Museum of the future: now what?:
Following and completing the acclaimed publications Museum of the Future (2014) and The Private Museum of the Future (2018), this new volume proposes a global mapping of museological thinking in our unprecedented times to respond to the need to rethink and reassess the role and place of the museum t...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Geneva
JRP Editions
[2021]
|
Schriftenreihe: | Documents series
30 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Following and completing the acclaimed publications Museum of the Future (2014) and The Private Museum of the Future (2018), this new volume proposes a global mapping of museological thinking in our unprecedented times to respond to the need to rethink and reassess the role and place of the museum today.Gathering together fresh perspectives from 28 leading art and museum figures--including artists, architects, curators, and museum directors--from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our fast-changing cultural ecosystem. Do we need a new art historical canon? How can museums become welcoming places for everybody? How should a museum deal with artworks that are considered problematic today? Is the blockbuster a thing of the past? How can museums be sustainable? These are some of the pressing questions answered very differently by the contributors, together with others dealing with the relationships between the local and the global, the museums' governance and financial organization, technological possibilities, and audience-related challenges. Showing the diversity of today's thinking about the museum, this tome constitutes a valuable handbook to navigate its ever-evolving landscape. Interviewees and contributors include David Adjaye (architect, Accra/London/Los Angeles), Richard Armstrong (Guggenheim Museum, New York), Sylvain Bellenger (Museo di Capodimonte, Naples), Manuel Borja-Villel (Museo Reina Sofia, Madrid), Lionel Bovier (MAMCO, Geneva), Raphael Chikukwa (National Gallery of Zimbabwe, Harare), David Chipperfield (architect, London), Bice Curiger (Fondation Vincent van Gogh, Arles), Clementine Deliss (Kunstwerke, Berlin), Madeleine Grynsztejn (MCA, Chicago), Sabine Haag (Kunsthistorisches Museum, Vienna), Camille Henrot (artist, Paris), Jacques Herzog (architect, Basel), Josef Helfenstein (Kunstmuseum, Basel), Junya Ishigami (architect, Tokyo), Sam Keller (Fondation Beyeler, Basel), Ramiro Martínez Estrada (Museo Amparo, Puebla), Sarah Morris (artist, New York), Dimitri Ozerkov (State Hermitage Museum, St.Petersburg), Adriano Pedrosa (MASP, São Paulo), Susanne Pfeffer (MMK, Frankfurt), Manuel Rabaté (Louvre, Abu Dhabi), |
Beschreibung: | 231 Seiten Illustrationen |
ISBN: | 9783037645697 9782378962685 3037645695 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV048879545 | ||
003 | DE-604 | ||
005 | 20240321 | ||
007 | t | ||
008 | 230328s2021 sz a||| |||| 00||| eng d | ||
020 | |a 9783037645697 |c Broschur |q JRP Editions |9 978-3-03764-569-7 | ||
020 | |a 9782378962685 |c Broschur |q Les presses du réel |9 978-2-37896-268-5 | ||
020 | |a 3037645695 |9 3-03764-569-5 | ||
035 | |a (OCoLC)1276837230 | ||
035 | |a (DE-599)KXP1836932375 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a sz |c XA-CH | ||
049 | |a DE-255 |a DE-12 | ||
084 | |a 02.30 |2 bkl | ||
084 | |a 3 |2 KUBA2 | ||
084 | |a 20.12 |2 bkl | ||
084 | |a 56.84 |2 bkl | ||
245 | 1 | 0 | |a Museum of the future: now what? |c Cristina Bechtler & Dora Imhof (eds.) |
264 | 1 | |a Geneva |b JRP Editions |c [2021] | |
264 | 0 | |a Dijon |b Les presses du réel |c [2021] | |
300 | |a 231 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Documents series |v 30 | |
520 | 3 | |a Following and completing the acclaimed publications Museum of the Future (2014) and The Private Museum of the Future (2018), this new volume proposes a global mapping of museological thinking in our unprecedented times to respond to the need to rethink and reassess the role and place of the museum today.Gathering together fresh perspectives from 28 leading art and museum figures--including artists, architects, curators, and museum directors--from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our fast-changing cultural ecosystem. | |
