Philippe Parreno - applied cinema: reframing the exhibition
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Köln
Verlag der Buchhandlung Walther König
[2020]
|
| Schriftenreihe: | Kunstwissenschaftliche Bibliothek
Band 48 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | "Originally published as How We Gonna Behave? Philippe Pareno. Angewandtes Kino, Cologne: Walther König, 2010. (ISBN 978-3-86560-907-6)." - Impressum |
| Beschreibung: | 347 Seiten Illustrationen 23 cm x 15.5 cm |
| ISBN: | 9783960987796 396098779X |
Internformat
MARC
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| 240 | 1 | 0 | |a How we gonna behave? Philippe Pareno. Angewandtes Kino |
| 245 | 1 | 0 | |a Philippe Parreno - applied cinema |b reframing the exhibition |c Jörn Schafaff ; translation: Daniel Falb |
| 264 | 1 | |a Köln |b Verlag der Buchhandlung Walther König |c [2020] | |
| 300 | |a 347 Seiten |b Illustrationen |c 23 cm x 15.5 cm | ||
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| 490 | 1 | |a Kunstwissenschaftliche Bibliothek |v Band 48 | |
| 500 | |a "Originally published as How We Gonna Behave? Philippe Pareno. Angewandtes Kino, Cologne: Walther König, 2010. (ISBN 978-3-86560-907-6)." - Impressum | ||
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Datensatz im Suchindex
| _version_ | 1811019810076622848 |
|---|---|
| adam_text |
TABLE
OF
CONTENTS
FOREWORD
TO
THE
ENGLISH
EDITION
8
INTRODUCTION
10
SETTING
THE
GROUND:
MEDIA
CULTURE,
INFORMATION
AND
THE
EXHIBITION
AS
A
WORK
OF
ART
19
MEDIA
CULTURE:
THE
MULTIPLICATION
OF
REALITY
THROUGH
MASS
MEDIA
19
INFORMATION:
CONSTRAINTS
AND
POTENTIALS
OF
REALITY
CONSTRUCTION
22
PRACTICES
OF
USE:
A
KIND
OF
POSTPRODUCTION
2
5
USING
MEDIA
FORMATS:
THE
EXAMPLE
OF
GENERAL
IDEA
28
EXHIBITION
AS
MEDIUM:
PARRENO
*
S
USE
OF
MEDIA
FORMATS
32
EXPERIENCING
PARRENO
*
S
EXHIBITIONS:
THE
ART
OF
DOING
AND
THE
ART
OF
OSCILLATION
3
9
I.
APPLYING
VIRTUAL
REALITY
AND
TELEVISION
TO
THE
EXHIBITION
FORM
43
THE
USE
OF
VIRTUAL
REALITY
44
SIBERIA
(1988)
53
HYPER
HYPER
(1988)
58
PROJET
OZONE
(1988
-
1990)
62
HOW
WE
GONNA
BEHAVE?
(1990)
68
THE
USE
OF
TELEVISION
76
NO
MORE
REALITY
(1991
-
1993)
90
NO
MORE
REALITY
II
(LA
MANIFESTATION)
(1991)
91
NO
MORE
REALITY:
TINE
VIDEOCONFERENCE
(1991/1992)
99
NO
MORE
REALITY
(SUITE
ETFIN)
(1993)
109
L
*
HOMME
PUBLIC
(1994
-
1995)
117
EHOMME
PUBLIC/PARTIE
3:
L
*
ORDRE
DU
DISCOURS
(1994)
117
UHOMME
PUBLIC/PARTIE
2:
DRAGON
BALL
(1994)
121
L
*
HOMME
PUBLIC/PARTIE
1:
EVA
(1993)
123
FACTEUR
TEMPS
(1994)
126
TV
CHANNEL
(1998)
132
II.
APPLYING
CINEMA
TO
THE
EXHIBITION
FORM
143
THE
USE
OF
CINEMA
145
LES
ATELIERS
DU
PARADISE
(1990)
154
L
*
LMITATEUR
(1992-1993)
165
THE
IMITATOR,
JEAN-LUC
GODARD
(1992)
166
THE
IMITATOR
(1992)
168
LTMITATEUR
(1992)
169
UNTITLED
(JEAN-LUC
GODARD)
(1993)
172
LA
NUIT
DES
HEROS
(1993)
174
SNOW
DANCING
(1995)
188
SNOW
DANCING:
THE
BOOK
189
SNOW
DANCING:
THE
PARTY
194
SNOW
DANCING:
THE
EXHIBITION
199
FACTORY
OF
CLOUDS/WHILE
.
