Writing differently:
Despite a substantial body of work arguing for a new form of writing about management, organisations, workers, ourselves, and our lives, these calls are ironically made within the traditional scientific language. This volume of Dialogues in Critical Management Studies makes an important effort to fa...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bingley, U.K.
Emerald Publishing Limited
2020
|
| Schriftenreihe: | Dialogues in critical management studies
4 |
| Schlagworte: | |
| Online-Zugang: | DE-634 DE-1043 DE-M347 DE-523 DE-91 DE-473 DE-19 DE-355 DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 DE-1046 URL des Erstveröffentlichers |
| Zusammenfassung: | Despite a substantial body of work arguing for a new form of writing about management, organisations, workers, ourselves, and our lives, these calls are ironically made within the traditional scientific language. This volume of Dialogues in Critical Management Studies makes an important effort to facilitate the growth of a nascent movement to write differently and thus capitalise on the fruitful and creative margins which this opens up. Writing Differently is a critical, insightful, poetic and timely collection of essays, poems, plays and auto-ethnographic pieces that showcases the potential of academic writing. These texts reflect how writing is not always something we control or have agency over, demonstrate the multiple ways of expressions that are possible when we write about that which matters and exhibit the rich and varied forms of writing that emerge in the processes of being involved in scholarly work. The volume will be of interest to those interested in alternative ways of working, researching, thinking, organizing, writing research and research lives |
| Beschreibung: | Includes index |
| Beschreibung: | 1 Online-Ressource (248 Seiten) cm |
| ISBN: | 9781838673390 |
| DOI: | 10.1108/s2046-6072202004 |
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| 505 | 8 | |a Chapter 1. Introducing Alison Pullen, Jenny Helin, Nancy Harding -- Chapter 2. Feminist writing in a gendered transnational world: women on the move? / Banu Ozkazanc-Pan -- Chapter 3. On the fringe/at the fringe: fleshing out research / Caroline Clarke, Sandra Corlett, Charlotte, Gilmore -- Chapter 4. Tractor dad: from story to a scientific text, and back / Cecilia Bjursell -- Chapter 5. Annotation / Deborah N. Brewis, Sarah Taylor Silverwood -- Chapter 6. Breaking with the masculine reckoning: an open letter to the Critical Management Studies Academy / Katie Beavan -- Chapter 7. When fiction meets theory: writing with voice, resonance, and an open end / Maria Grafström, Anna Jonsson -- Chapter 8. Writing past and present classed and gendered selves / Marjana Johansson, Sally Jones -- Chapter 9. From ethnography to critical management studies: facing the street performers' dilemmas / Marta Połeć -- Chapter 10. The political poetics of Mycelium / Mycelium -- Chapter 11. On silence and speaking out about sexual violence. An exploration through poetry / Noortje van Amsterdam -- Chapter 12. (Re)imagining the activist academy / Ozan Alakavukar -- Chapter 13. Researching through experiencing aesthetic moments: 'sensory slowness' as my methodological strength / Suvi Satama | |
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| contents | Chapter 1. Introducing Alison Pullen, Jenny Helin, Nancy Harding -- Chapter 2. Feminist writing in a gendered transnational world: women on the move? / Banu Ozkazanc-Pan -- Chapter 3. On the fringe/at the fringe: fleshing out research / Caroline Clarke, Sandra Corlett, Charlotte, Gilmore -- Chapter 4. Tractor dad: from story to a scientific text, and back / Cecilia Bjursell -- Chapter 5. Annotation / Deborah N. Brewis, Sarah Taylor Silverwood -- Chapter 6. Breaking with the masculine reckoning: an open letter to the Critical Management Studies Academy / Katie Beavan -- Chapter 7. When fiction meets theory: writing with voice, resonance, and an open end / Maria Grafström, Anna Jonsson -- Chapter 8. Writing past and present classed and gendered selves / Marjana Johansson, Sally Jones -- Chapter 9. From ethnography to critical management studies: facing the street performers' dilemmas / Marta Połeć -- Chapter 10. The political poetics of Mycelium / Mycelium -- Chapter 11. On silence and speaking out about sexual violence. An exploration through poetry / Noortje van Amsterdam -- Chapter 12. (Re)imagining the activist academy / Ozan Alakavukar -- Chapter 13. Researching through experiencing aesthetic moments: 'sensory slowness' as my methodological strength / Suvi Satama |
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| series2 | Dialogues in critical management studies |
