Music, politics and society in ancient Rome:
"Music was everywhere in ancient Rome. Wherever one went in the sprawling city, the sound of singing and piping, drumming and strumming was never far out of earshot. This book examines the role of music in Roman politics and society, focusing on the period from the Roman conquest of Greece in t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Music was everywhere in ancient Rome. Wherever one went in the sprawling city, the sound of singing and piping, drumming and strumming was never far out of earshot. This book examines the role of music in Roman politics and society, focusing on the period from the Roman conquest of Greece in the second century BCE to the end of the reign of Nero in 68 CE. Drawing on a wide range of literary texts, inscriptions and material artefacts, Harry Morgan uncovers the tensions between elite and popular attitudes towards music and shows how music was exploited as a tool by political leaders and emperors. Far from being a marginal aspect of daily life, music was fundamental to Roman political culture and social relations, shaping debates about class, gender and ethnicity. The book will be of interest to students and scholars of ancient music and Roman history"-- |
| Beschreibung: | xiii, 284 Seiten Illustrationen 25,1 cm |
| ISBN: | 9781009232333 9781009232319 |
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| 505 | 8 | |a Introduction -- The games of L. Anicius Gallus and the cultural politics of music in the second century BCE -- Popular music and popular politics in the late Republic -- Augustus, Apollo's lyre and the harmony of the principate -- Nero and the age of musomania -- Epilogue | |
| 520 | 3 | |a "Music was everywhere in ancient Rome. Wherever one went in the sprawling city, the sound of singing and piping, drumming and strumming was never far out of earshot. This book examines the role of music in Roman politics and society, focusing on the period from the Roman conquest of Greece in the second century BCE to the end of the reign of Nero in 68 CE. Drawing on a wide range of literary texts, inscriptions and material artefacts, Harry Morgan uncovers the tensions between elite and popular attitudes towards music and shows how music was exploited as a tool by political leaders and emperors. Far from being a marginal aspect of daily life, music was fundamental to Roman political culture and social relations, shaping debates about class, gender and ethnicity. The book will be of interest to students and scholars of ancient music and Roman history"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures [page vii] Acknowledgements [x] List of Abbreviations [xii] Introduction [1] Approaching Roman Music [3] Sources of Evidence [6] Terminology [11] Greek and Etruscan Influences on Roman Music Sound, Space and Social Control [26] Sensing Music, Embodying Music [30] The Status of Musicians [34] Chapter Outline [39] [18] I The Games of L. Anicius Gallus and the Cultural Politics of Music in the Second Century BCE [42] Triumphal Politics and Spectacle Culture in Mid-Republican Rome [49] Battle of the Bands: Anicius’ Martial Soundtrack [55] Music and Morality in Polybius’ Histories [62] Scipio, Cato and the Roman Opposition to Greek Music [72] Banning the Ludus Tedarius: A Case of Roman Musical Censorship? [77] Conclusion [81] 2 Popular Music and Popular Politics in the Late Republic Cicero on the Music of the Roman Theatre [86] The Musical Experience of Pompey’s Theatre [98] The Role of Music in Late-Republican Oratory and Rhetorical Invective [104] Gaius Gracchus and the Fistula [110] Publius Clodius: Harpist, Chorus-Leader, Entertainer Extraordinaire Nee Tam Musicus: Piso, Philodemus and the Epicureans [122] The Onos Lyras: Varro’s Satire on Music [129] Conclusion [139] 3 Augustus, Apollo’s Lyre and the Harmony of the Principate [142] Apollo Citharoedus on the Palatine [144] Apollo Citharoedus and the Commemoration of Actium [153] [83] [115]
Contents Antony, Cleopatra and the Triumph over Dionysian Music Tuning the World [173] Sound, Ritual and the Citharodic Experience [178] A‘Golden Age’of Music? [184] Conclusion [189] 4 Nero and the Age of Musomania [160] [191] ‘O Apollo, О Augustus’: Making Sense of a Musical Emperor [198] The Master’s Songbook: Neroniana Cantica and Popular Music at Rome [206] Water-Organs, Bagpipes and the Lure of the Arena [215] Musomania in a Young Man’s World [224] Conclusion [238] Epilogue [239] Bibliography [249] Index [279]
|
| adam_txt |