(1995)
208
THE
WORKSHOP
*
FACTORY
OF
CLOUDS
*
210
THE
EXHIBITION
*
WHILE
.
*
215
THE
MORAL
MAZE
(1995)
225
VICINATO
(1995)
229
ANNA
SANDERS
(1997)
240
APPLIED
CINEMA
249
SCRIPT-BASED
PRODUCTION
250
COLLABORATION
251
ARTIST
AS
DIRECTOR
252
GODARD
*
S
MONTAGE
AS
MODEL
OF
DISPLAY
253
THE
EXHIBITION
AS
FILM
SET
256
TIME
IN
FILM,
TIME
IN
THE
EXHIBITION
258
RECEPTION
AS
PRACTICE
OF
MONTAGE
262
THE
RECIPIENT
AS
DIRECTOR/ACTOR
264
SCRIPTED
LIFE
265
FILM
AND
EXHIBITION
AS
FORMATS
OF
MEDIATING,
TESTING
AND
REFLECTING
MODES
OF
BEHAVIOR
267
III.
APPLIED
CINEMA:
REFRAMING
THE
EXHIBITION
269
FRAMING
DEVICES:
THE
ARTWORK
AS
SITUATION
2
69
ON
CONSTRUCTING
SITUATIONS
272
FRAMING
THE
SITUATION:
THE
MODEL
OF
GENERAL
IDEA
278
REFRAMING
THE
EXHIBITION:
PHILIPPE
PARRENO
*
S
FRAMING
DEVICES
288
MEDIA
FORMATS
290
TIME
292
ARCHITECTURES
AND
OBJECTS,
BACKDROPS
AND
PROPS
294
LANGUAGE
AND
SPEECH
297
ROLES,
ACTORS,
CELEBRITIES
299
REFRAMING
BEHAVIOR.
THE
EXHIBITION
AS
REHEARSAL
SPACE
3
00
PLAYING
WITH
MODES
OF
BEHAVIOR:
THE
TACTIC
OF
IMITATION
3
02
*
HOW
ARE
WE
GOING
TO
BEHAVE?
*
305
ON
ROLES
311
APPLIED
CINEMA*.
AN
ART
OF
OSCILLATION
314
LIST
OF
WORKS
BIBLIOGRAPHY
ACKNOWLEGMENTS
319
332
347 |
| adam_txt |
TABLE
OF
CONTENTS
FOREWORD
TO
THE
ENGLISH
EDITION
8
INTRODUCTION
10
SETTING
THE
GROUND:
MEDIA
CULTURE,
INFORMATION
AND
THE
EXHIBITION
AS
A
WORK
OF
ART
19
MEDIA
CULTURE:
THE
MULTIPLICATION
OF
REALITY
THROUGH
MASS
MEDIA
19
INFORMATION:
CONSTRAINTS
AND
POTENTIALS
OF
REALITY
CONSTRUCTION
22
PRACTICES
OF
USE:
A
KIND
OF
POSTPRODUCTION
2
5
USING
MEDIA
FORMATS:
THE
EXAMPLE
OF
GENERAL
IDEA
28
EXHIBITION
AS
MEDIUM:
PARRENO
*
S
USE
OF
MEDIA
FORMATS
32
EXPERIENCING
PARRENO
*
S
EXHIBITIONS:
THE
ART
OF
DOING
AND
THE
ART
OF
OSCILLATION
3
9
I.
APPLYING
VIRTUAL
REALITY
AND
TELEVISION
TO
THE
EXHIBITION
FORM
43
THE
USE
OF
VIRTUAL
REALITY
44
SIBERIA
(1988)
53
HYPER
HYPER
(1988)
58
PROJET
OZONE
(1988
-
1990)
62
HOW
WE
GONNA
BEHAVE?
