José Sabogal Diéguez:

This is the largest and most detailed analyses the work and life of Sabogal. He and his disciples, were guided by the conviction that true Peruvian art was that of popular and mestizo roots, which had come with verve to the present day after crossing the pre-Hispanic and colonial periods, and that i...

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Bibliographic Details
Other Authors: Salazar Mena, Santiago 1966- (Editor)
Format: Book
Language:Spanish
Published: Cajabamba, Perú Municipalidad Provincial de Cajabamba febrero del 2022
Edition:Primera edición
Subjects:
Online Access:Inhaltsverzeichnis
Summary:This is the largest and most detailed analyses the work and life of Sabogal. He and his disciples, were guided by the conviction that true Peruvian art was that of popular and mestizo roots, which had come with verve to the present day after crossing the pre-Hispanic and colonial periods, and that it had fed on all those journeys of its many contexts. In mid-July 1919, at Casa Brandes, a shop located in the central street of Espaderos (Lima), an exhibition was held that would change the course of Peruvian art of the 20th century. Its title was "Impresiones de Ccoscco" (Impressions of Ccoscco) and consisted of paintings, posters, drawings and cartoons made by a young artist born in Cajamarca in 1888, and who returned to Lima after having spent a season in Europe and having lived in the cities of Jujuy (Argentina), and in Cusco. With this exhibition, which highlighted portraits of young Creole, mestizo, and indigenous Cusqueño characters and landscapes with pre-Hispanic architecture, José Sabogal inaugurated a new era in the history of Peruvian art. His work would eventually break with the pricey and academic charges of the 19th century Lima, and highlight that deep, indigenous, mestizo and popular country that began to peek into the political and social discourses of the early 20th century.
Physical Description:510 Seiten 34 cm
ISBN:9786124884009
6124884003

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