| spelling | Writing differently Alison Pullen (Macquarie University, Australia), Jenny Helin (Uppsala University, Sweden), Nancy Harding (University of Bath, UK) Bingley, U.K. Emerald Publishing Limited 2020 ©2020 1 Online-Ressource (248 Seiten) cm txt rdacontent c rdamedia cr rdacarrier Dialogues in critical management studies 4 Includes index Chapter 1. Introducing Alison Pullen, Jenny Helin, Nancy Harding -- Chapter 2. Feminist writing in a gendered transnational world: women on the move? / Banu Ozkazanc-Pan -- Chapter 3. On the fringe/at the fringe: fleshing out research / Caroline Clarke, Sandra Corlett, Charlotte, Gilmore -- Chapter 4. Tractor dad: from story to a scientific text, and back / Cecilia Bjursell -- Chapter 5. Annotation / Deborah N. Brewis, Sarah Taylor Silverwood -- Chapter 6. Breaking with the masculine reckoning: an open letter to the Critical Management Studies Academy / Katie Beavan -- Chapter 7. When fiction meets theory: writing with voice, resonance, and an open end / Maria Grafström, Anna Jonsson -- Chapter 8. Writing past and present classed and gendered selves / Marjana Johansson, Sally Jones -- Chapter 9. From ethnography to critical management studies: facing the street performers' dilemmas / Marta Połeć -- Chapter 10. The political poetics of Mycelium / Mycelium -- Chapter 11. On silence and speaking out about sexual violence. An exploration through poetry / Noortje van Amsterdam -- Chapter 12. (Re)imagining the activist academy / Ozan Alakavukar -- Chapter 13. Researching through experiencing aesthetic moments: 'sensory slowness' as my methodological strength / Suvi Satama Despite a substantial body of work arguing for a new form of writing about management, organisations, workers, ourselves, and our lives, these calls are ironically made within the traditional scientific language. This volume of Dialogues in Critical Management Studies makes an important effort to facilitate the growth of a nascent movement to write differently and thus capitalise on the fruitful and creative margins which this opens up. Writing Differently is a critical, insightful, poetic and timely collection of essays, poems, plays and auto-ethnographic pieces that showcases the potential of academic writing. These texts reflect how writing is not always something we control or have agency over, demonstrate the multiple ways of expressions that are possible when we write about that which matters and exhibit the rich and varied forms of writing that emerge in the processes of being involved in scholarly work. The volume will be of interest to those interested in alternative ways of working, researching, thinking, organizing, writing research and research lives Language Arts & Disciplines, Writing, Academic & Scholarly Technical writing Academic writing Harding, Nancy edt Helin, Jenny edt Pullen, Alison edt Erscheint auch als Druckausgabe 9781838673383 https://doi.org/10.1108/s2046-6072202004 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Writing differently Chapter 1. Introducing Alison Pullen, Jenny Helin, Nancy Harding -- Chapter 2. Feminist writing in a gendered transnational world: women on the move? / Banu Ozkazanc-Pan -- Chapter 3. On the fringe/at the fringe: fleshing out research / Caroline Clarke, Sandra Corlett, Charlotte, Gilmore -- Chapter 4. Tractor dad: from story to a scientific text, and back / Cecilia Bjursell -- Chapter 5. Annotation / Deborah N. Brewis, Sarah Taylor Silverwood -- Chapter 6. Breaking with the masculine reckoning: an open letter to the Critical Management Studies Academy / Katie Beavan -- Chapter 7. When fiction meets theory: writing with voice, resonance, and an open end / Maria Grafström, Anna Jonsson -- Chapter 8. Writing past and present classed and gendered selves / Marjana Johansson, Sally Jones -- Chapter 9. From ethnography to critical management studies: facing the street performers' dilemmas / Marta Połeć -- Chapter 10. The political poetics of Mycelium / Mycelium -- Chapter 11. On silence and speaking out about sexual violence. An exploration through poetry / Noortje van Amsterdam -- Chapter 12. (Re)imagining the activist academy / Ozan Alakavukar -- Chapter 13. Researching through experiencing aesthetic moments: 'sensory slowness' as my methodological strength / Suvi Satama Language Arts & Disciplines, Writing, Academic & Scholarly Technical writing Academic writing |
| title | Writing differently |
| title_auth | Writing differently |
| title_exact_search | Writing differently |
| title_exact_search_txtP | Writing differently |
| title_full | Writing differently Alison Pullen (Macquarie University, Australia), Jenny Helin (Uppsala University, Sweden), Nancy Harding (University of Bath, UK) |
| title_fullStr | Writing differently Alison Pullen (Macquarie University, Australia), Jenny Helin (Uppsala University, Sweden), Nancy Harding (University of Bath, UK) |
| title_full_unstemmed | Writing differently Alison Pullen (Macquarie University, Australia), Jenny Helin (Uppsala University, Sweden), Nancy Harding (University of Bath, UK) |
| title_short | Writing differently |
| title_sort | writing differently |
| topic | Language Arts & Disciplines, Writing, Academic & Scholarly Technical writing Academic writing |
| topic_facet | Language Arts & Disciplines, Writing, Academic & Scholarly Technical writing Academic writing |
| url | https://doi.org/10.1108/s2046-6072202004 |
| work_keys_str_mv | AT hardingnancy writingdifferently AT helinjenny writingdifferently AT pullenalison writingdifferently |