera in regional France : ideologies of the mid-nineteenth century / Katharine Ellis ; Stanford's and Le Fanu's Shamus O'Brien : Protestant constructions of Irish nationalism in late Victorian England / David Cooper ; Janáček, Nejedlý and the future of Czech national opera / John Tyrrell ; "As for opera I am bewildered" : Gustav Holst on the fringe of European opera / Richard Greene -- II. Opera, class and the politics of enlightenment. The Sadler's Wells dialogues of Charles Dibdin / Peter Holman ; Nobility in Mozart's operas / Mary Hunter ; New light and the man of might : revisiting early interpretations of Die Zauberflöte / Rachel Cowgill ; The Victorian Violetta : the social messages of Verdi's La traviata / Roberta Montemorra Marvin ; Carl Nielsen's carnival : time, space and the politics of identity in Maskarade / Daniel M. Grimley -- III. Opera and otherness. Beyond the exotic : how "Eastern" is Aida? / Ralph P. Locke ; Beyond Orientalism : the international rise of Japan and the revisions to Madama Butterfly / Domingos de Mascarenhas ; Opera as poetry : Bizet's Djamileh and the ironies of Orientalism / David Charlton ; Rimsky-Korsakov, Pan voyevoda and the Polish question : exposing the "Occidentalist irony" / Stephen Muir ; Modernism's distanced sound : a British approach to Schreker and others / Peter Franklin ; Being-with Grimes : the problem of others in Britten's first opera / J.P.E. Harper-Scott Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, JanaÌcek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL. Opera / Political aspects / Europe Ideology in opera Gesellschaft (DE-588)4020588-5 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf (DE-588)4016928-5 Festschrift gnd-content Oper (DE-588)4043582-9 s Gesellschaft (DE-588)4020588-5 s Nationalismus (DE-588)4041300-7 s DE-604 Cowgill, Rachel ca. 20./21. Jh. (DE-588)1033019011 edt Cooper, David 1956- (DE-588)122134567 edt Brown, Clive 1947- (DE-588)13483545X edt Rushton, Julian 1941- (DE-588)134504631 hnr Erscheint auch als Druck-Ausgabe 978-1-84383-567-7 https://doi.org/10.1017/9781846158759 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Art and ideology in European opera essays in honour of Julian Rushton Opera / Political aspects / Europe Ideology in opera Gesellschaft (DE-588)4020588-5 gnd Oper (DE-588)4043582-9 gnd Nationalismus (DE-588)4041300-7 gnd |
subject_GND | (DE-588)4020588-5 (DE-588)4043582-9 (DE-588)4041300-7 (DE-588)4016928-5 |
title | Art and ideology in European opera essays in honour of Julian Rushton |
title_auth | Art and ideology in European opera essays in honour of Julian Rushton |
title_exact_search | Art and ideology in European opera essays in honour of Julian Rushton |
title_exact_search_txtP | Art and ideology in European opera essays in honour of Julian Rushton |
title_full | Art and ideology in European opera essays in honour of Julian Rushton edited by Rachel Cowgill, David Cooper & Clive Brown |
title_fullStr | Art and ideology in European opera essays in honour of Julian Rushton edited by Rachel Cowgill, David Cooper & Clive Brown |
title_full_unstemmed | Art and ideology in European opera essays in honour of Julian Rushton edited by Rachel Cowgill, David Cooper & Clive Brown |
title_short | Art and ideology in European opera |
title_sort | art and ideology in european opera essays in honour of julian rushton |
title_sub | essays in honour of Julian Rushton |
topic | Opera / Political aspects / Europe Ideology in opera Gesellschaft (DE-588)4020588-5 gnd Oper (DE-588)4043582-9 gnd Nationalismus (DE-588)4041300-7 gnd |
topic_facet | Opera / Political aspects / Europe Ideology in opera Gesellschaft Oper Nationalismus Festschrift |
url | https://doi.org/10.1017/9781846158759 |
work_keys_str_mv | AT cowgillrachel artandideologyineuropeanoperaessaysinhonourofjulianrushton AT cooperdavid artandideologyineuropeanoperaessaysinhonourofjulianrushton AT brownclive artandideologyineuropeanoperaessaysinhonourofjulianrushton AT rushtonjulian artandideologyineuropeanoperaessaysinhonourofjulianrushton |