(1990)
68
THE
USE
OF
TELEVISION
76
NO
MORE
REALITY
(1991
-
1993)
90
NO
MORE
REALITY
II
(LA
MANIFESTATION)
(1991)
91
NO
MORE
REALITY:
TINE
VIDEOCONFERENCE
(1991/1992)
99
NO
MORE
REALITY
(SUITE
ETFIN)
(1993)
109
L
*
HOMME
PUBLIC
(1994
-
1995)
117
EHOMME
PUBLIC/PARTIE
3:
L
*
ORDRE
DU
DISCOURS
(1994)
117
UHOMME
PUBLIC/PARTIE
2:
DRAGON
BALL
(1994)
121
L
*
HOMME
PUBLIC/PARTIE
1:
EVA
(1993)
123
FACTEUR
TEMPS
(1994)
126
TV
CHANNEL
(1998)
132
II.
APPLYING
CINEMA
TO
THE
EXHIBITION
FORM
143
THE
USE
OF
CINEMA
145
LES
ATELIERS
DU
PARADISE
(1990)
154
L
*
LMITATEUR
(1992-1993)
165
THE
IMITATOR,
JEAN-LUC
GODARD
(1992)
166
THE
IMITATOR
(1992)
168
LTMITATEUR
(1992)
169
UNTITLED
(JEAN-LUC
GODARD)
(1993)
172
LA
NUIT
DES
HEROS
(1993)
174
SNOW
DANCING
(1995)
188
SNOW
DANCING:
THE
BOOK
189
SNOW
DANCING:
THE
PARTY
194
SNOW
DANCING:
THE
EXHIBITION
199
FACTORY
OF
CLOUDS/WHILE
.
(1995)
208
THE
WORKSHOP
*
FACTORY
OF
CLOUDS
*
210
THE
EXHIBITION
*
WHILE
.
*
215
THE
MORAL
MAZE
(1995)
225
VICINATO
(1995)
229
ANNA
SANDERS
(1997)
240
APPLIED
CINEMA
249
SCRIPT-BASED
PRODUCTION
250
COLLABORATION
251
ARTIST
AS
DIRECTOR
252
GODARD
*
S
MONTAGE
AS
MODEL
OF
DISPLAY
253
THE
EXHIBITION
AS
FILM
SET
256
TIME
IN
FILM,
TIME
IN
THE
EXHIBITION
258
RECEPTION
AS
PRACTICE
OF
MONTAGE
262
THE
RECIPIENT
AS
DIRECTOR/ACTOR
264
SCRIPTED
LIFE
265
FILM
AND
EXHIBITION
AS
FORMATS
OF
MEDIATING,
TESTING
AND
REFLECTING
MODES
OF
BEHAVIOR
267
III.
APPLIED
CINEMA:
REFRAMING
THE
EXHIBITION
269
FRAMING
DEVICES:
THE
ARTWORK
AS
SITUATION
2
69
ON
CONSTRUCTING
SITUATIONS
272
FRAMING
THE
SITUATION:
THE
MODEL
OF
GENERAL
IDEA
278
REFRAMING
THE
EXHIBITION:
PHILIPPE
PARRENO
*
S
FRAMING
DEVICES
288
MEDIA
FORMATS
290
TIME
292
ARCHITECTURES
AND
OBJECTS,
BACKDROPS
AND
PROPS
294
LANGUAGE
AND
SPEECH
297
ROLES,
ACTORS,
CELEBRITIES
299
REFRAMING
BEHAVIOR.
THE
EXHIBITION
AS
REHEARSAL
SPACE
3
00
PLAYING
WITH
MODES
OF
BEHAVIOR:
THE
TACTIC
OF
IMITATION
3
02
*
HOW
ARE
WE
GOING
TO
BEHAVE?
*
305
ON
ROLES
311
APPLIED
CINEMA*.
