Transnational Crime Cinema:
Contributes a genealogical approach to debates on critical transnationalismDemonstrates that representations of crime in cinema are part of an ongoing recognition and reordering of relations of power at the levels of individual, collective, and stateOffers new angles on the work of a diverse set of...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | Contributes a genealogical approach to debates on critical transnationalismDemonstrates that representations of crime in cinema are part of an ongoing recognition and reordering of relations of power at the levels of individual, collective, and stateOffers new angles on the work of a diverse set of directors and films connected through an attraction to crime narrativeTracks the changing scope and influence of transnational crime through studies of changing patterns of production moving through film, video and digital streaming that reveal cinema's place within larger transnational structural and economic changeContains original research on social, political, and economic aspects of popular film that connects to topics in cultural studies, area studies (especially Latin America, the Balkans, South and East Asia, and the Middle East), and new media studiesOffers a theory of filmic transnationalism in which cinema has coevolved with a neoliberal order of government actors and criminal organizations, as well as oligarchic and corporate regimesFramed by approaches in critical transnationalism, this volume examines crime as a cinematic mode moving within, between, and across national cinemas to provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre.Filmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power. Transnational Crime Cinema studies the production and reception of films from Europe, Africa, East and South Asia, and South America present crime as a discursive site where the terms of the nation and cinema gain new definition.Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema's own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) |
| Beschreibung: | 1 Online-Ressource (268 Seiten) Illustrationen |
| ISBN: | 9781399505697 |
| DOI: | 10.1515/9781399505697 |
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| 520 | |a Contributes a genealogical approach to debates on critical transnationalismDemonstrates that representations of crime in cinema are part of an ongoing recognition and reordering of relations of power at the levels of individual, collective, and stateOffers new angles on the work of a diverse set of directors and films connected through an attraction to crime narrativeTracks the changing scope and influence of transnational crime through studies of changing patterns of production moving through film, video and digital streaming that reveal cinema's place within larger transnational structural and economic changeContains original research on social, political, and economic aspects of popular film that connects to topics in cultural studies, area studies (especially Latin America, the Balkans, South and East Asia, and the Middle East), | ||
| 520 | |a and new media studiesOffers a theory of filmic transnationalism in which cinema has coevolved with a neoliberal order of government actors and criminal organizations, as well as oligarchic and corporate regimesFramed by approaches in critical transnationalism, this volume examines crime as a cinematic mode moving within, between, and across national cinemas to provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre.Filmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power. | ||
| 520 | |a Transnational Crime Cinema studies the production and reception of films from Europe, Africa, East and South Asia, and South America present crime as a discursive site where the terms of the nation and cinema gain new definition.Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema's own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures | ||
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| 700 | 1 | |a Sedzielarz, Aleksander |4 edt | |
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| spelling | Transnational Crime Cinema ed. by Sarah Delahousse Edinburgh Edinburgh University Press [2023] © 2023 1 Online-Ressource (268 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Contributes a genealogical approach to debates on critical transnationalismDemonstrates that representations of crime in cinema are part of an ongoing recognition and reordering of relations of power at the levels of individual, collective, and stateOffers new angles on the work of a diverse set of directors and films connected through an attraction to crime narrativeTracks the changing scope and influence of transnational crime through studies of changing patterns of production moving through film, video and digital streaming that reveal cinema's place within larger transnational structural and economic changeContains original research on social, political, and economic aspects of popular film that connects to topics in cultural studies, area studies (especially Latin America, the Balkans, South and East Asia, and the Middle East), and new media studiesOffers a theory of filmic transnationalism in which cinema has coevolved with a neoliberal order of government actors and criminal organizations, as well as oligarchic and corporate regimesFramed by approaches in critical transnationalism, this volume examines crime as a cinematic mode moving within, between, and across national cinemas to provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre.Filmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power. Transnational Crime Cinema studies the production and reception of films from Europe, Africa, East and South Asia, and South America present crime as a discursive site where the terms of the nation and cinema gain new definition.Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema's own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Guides & Reviews bisacsh Crime in motion pictures Motion pictures and transnationalism Delahousse, Sarah edt Sedzielarz, Aleksander edt https://www.cambridge.org/core/product/identifier/9781399505697/type/BOOK Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781399505697 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Transnational Crime Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Guides & Reviews bisacsh Crime in motion pictures Motion pictures and transnationalism |
| title | Transnational Crime Cinema |
| title_auth | Transnational Crime Cinema |
| title_exact_search | Transnational Crime Cinema |
| title_exact_search_txtP | Transnational Crime Cinema |
| title_full | Transnational Crime Cinema ed. by Sarah Delahousse |
| title_fullStr | Transnational Crime Cinema ed. by Sarah Delahousse |
| title_full_unstemmed | Transnational Crime Cinema ed. by Sarah Delahousse |
| title_short | Transnational Crime Cinema |
| title_sort | transnational crime cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Guides & Reviews bisacsh Crime in motion pictures Motion pictures and transnationalism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Guides & Reviews Crime in motion pictures Motion pictures and transnationalism |
| url | https://www.cambridge.org/core/product/identifier/9781399505697/type/BOOK https://doi.org/10.1515/9781399505697 |
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