Theatre history, attribution studies, and the question of evidence:
"Over the past decade, attribution scholars have come to a consensus that Shakespeare wrote some of the additions printed in the 1602 quarto of Kyd's Spanish Tragedy. This new development in textual studies has far-reaching consequences for established theatre-historical narratives. Accoun...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore
Cambridge University Press
2023
|
| Series: | Cambridge elements - Shakespeare and text
Elements in Shakespeare and text |
| Subjects: | |
| Online Access: | DE-12 DE-473 Volltext |
| Summary: | "Over the past decade, attribution scholars have come to a consensus that Shakespeare wrote some of the additions printed in the 1602 quarto of Kyd's Spanish Tragedy. This new development in textual studies has far-reaching consequences for established theatre-historical narratives. Accounting for Shakespeare's involvement in The Spanish Tragedy requires us to rethink the history of two major theatre companies, the Admiral's and the Chamberlain's Men, and to reread much of the documentary record of late Elizabethan theatre. Modelling what a theatre-historical response to new attributionist arguments might look like, the author offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories (including a reconsideration of the 'Ur-Hamlet' and the two Shrew plays), and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor." (Verlagsinformation) |
| Physical Description: | 1 Online-Ressource (90 Seiten) |
| ISBN: | 9781009227391 |
| DOI: | 10.1017/9781009227391 |
Staff View
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048860076 | ||
| 003 | DE-604 | ||
| 005 | 20240517 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230314s2023 |||| o||u| ||||||eng d | ||
| 020 | |a 9781009227391 |c Online |9 978-1-009-22739-1 | ||
| 024 | 7 | |a 10.1017/9781009227391 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781009227391 | ||
| 035 | |a (OCoLC)1390807416 | ||
| 035 | |a (DE-599)BVBBV048860076 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-473 |a DE-12 | ||
| 084 | |a HH 5091 |0 (DE-625)49602: |2 rvk | ||
| 084 | |a HI 3560 |0 (DE-625)50040: |2 rvk | ||
| 100 | 1 | |a Syme, Holger Schott |d 1973- |e Verfasser |0 (DE-588)1024495620 |4 aut | |
| 245 | 1 | 0 | |a Theatre history, attribution studies, and the question of evidence |c Holger Schott Syme, University of Toronto |
| 264 | 1 | |a Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore |b Cambridge University Press |c 2023 | |
| 300 | |a 1 Online-Ressource (90 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge elements - Shakespeare and text | |
| 490 | 0 | |a Elements in Shakespeare and text | |
| 520 | 3 | |a "Over the past decade, attribution scholars have come to a consensus that Shakespeare wrote some of the additions printed in the 1602 quarto of Kyd's Spanish Tragedy. This new development in textual studies has far-reaching consequences for established theatre-historical narratives. Accounting for Shakespeare's involvement in The Spanish Tragedy requires us to rethink the history of two major theatre companies, the Admiral's and the Chamberlain's Men, and to reread much of the documentary record of late Elizabethan theatre. Modelling what a theatre-historical response to new attributionist arguments might look like, the author offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories (including a reconsideration of the 'Ur-Hamlet' and the two Shrew plays), and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor." (Verlagsinformation) | |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Textproduktion |0 (DE-588)4184945-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literaturproduktion |0 (DE-588)4167882-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theatertruppe |0 (DE-588)4126993-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
| 689 | 0 | 1 | |a Literaturproduktion |0 (DE-588)4167882-5 |D s |
| 689 | 0 | 2 | |a Textproduktion |0 (DE-588)4184945-0 |D s |
| 689 | 0 | 3 | |a Theatertruppe |0 (DE-588)4126993-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-22741-4 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781009227391 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 966 | e | |u https://doi.org/10.1017/9781009227391 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781009227391 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO_Kauf23 |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1805072009157148672 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Syme, Holger Schott 1973- |
| author_GND | (DE-588)1024495620 |
| author_facet | Syme, Holger Schott 1973- |
| author_role | aut |
| author_sort | Syme, Holger Schott 1973- |
| author_variant | h s s hs hss |
| building | Verbundindex |
| bvnumber | BV048860076 |
| classification_rvk | HH 5091 HI 3560 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781009227391 (OCoLC)1390807416 (DE-599)BVBBV048860076 |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781009227391 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 c 4500</leader><controlfield tag="001">BV048860076</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240517</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230314s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009227391</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-009-22739-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009227391</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009227391</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1390807416</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048860076</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HH 5091</subfield><subfield code="0">(DE-625)49602:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3560</subfield><subfield code="0">(DE-625)50040:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Syme, Holger Schott</subfield><subfield code="d">1973-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1024495620</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theatre history, attribution studies, and the question of evidence</subfield><subfield code="c">Holger Schott Syme, University of Toronto</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (90 