AN
ART
OF
OSCILLATION
314
LIST
OF
WORKS
BIBLIOGRAPHY
ACKNOWLEGMENTS
319
332
347 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Schafaff, Jörn 1970- |
| author2 | Parreno, Philippe 1964- Falb, Daniel |
| author2_role | ill trl |
| author2_variant | p p pp d f df |
| author_GND | (DE-588)122394380 (DE-588)121381498 |
| author_facet | Schafaff, Jörn 1970- Parreno, Philippe 1964- Falb, Daniel |
| author_role | aut |
| author_sort | Schafaff, Jörn 1970- |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV048868710 |
| classification_rvk | AP 51400 LI 99999 |
| ctrlnum | (OCoLC)1195969627 (DE-599)DNB1217490892 |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| era | Geschichte 1988-1998 gnd |
| era_facet | Geschichte 1988-1998 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV048868710 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:43:44Z |
| indexdate | 2024-09-23T20:24:39Z |
| institution | BVB |
| institution_GND | (DE-588)1068092572 |
| isbn | 9783960987796 396098779X |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034133663 |
| oclc_num | 1195969627 |
| open_access_boolean | |
| owner | DE-188 |
| owner_facet | DE-188 |
| physical | 347 Seiten Illustrationen 23 cm x 15.5 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Verlag der Buchhandlung Walther König |
| record_format | marc |
| series | Kunstwissenschaftliche Bibliothek |
| series2 | Kunstwissenschaftliche Bibliothek |
| spelling | Schafaff, Jörn 1970- Verfasser (DE-588)122394380 aut How we gonna behave? Philippe Pareno. Angewandtes Kino Philippe Parreno - applied cinema reframing the exhibition Jörn Schafaff ; translation: Daniel Falb Köln Verlag der Buchhandlung Walther König [2020] 347 Seiten Illustrationen 23 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Kunstwissenschaftliche Bibliothek Band 48 "Originally published as How We Gonna Behave? Philippe Pareno. Angewandtes Kino, Cologne: Walther König, 2010. (ISBN 978-3-86560-907-6)." - Impressum Parreno, Philippe 1964- (DE-588)121381498 gnd rswk-swf Geschichte 1988-1998 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf Ausstellung Zeitgenössische Kunst Display Film (DE-588)4113937-9 Hochschulschrift gnd-content Parreno, Philippe 1964- (DE-588)121381498 p Installation Kunst (DE-588)4131808-0 s Geschichte 1988-1998 z DE-604 Parreno, Philippe 1964- (DE-588)121381498 ill Falb, Daniel trl Verlag der Buchhandlung Walther König Köln (DE-588)1068092572 pbl Kunstwissenschaftliche Bibliothek Band 48 (DE-604)BV037479444 48 B:DE-101 application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2021/02/04/file_15/8991272.pdf Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034133663&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schafaff, Jörn 1970- Philippe Parreno - applied cinema reframing the exhibition Kunstwissenschaftliche Bibliothek Parreno, Philippe 1964- (DE-588)121381498 gnd Installation Kunst (DE-588)4131808-0 gnd |
| subject_GND | (DE-588)121381498 (DE-588)4131808-0 (DE-588)4113937-9 |
| title | Philippe Parreno - applied cinema reframing the exhibition |
| title_alt | How we gonna behave? Philippe Pareno. Angewandtes Kino |
| title_auth | Philippe Parreno - applied cinema reframing the exhibition |
| title_exact_search | Philippe Parreno - applied cinema reframing the exhibition |
| title_exact_search_txtP | Philippe Parreno - applied cinema reframing the exhibition |
| title_full | Philippe Parreno - applied cinema reframing the exhibition Jörn Schafaff ; translation: Daniel Falb |
| title_fullStr | Philippe Parreno - applied cinema reframing the exhibition Jörn Schafaff ; translation: Daniel Falb |
| title_full_unstemmed | Philippe Parreno - applied cinema reframing the exhibition Jörn Schafaff ; translation: Daniel Falb |
| title_short | Philippe Parreno - applied cinema |
| title_sort | philippe parreno applied cinema reframing the exhibition |
| title_sub | reframing the exhibition |
| topic | Parreno, Philippe 1964- (DE-588)121381498 gnd Installation Kunst (DE-588)4131808-0 gnd |
| topic_facet | Parreno, Philippe 1964- Installation Kunst Hochschulschrift |
| url | http://digitale-objekte.hbz-nrw.de/storage2/2021/02/04/file_15/8991272.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034133663&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV037479444 |
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Inhaltsverzeichnis