Tarsila popular:
This book is dedicated to the work of Tarsila do Amaral (Capivari, São Paulo, 1886 - São Paulo, 1973) and accompanies a major exhibition at the São Paulo Museum of Art (MASP) on this fundamental artist of Brazilian modernism. From a family of farmers in the interior of São Paulo, Tarsila studied in...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Portuguese |
| Veröffentlicht: |
São Paulo
MASP, Museu de Arte de São Paulo Assis Chateaubriand
[2019]
|
| Ausgabe: | Edição revista |
| Schlagworte: | |
| Zusammenfassung: | This book is dedicated to the work of Tarsila do Amaral (Capivari, São Paulo, 1886 - São Paulo, 1973) and accompanies a major exhibition at the São Paulo Museum of Art (MASP) on this fundamental artist of Brazilian modernism. From a family of farmers in the interior of São Paulo, Tarsila studied in Paris in the 1920s, where she learned with André Lhote (1885-1962) and Fernand Léger (1881-1955) to then devour modern European styles, such as Cubism, and digest them in an anthropophagic way, producing something of their own, singular and hybrid. Much of the criticism of the artist made to date in Brazil has focused on her French affiliations and genealogies, marginalizing popular themes, characters and narratives. However, popular elements and colors run through all of Tarsila's work: landscapes from the countryside or the suburbs, from the farm or from the favela, populated by indigenous or black people, characters from legends and myths, animals and plants, real or fantastic, represented with their country colors: "pure blue, violet pink, bright yellow, singing green", in the words of the artist. This is the most extensive exhibition catalog on Tarsila do Amaral, bringing together 113 of her works, as well as photographs and documents. Organized by the show's curators, Adriano Pedrosa and Fernando Oliva, it includes unpublished texts by Adriano Pedrosa, Amanda Carneiro, Fernando Oliva, Irene V. Small, Mari Rodríguez Binnie, Maria Bernardete Ramos Flores, Maria Castro, Michele Greet, Michele Bete Petry and Renata Bittencourt, in addition to historical texts by Paulo Herkenhoff and Sergio Miceli, and comments on works by Artur Santoro, Carlos Eduardo Riccioppo, Guilherme Giufrida and Matheus de Andrade. |
| Beschreibung: | 352 Seiten 29 cm |
| ISBN: | 9788531000713 8531000718 |
Internformat
MARC
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|---|---|---|---|
| 001 | BV048859894 | ||
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| 008 | 230314s2019 |||| 00||| por d | ||
| 020 | |a 9788531000713 |9 978-85-310-0071-3 | ||
| 020 | |a 8531000718 |9 85-310-0071-8 | ||
| 035 | |a (OCoLC)1373393589 | ||
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| 245 | 1 | 0 | |a Tarsila popular |c organização editorial e curadoria: Adriano Pedrosa, Fernando Oliva ; textos: Adriano Pedrosa, Amanda Carneiro, Artur Santoro, Carlos Eduardo Riccioppo, Fernando Oliva, Guilherme Giufrida, Irene V. Small, Mari Rodríguez Binnie, Maria Castro, Matheus de Andrade, Michele Bete Petry e Maria Bernardete Ramos Flores, Michele Greet, Paulo Herkenhoff, Renata Bittencourt, Sergio Miceli, Tarsila do Amaral |
| 250 | |a Edição revista | ||
| 264 | 1 | |a São Paulo |b MASP, Museu de Arte de São Paulo Assis Chateaubriand |c [2019] | |
| 300 | |a 352 Seiten |c 29 cm | ||
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| 336 | |b txt |2 rdacontent | ||