Contents List of Figures [page vii] Acknowledgements [x] List of Abbreviations [xii] Introduction [1] Approaching Roman Music [3] Sources of Evidence [6] Terminology [11] Greek and Etruscan Influences on Roman Music Sound, Space and Social Control [26] Sensing Music, Embodying Music [30] The Status of Musicians [34] Chapter Outline [39] [18] I The Games of L. Anicius Gallus and the Cultural Politics of Music in the Second Century BCE [42] Triumphal Politics and Spectacle Culture in Mid-Republican Rome [49] Battle of the Bands: Anicius’ Martial Soundtrack [55] Music and Morality in Polybius’ Histories [62] Scipio, Cato and the Roman Opposition to Greek Music [72] Banning the Ludus Tedarius: A Case of Roman Musical Censorship? [77] Conclusion [81] 2 Popular Music and Popular Politics in the Late Republic Cicero on the Music of the Roman Theatre [86] The Musical Experience of Pompey’s Theatre [98] The Role of Music in Late-Republican Oratory and Rhetorical Invective [104] Gaius Gracchus and the Fistula [110] Publius Clodius: Harpist, Chorus-Leader, Entertainer Extraordinaire Nee Tam Musicus: Piso, Philodemus and the Epicureans [122] The Onos Lyras: Varro’s Satire on Music [129] Conclusion [139] 3 Augustus, Apollo’s Lyre and the Harmony of the Principate [142] Apollo Citharoedus on the Palatine [144] Apollo Citharoedus and the Commemoration of Actium [153] [83] [115]
Contents Antony, Cleopatra and the Triumph over Dionysian Music Tuning the World [173] Sound, Ritual and the Citharodic Experience [178] A‘Golden Age’of Music? [184] Conclusion [189] 4 Nero and the Age of Musomania [160] [191] ‘O Apollo, О Augustus’: Making Sense of a Musical Emperor [198] The Master’s Songbook: Neroniana Cantica and Popular Music at Rome [206] Water-Organs, Bagpipes and the Lure of the Arena [215] Musomania in a Young Man’s World [224] Conclusion [238] Epilogue [239] Bibliography [249] Index [279] |
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| contents | Introduction -- The games of L. Anicius Gallus and the cultural politics of music in the second century BCE -- Popular music and popular politics in the late Republic -- Augustus, Apollo's lyre and the harmony of the principate -- Nero and the age of musomania -- Epilogue |
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| spelling | Morgan, Harry 1992- Verfasser (DE-588)1279104708 aut Music, politics and society in ancient Rome Harry Morgan Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 xiii, 284 Seiten Illustrationen 25,1 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Introduction -- The games of L. Anicius Gallus and the cultural politics of music in the second century BCE -- Popular music and popular politics in the late Republic -- Augustus, Apollo's lyre and the harmony of the principate -- Nero and the age of musomania -- Epilogue "Music was everywhere in ancient Rome. Wherever one went in the sprawling city, the sound of singing and piping, drumming and strumming was never far out of earshot. This book examines the role of music in Roman politics and society, focusing on the period from the Roman conquest of Greece in the second century BCE to the end of the reign of Nero in 68 CE. Drawing on a wide range of literary texts, inscriptions and material artefacts, Harry Morgan uncovers the tensions between elite and popular attitudes towards music and shows how music was exploited as a tool by political leaders and emperors. Far from being a marginal aspect of daily life, music was fundamental to Roman political culture and social relations, shaping debates about class, gender and ethnicity. The book will be of interest to students and scholars of ancient music and Roman history"-- Geschichte 200 v. Chr.-100 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Römisches Reich (DE-588)4076778-4 gnd rswk-swf Music, Greek and Roman / History and criticism Music / Political aspects / Rome / History Music / Social aspects / Rome / History Rome (Italy) / History / To 476 Rome / Social life and customs Music, Greek and Roman Music / Political aspects Music / Social aspects Rome (Empire) To 476 Criticism, interpretation, etc History (DE-588)4113937-9 Hochschulschrift gnd-content Musik, römisch (DE-2581)TH000006174 gbd Römische Kulturgeschichte, allgemein (DE-2581)TH000005831 gbd Römische Sozialgeschichte (DE-2581)TH000006934 gbd Römisches Reich (DE-588)4076778-4 g Musikleben (DE-588)4075128-4 s Geschichte 200 v. Chr.-100 z DE-604 Erscheint auch als Online-Ausgabe 978-1-00-923232-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034103947&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_full_unstemmed | Music, politics and society in ancient Rome Harry Morgan |
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