520 | 3 | |a Do we need a new art historical canon? How can museums become welcoming places for everybody? How should a museum deal with artworks that are considered problematic today? Is the blockbuster a thing of the past? How can museums be sustainable? These are some of the pressing questions answered very differently by the contributors, together with others dealing with the relationships between the local and the global, the museums' governance and financial organization, technological possibilities, and audience-related challenges. Showing the diversity of today's thinking about the museum, this tome constitutes a valuable handbook to navigate its ever-evolving landscape. | |
520 | 3 | |a Interviewees and contributors include David Adjaye (architect, Accra/London/Los Angeles), Richard Armstrong (Guggenheim Museum, New York), Sylvain Bellenger (Museo di Capodimonte, Naples), Manuel Borja-Villel (Museo Reina Sofia, Madrid), Lionel Bovier (MAMCO, Geneva), Raphael Chikukwa (National Gallery of Zimbabwe, Harare), David Chipperfield (architect, London), Bice Curiger (Fondation Vincent van Gogh, Arles), Clementine Deliss (Kunstwerke, Berlin), Madeleine Grynsztejn (MCA, Chicago), Sabine Haag (Kunsthistorisches Museum, Vienna), Camille Henrot (artist, Paris), Jacques Herzog (architect, Basel), Josef Helfenstein (Kunstmuseum, Basel), Junya Ishigami (architect, Tokyo), Sam Keller (Fondation Beyeler, Basel), Ramiro Martínez Estrada (Museo Amparo, Puebla), Sarah Morris (artist, New York), Dimitri Ozerkov (State Hermitage Museum, St.Petersburg), Adriano Pedrosa (MASP, São Paulo), Susanne Pfeffer (MMK, Frankfurt), Manuel Rabaté (Louvre, Abu Dhabi), | |
648 | 7 | |a Geschichte 2000-2023 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kunstmuseum |0 (DE-588)4166041-9 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
655 | 7 | |0 (DE-588)4027503-6 |a Interview |2 gnd-content | |
689 | 0 | 0 | |a Kunstmuseum |0 (DE-588)4166041-9 |D s |
689 | 0 | 1 | |a Geschichte 2000-2023 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Bechtler, Cristina |0 (DE-588)1051416795 |4 edt | |
700 | 1 | |a Imhof, Dora |d 1968- |0 (DE-588)133489140 |4 edt | |
830 | 0 | |a Documents series |v 30 |w (DE-604)BV048536969 |9 30 | |
856 | 4 | 2 | |m DE-601 |q application/pdf |u http://www.gbv.de/dms/weimar/toc/1836932375_toc.pdf |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-034144313 |
Datensatz im Suchindex
_version_ | 1804185023937511424 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Bechtler, Cristina Imhof, Dora 1968- |
author2_role | edt edt |
author2_variant | c b cb d i di |
author_GND | (DE-588)1051416795 (DE-588)133489140 |
author_facet | Bechtler, Cristina Imhof, Dora 1968- |
building | Verbundindex |
bvnumber | BV048879545 |
ctrlnum | (OCoLC)1276837230 (DE-599)KXP1836932375 |
era | Geschichte 2000-2023 gnd |
era_facet | Geschichte 2000-2023 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04095nam a2200517 cb4500</leader><controlfield tag="001">BV048879545</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240321 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230328s2021 sz a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783037645697</subfield><subfield code="c">Broschur</subfield><subfield code="q">JRP Editions</subfield><subfield code="9">978-3-03764-569-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782378962685</subfield><subfield code="c">Broschur</subfield><subfield code="q">Les presses du réel</subfield><subfield code="9">978-2-37896-268-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3037645695</subfield><subfield code="9">3-03764-569-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1276837230</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1836932375</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">sz</subfield><subfield code="c">XA-CH</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">02.30</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.12</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">56.84</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Museum of the future: now what?