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| 520 | 3 | |a This book is dedicated to the work of Tarsila do Amaral (Capivari, São Paulo, 1886 - São Paulo, 1973) and accompanies a major exhibition at the São Paulo Museum of Art (MASP) on this fundamental artist of Brazilian modernism. From a family of farmers in the interior of São Paulo, Tarsila studied in Paris in the 1920s, where she learned with André Lhote (1885-1962) and Fernand Léger (1881-1955) to then devour modern European styles, such as Cubism, and digest them in an anthropophagic way, producing something of their own, singular and hybrid. Much of the criticism of the artist made to date in Brazil has focused on her French affiliations and genealogies, marginalizing popular themes, characters and narratives. However, popular elements and colors run through all of Tarsila's work: landscapes from the countryside or the suburbs, from the farm or from the favela, populated by indigenous or black people, characters from legends and myths, animals and plants, real or fantastic, represented with their country colors: "pure blue, violet pink, bright yellow, singing green", in the words of the artist. This is the most extensive exhibition catalog on Tarsila do Amaral, bringing together 113 of her works, as well as photographs and documents. Organized by the show's curators, Adriano Pedrosa and Fernando Oliva, it includes unpublished texts by Adriano Pedrosa, Amanda Carneiro, Fernando Oliva, Irene V. Small, Mari Rodríguez Binnie, Maria Bernardete Ramos Flores, Maria Castro, Michele Greet, Michele Bete Petry and Renata Bittencourt, in addition to historical texts by Paulo Herkenhoff and Sergio Miceli, and comments on works by Artur Santoro, Carlos Eduardo Riccioppo, Guilherme Giufrida and Matheus de Andrade. | |
| 600 | 1 | 7 | |a Amaral, Tarsila do |d 1886-1973 |0 (DE-588)119484560 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Museu de Arte de São Paulo Assis Chateaubriand |y 05.04.2019-28.07.2019 |z São Paulo |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Amaral, Tarsila do |d 1886-1973 |0 (DE-588)119484560 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Pedrosa, Adriano |d 1965- |0 (DE-588)1060273810 |4 edt |4 wst | |
| 700 | 1 | |a Oliva, Fernando |4 edt |4 wst | |
| 710 | 2 | |a Museu de Arte de São Paulo Assis Chateaubriand |0 (DE-588)1055328-9 |4 his |4 isb | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034125028 | ||
Datensatz im Suchindex
| _version_ | 1804184988092989440 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Pedrosa, Adriano 1965- Oliva, Fernando |
| author2_role | edt edt |
| author2_variant | a p ap f o fo |
| author_GND | (DE-588)1060273810 |
| author_facet | Pedrosa, Adriano 1965- Oliva, Fernando |
| building | Verbundindex |
| bvnumber | BV048859894 |
| ctrlnum | (OCoLC)1373393589 (DE-599)BVBBV048859894 |
| edition | Edição revista |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 05.04.2019-28.07.2019 São Paulo gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 05.04.2019-28.07.2019 São Paulo Bildband |
| id | DE-604.BV048859894 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:41:52Z |
| indexdate | 2024-07-10T09:48:05Z |
| institution | BVB |
| institution_GND | (DE-588)1055328-9 |
| isbn | 9788531000713 8531000718 |
| language | Portuguese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034125028 |
| oclc_num | 1373393589 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 352 Seiten 29 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | MASP, Museu de Arte de São Paulo Assis Chateaubriand |
| record_format | marc |
| spelling | Tarsila popular organização editorial e curadoria: Adriano Pedrosa, Fernando Oliva ; textos: Adriano Pedrosa, Amanda Carneiro, Artur Santoro, Carlos Eduardo Riccioppo, Fernando Oliva, Guilherme Giufrida, Irene V. Small, Mari Rodríguez Binnie, Maria Castro, Matheus de Andrade, Michele Bete Petry e Maria Bernardete Ramos Flores, Michele Greet, Paulo Herkenhoff, Renata Bittencourt, Sergio Miceli, Tarsila do Amaral Edição revista São Paulo MASP, Museu de Arte de São Paulo Assis Chateaubriand [2019] 352 Seiten 29 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier This book is dedicated to the work of Tarsila do Amaral (Capivari, São Paulo, 1886 - São Paulo, 1973) and accompanies a major exhibition at the São Paulo Museum of Art (MASP) on this fundamental artist of Brazilian modernism. From