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge elements - Shakespeare and text</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Elements in Shakespeare and text</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Over the past decade, attribution scholars have come to a consensus that Shakespeare wrote some of the additions printed in the 1602 quarto of Kyd's Spanish Tragedy. This new development in textual studies has far-reaching consequences for established theatre-historical narratives. Accounting for Shakespeare's involvement in The Spanish Tragedy requires us to rethink the history of two major theatre companies, the Admiral's and the Chamberlain's Men, and to reread much of the documentary record of late Elizabethan theatre. Modelling what a theatre-historical response to new attributionist arguments might look like, the author offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories (including a reconsideration of the 'Ur-Hamlet' and the two Shrew plays), and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor." (Verlagsinformation)</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Textproduktion</subfield><subfield code="0">(DE-588)4184945-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literaturproduktion</subfield><subfield code="0">(DE-588)4167882-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theatertruppe</subfield><subfield code="0">(DE-588)4126993-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literaturproduktion</subfield><subfield code="0">(DE-588)4167882-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Textproduktion</subfield><subfield code="0">(DE-588)4184945-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Theatertruppe</subfield><subfield code="0">(DE-588)4126993-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-22741-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009227391</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009227391</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009227391</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048860076 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:41:55Z |
| indexdate | 2024-07-20T04:46:54Z |
| institution | BVB |
| isbn | 9781009227391 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034125207 |
| oclc_num | 1390807416 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-12 |
| owner_facet | DE-473 DE-BY-UBG DE-12 |
| physical | 1 Online-Ressource (90 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO_Kauf23 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge elements - Shakespeare and text Elements in Shakespeare and text |
| spelling | Syme, Holger Schott 1973- Verfasser (DE-588)1024495620 aut Theatre history, attribution studies, and the question of evidence Holger Schott Syme, University of Toronto Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore Cambridge University Press 2023 1 Online-Ressource (90 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements - Shakespeare and text Elements in Shakespeare and text "Over the past decade, attribution scholars have come to a consensus that Shakespeare wrote some of the additions printed in the 1602 quarto of Kyd's Spanish Tragedy. This new development in textual studies has far-reaching consequences for established theatre-historical narratives. Accounting for Shakespeare's involvement in The Spanish Tragedy requires us to rethink the history of two major theatre companies, the Admiral's and the Chamberlain's Men, and to reread much of the documentary record of late Elizabethan theatre. Modelling what a theatre-historical response to new attributionist arguments might look like, the author offers an in-depth reinterpretation of Philip Henslowe's records of new plays, develops a novel account of how theatre companies copied and adapted plays in one another's repertories (including a reconsideration of the 'Ur-Hamlet' and the two Shrew plays), and reconstructs an early modern cluster of Hieronimo plays that also allows us to reimagine Ben Jonson's career as an actor." (Verlagsinformation) Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Textproduktion (DE-588)4184945-0 gnd rswk-swf Literaturproduktion (DE-588)4167882-5 gnd rswk-swf Theatertruppe (DE-588)4126993-7 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Literaturproduktion (DE-588)4167882-5 s Textproduktion (DE-588)4184945-0 s Theatertruppe (DE-588)4126993-7 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-009-22741-4 https://doi.org/10.1017/9781009227391 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Syme, Holger Schott 1973- Theatre history, attribution studies, and the question of evidence Shakespeare, William 1564-1616 (DE-588)118613723 gnd Textproduktion (DE-588)4184945-0 gnd Literaturproduktion (DE-588)4167882-5 gnd Theatertruppe (DE-588)4126993-7 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4184945-0 (DE-588)4167882-5 (DE-588)4126993-7 |
| title | Theatre history, attribution studies, and the question of evidence |
| title_auth | Theatre history, attribution studies, and the question of evidence |
| title_exact_search | Theatre history, attribution studies, and the question of evidence |
| title_exact_search_txtP | Theatre history, attribution studies, and the question of evidence |
| title_full | Theatre history, attribution studies, and the question of evidence Holger Schott Syme, University of Toronto |
| title_fullStr | Theatre history, attribution studies, and the question of evidence Holger Schott Syme, University of Toronto |
| title_full_unstemmed | Theatre history, attribution studies, and the question of evidence Holger Schott Syme, University of Toronto |
| title_short | Theatre history, attribution studies, and the question of evidence |
| title_sort | theatre history attribution studies and the question of evidence |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Textproduktion (DE-588)4184945-0 gnd Literaturproduktion (DE-588)4167882-5 gnd Theatertruppe (DE-588)4126993-7 gnd |
| topic_facet | Shakespeare, William 1564-1616 Textproduktion Literaturproduktion Theatertruppe |
| url | https://doi.org/10.1017/9781009227391 |
| work_keys_str_mv | AT symeholgerschott theatrehistoryattributionstudiesandthequestionofevidence |