</subfield><subfield code="c">Cristina Bechtler & Dora Imhof (eds.)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Geneva</subfield><subfield code="b">JRP Editions</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="0"><subfield code="a">Dijon</subfield><subfield code="b">Les presses du réel</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">231 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Documents series</subfield><subfield code="v">30</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Following and completing the acclaimed publications Museum of the Future (2014) and The Private Museum of the Future (2018), this new volume proposes a global mapping of museological thinking in our unprecedented times to respond to the need to rethink and reassess the role and place of the museum today.Gathering together fresh perspectives from 28 leading art and museum figures--including artists, architects, curators, and museum directors--from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our fast-changing cultural ecosystem. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Do we need a new art historical canon? How can museums become welcoming places for everybody? How should a museum deal with artworks that are considered problematic today? Is the blockbuster a thing of the past? How can museums be sustainable? These are some of the pressing questions answered very differently by the contributors, together with others dealing with the relationships between the local and the global, the museums' governance and financial organization, technological possibilities, and audience-related challenges. Showing the diversity of today's thinking about the museum, this tome constitutes a valuable handbook to navigate its ever-evolving landscape. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Interviewees and contributors include David Adjaye (architect, Accra/London/Los Angeles), Richard Armstrong (Guggenheim Museum, New York), Sylvain Bellenger (Museo di Capodimonte, Naples), Manuel Borja-Villel (Museo Reina Sofia, Madrid), Lionel Bovier (MAMCO, Geneva), Raphael Chikukwa (National Gallery of Zimbabwe, Harare), David Chipperfield (architect, London), Bice Curiger (Fondation Vincent van Gogh, Arles), Clementine Deliss (Kunstwerke, Berlin), Madeleine Grynsztejn (MCA, Chicago), Sabine Haag (Kunsthistorisches Museum, Vienna), Camille Henrot (artist, Paris), Jacques Herzog (architect, Basel), Josef Helfenstein (Kunstmuseum, Basel), Junya Ishigami (architect, Tokyo), Sam Keller (Fondation Beyeler, Basel), Ramiro Martínez Estrada (Museo Amparo, Puebla), Sarah Morris (artist, New York), Dimitri Ozerkov (State Hermitage Museum, St.Petersburg), Adriano Pedrosa (MASP, São Paulo), Susanne Pfeffer (MMK, Frankfurt), Manuel Rabaté (Louvre, Abu Dhabi), </subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2023</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstmuseum</subfield><subfield code="0">(DE-588)4166041-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4027503-6</subfield><subfield code="a">Interview</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunstmuseum</subfield><subfield code="0">(DE-588)4166041-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 2000-2023</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bechtler, Cristina</subfield><subfield code="0">(DE-588)1051416795</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Imhof, Dora</subfield><subfield code="d">1968-</subfield><subfield code="0">(DE-588)133489140</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Documents series</subfield><subfield code="v">30</subfield><subfield code="w">(DE-604)BV048536969</subfield><subfield code="9">30</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">DE-601</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://www.gbv.de/dms/weimar/toc/1836932375_toc.pdf</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034144313</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content |
genre_facet | Aufsatzsammlung Interview |
id | DE-604.BV048879545 |
illustrated | Illustrated |
index_date | 2024-07-03T21:45:48Z |
indexdate | 2024-07-10T09:48:39Z |
institution | BVB |