a family of farmers in the interior of São Paulo, Tarsila studied in Paris in the 1920s, where she learned with André Lhote (1885-1962) and Fernand Léger (1881-1955) to then devour modern European styles, such as Cubism, and digest them in an anthropophagic way, producing something of their own, singular and hybrid. Much of the criticism of the artist made to date in Brazil has focused on her French affiliations and genealogies, marginalizing popular themes, characters and narratives. However, popular elements and colors run through all of Tarsila's work: landscapes from the countryside or the suburbs, from the farm or from the favela, populated by indigenous or black people, characters from legends and myths, animals and plants, real or fantastic, represented with their country colors: "pure blue, violet pink, bright yellow, singing green", in the words of the artist. This is the most extensive exhibition catalog on Tarsila do Amaral, bringing together 113 of her works, as well as photographs and documents. Organized by the show's curators, Adriano Pedrosa and Fernando Oliva, it includes unpublished texts by Adriano Pedrosa, Amanda Carneiro, Fernando Oliva, Irene V. Small, Mari Rodríguez Binnie, Maria Bernardete Ramos Flores, Maria Castro, Michele Greet, Michele Bete Petry and Renata Bittencourt, in addition to historical texts by Paulo Herkenhoff and Sergio Miceli, and comments on works by Artur Santoro, Carlos Eduardo Riccioppo, Guilherme Giufrida and Matheus de Andrade. Amaral, Tarsila do 1886-1973 (DE-588)119484560 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 05.04.2019-28.07.2019 São Paulo gnd-content (DE-588)4145395-5 Bildband gnd-content Amaral, Tarsila do 1886-1973 (DE-588)119484560 p DE-604 Pedrosa, Adriano 1965- (DE-588)1060273810 edt wst Oliva, Fernando edt wst Museu de Arte de São Paulo Assis Chateaubriand (DE-588)1055328-9 his isb |
| spellingShingle | Tarsila popular Amaral, Tarsila do 1886-1973 (DE-588)119484560 gnd |
| subject_GND | (DE-588)119484560 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Tarsila popular |
| title_auth | Tarsila popular |
| title_exact_search | Tarsila popular |
| title_exact_search_txtP | Tarsila popular |
| title_full | Tarsila popular organização editorial e curadoria: Adriano Pedrosa, Fernando Oliva ; textos: Adriano Pedrosa, Amanda Carneiro, Artur Santoro, Carlos Eduardo Riccioppo, Fernando Oliva, Guilherme Giufrida, Irene V. Small, Mari Rodríguez Binnie, Maria Castro, Matheus de Andrade, Michele Bete Petry e Maria Bernardete Ramos Flores, Michele Greet, Paulo Herkenhoff, Renata Bittencourt, Sergio Miceli, Tarsila do Amaral |
| title_fullStr | Tarsila popular organização editorial e curadoria: Adriano Pedrosa, Fernando Oliva ; textos: Adriano Pedrosa, Amanda Carneiro, Artur Santoro, Carlos Eduardo Riccioppo, Fernando Oliva, Guilherme Giufrida, Irene V. Small, Mari Rodríguez Binnie, Maria Castro, Matheus de Andrade, Michele Bete Petry e Maria Bernardete Ramos Flores, Michele Greet, Paulo Herkenhoff, Renata Bittencourt, Sergio Miceli, Tarsila do Amaral |
| title_full_unstemmed | Tarsila popular organização editorial e curadoria: Adriano Pedrosa, Fernando Oliva ; textos: Adriano Pedrosa, Amanda Carneiro, Artur Santoro, Carlos Eduardo Riccioppo, Fernando Oliva, Guilherme Giufrida, Irene V. Small, Mari Rodríguez Binnie, Maria Castro, Matheus de Andrade, Michele Bete Petry e Maria Bernardete Ramos Flores, Michele Greet, Paulo Herkenhoff, Renata Bittencourt, Sergio Miceli, Tarsila do Amaral |
| title_short | Tarsila popular |
| title_sort | tarsila popular |
| topic | Amaral, Tarsila do 1886-1973 (DE-588)119484560 gnd |
| topic_facet | Amaral, Tarsila do 1886-1973 Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 05.04.2019-28.07.2019 São Paulo Bildband |
| work_keys_str_mv | AT pedrosaadriano tarsilapopular AT olivafernando tarsilapopular AT museudeartedesaopauloassischateaubriand tarsilapopular |