isbn | 9783037645697 9782378962685 3037645695 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034144313 |
oclc_num | 1276837230 |
open_access_boolean | |
owner | DE-255 DE-12 |
owner_facet | DE-255 DE-12 |
physical | 231 Seiten Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | JRP Editions |
record_format | marc |
series | Documents series |
series2 | Documents series |
spelling | Museum of the future: now what? Cristina Bechtler & Dora Imhof (eds.) Geneva JRP Editions [2021] Dijon Les presses du réel [2021] 231 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Documents series 30 Following and completing the acclaimed publications Museum of the Future (2014) and The Private Museum of the Future (2018), this new volume proposes a global mapping of museological thinking in our unprecedented times to respond to the need to rethink and reassess the role and place of the museum today.Gathering together fresh perspectives from 28 leading art and museum figures--including artists, architects, curators, and museum directors--from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our fast-changing cultural ecosystem. Do we need a new art historical canon? How can museums become welcoming places for everybody? How should a museum deal with artworks that are considered problematic today? Is the blockbuster a thing of the past? How can museums be sustainable? These are some of the pressing questions answered very differently by the contributors, together with others dealing with the relationships between the local and the global, the museums' governance and financial organization, technological possibilities, and audience-related challenges. Showing the diversity of today's thinking about the museum, this tome constitutes a valuable handbook to navigate its ever-evolving landscape. Interviewees and contributors include David Adjaye (architect, Accra/London/Los Angeles), Richard Armstrong (Guggenheim Museum, New York), Sylvain Bellenger (Museo di Capodimonte, Naples), Manuel Borja-Villel (Museo Reina Sofia, Madrid), Lionel Bovier (MAMCO, Geneva), Raphael Chikukwa (National Gallery of Zimbabwe, Harare), David Chipperfield (architect, London), Bice Curiger (Fondation Vincent van Gogh, Arles), Clementine Deliss (Kunstwerke, Berlin), Madeleine Grynsztejn (MCA, Chicago), Sabine Haag (Kunsthistorisches Museum, Vienna), Camille Henrot (artist, Paris), Jacques Herzog (architect, Basel), Josef Helfenstein (Kunstmuseum, Basel), Junya Ishigami (architect, Tokyo), Sam Keller (Fondation Beyeler, Basel), Ramiro Martínez Estrada (Museo Amparo, Puebla), Sarah Morris (artist, New York), Dimitri Ozerkov (State Hermitage Museum, St.Petersburg), Adriano Pedrosa (MASP, São Paulo), Susanne Pfeffer (MMK, Frankfurt), Manuel Rabaté (Louvre, Abu Dhabi), Geschichte 2000-2023 gnd rswk-swf Kunstmuseum (DE-588)4166041-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content Kunstmuseum (DE-588)4166041-9 s Geschichte 2000-2023 z DE-604 Bechtler, Cristina (DE-588)1051416795 edt Imhof, Dora 1968- (DE-588)133489140 edt Documents series 30 (DE-604)BV048536969 30 DE-601 application/pdf http://www.gbv.de/dms/weimar/toc/1836932375_toc.pdf Inhaltsverzeichnis |
spellingShingle | Museum of the future: now what? Documents series Kunstmuseum (DE-588)4166041-9 gnd |
subject_GND | (DE-588)4166041-9 (DE-588)4143413-4 (DE-588)4027503-6 |
title | Museum of the future: now what? |
title_auth | Museum of the future: now what? |
title_exact_search | Museum of the future: now what? |
title_exact_search_txtP | Museum of the future: now what? |
title_full | Museum of the future: now what? Cristina Bechtler & Dora Imhof (eds.) |
title_fullStr | Museum of the future: now what? Cristina Bechtler & Dora Imhof (eds.) |
title_full_unstemmed | Museum of the future: now what? Cristina Bechtler & Dora Imhof (eds.) |
title_short | Museum of the future: now what? |
title_sort | museum of the future now what |
topic | Kunstmuseum (DE-588)4166041-9 gnd |
topic_facet | Kunstmuseum Aufsatzsammlung Interview |
url | http://www.gbv.de/dms/weimar/toc/1836932375_toc.pdf |
volume_link | (DE-604)BV048536969 |
work_keys_str_mv | AT bechtlercristina museumofthefuturenowwhat AT imhofdora museumofthefuturenowwhat |