Performing Homer: The voyage of Ulysses from epic to opera
The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London, New York
Routledge, Taylor & Francis Ltd
2020
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Zusammenfassung: | The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources-from Dante, Petrarch, and Ariosto-to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood |
| Beschreibung: | xxiii, 197 Seiten Illustrationen, Notenbeispiele Breite 156 mm, Hoehe 234 mm |
| ISBN: | 9780367727222 9781409445630 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048834727 | ||
| 003 | DE-604 | ||
| 005 | 20230321 | ||
| 007 | t | ||
| 008 | 230227s2020 agl| |||| 00||| eng d | ||
| 020 | |a 9780367727222 |c Kartoniert, Paperback : EUR 49,15 |9 978-0-367-72722-2 | ||
| 020 | |a 9781409445630 |c hbk |9 978-1-4094-4563-0 | ||
| 035 | |a (OCoLC)1373395130 | ||
| 035 | |a (DE-599)BVBBV048834727 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-20 | ||
| 084 | |a FH 20038 |0 (DE-625)30633:11631 |2 rvk | ||
| 245 | 1 | 0 | |a Performing Homer |b The voyage of Ulysses from epic to opera |c Edited by Wendy Heller and Eleonora Stoppino |
| 250 | |a First issued in paperback | ||
| 264 | 1 | |a London, New York |b Routledge, Taylor & Francis Ltd |c 2020 | |
| 300 | |a xxiii, 197 Seiten |b Illustrationen, Notenbeispiele |c Breite 156 mm, Hoehe 234 mm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Ashgate interdisciplinary studies in opera | |
| 520 | |a The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources-from Dante, Petrarch, and Ariosto-to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood | ||
| 600 | 0 | 7 | |a Homerus |d ca. v8. Jh. |t Odyssea |0 (DE-588)4193022-8 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Epik |0 (DE-588)4015025-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Homerus |d ca. v8. Jh. |t Odyssea |0 (DE-588)4193022-8 |D u |
| 689 | 0 | 1 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 0 | 2 | |a Epik |0 (DE-588)4015025-2 |D s |
| 689 | 0 | 3 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 4 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 5 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Heller, Wendy |d 1955- |0 (DE-588)137044399 |4 edt | |
| 700 | 1 | |a Stoppino, Eleonora |0 (DE-588)1011885069 |4 edt | |
| 940 | 1 | |q gbd_1 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034100255 | ||
Datensatz im Suchindex
| _version_ | 1804184939215716352 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Heller, Wendy 1955- Stoppino, Eleonora |
| author2_role | edt edt |
| author2_variant | w h wh e s es |
| author_GND | (DE-588)137044399 (DE-588)1011885069 |
| author_facet | Heller, Wendy 1955- Stoppino, Eleonora |
| building | Verbundindex |
| bvnumber | BV048834727 |
| classification_rvk | FH 20038 |
| ctrlnum | (OCoLC)1373395130 (DE-599)BVBBV048834727 |
| discipline | Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Philologie / Byzantinistik / Neulatein |
| edition | First issued in paperback |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03210nam a2200505 c 4500</leader><controlfield tag="001">BV048834727</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230321 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230227s2020 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367727222</subfield><subfield code="c">Kartoniert, Paperback : EUR 49,15</subfield><subfield code="9">978-0-367-72722-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781409445630</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-4094-4563-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1373395130</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048834727</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">FH 20038</subfield><subfield code="0">(DE-625)30633:11631</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performing Homer</subfield><subfield code="b">The voyage of Ulysses from epic to opera</subfield><subfield code="c">Edited by Wendy Heller and Eleonora Stoppino</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First issued in paperback</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London, New York</subfield><subfield code="b">Routledge, Taylor & Francis Ltd</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxiii, 197 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield><subfield code="c">Breite 156 mm, Hoehe 234 mm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate interdisciplinary studies in opera</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources-from Dante, Petrarch, and Ariosto-to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Homerus</subfield><subfield code="d">ca. v8. Jh.</subfield><subfield code="t">Odyssea</subfield><subfield code="0">(DE-588)4193022-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Epik</subfield><subfield code="0">(DE-588)4015025-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Homerus</subfield><subfield code="d">ca. v8. Jh.</subfield><subfield code="t">Odyssea</subfield><subfield code="0">(DE-588)4193022-8</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Epik</subfield><subfield code="0">(DE-588)4015025-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Heller, Wendy</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)137044399</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stoppino, Eleonora</subfield><subfield code="0">(DE-588)1011885069</subfield><subfield code="4">edt</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034100255</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048834727 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:36:09Z |
| indexdate | 2024-07-10T09:47:18Z |
| institution | BVB |
| isbn | 9780367727222 9781409445630 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034100255 |
| oclc_num | 1373395130 |
| open_access_boolean | |
| owner | DE-20 |
| owner_facet | DE-20 |
| physical | xxiii, 197 Seiten Illustrationen, Notenbeispiele Breite 156 mm, Hoehe 234 mm |
| psigel | gbd_1 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Routledge, Taylor & Francis Ltd |
| record_format | marc |
| series2 | Ashgate interdisciplinary studies in opera |
| spelling | Performing Homer The voyage of Ulysses from epic to opera Edited by Wendy Heller and Eleonora Stoppino First issued in paperback London, New York Routledge, Taylor & Francis Ltd 2020 xxiii, 197 Seiten Illustrationen, Notenbeispiele Breite 156 mm, Hoehe 234 mm txt rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources-from Dante, Petrarch, and Ariosto-to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood Homerus ca. v8. Jh. Odyssea (DE-588)4193022-8 gnd rswk-swf Geschichte gnd rswk-swf Epik (DE-588)4015025-2 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Homerus ca. v8. Jh. Odyssea (DE-588)4193022-8 u Rezeption (DE-588)4049716-1 s Epik (DE-588)4015025-2 s Drama (DE-588)4012899-4 s Oper (DE-588)4043582-9 s Geschichte z DE-604 Heller, Wendy 1955- (DE-588)137044399 edt Stoppino, Eleonora (DE-588)1011885069 edt |
| spellingShingle | Performing Homer The voyage of Ulysses from epic to opera Homerus ca. v8. Jh. Odyssea (DE-588)4193022-8 gnd Epik (DE-588)4015025-2 gnd Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4193022-8 (DE-588)4015025-2 (DE-588)4043582-9 (DE-588)4049716-1 (DE-588)4012899-4 (DE-588)4143413-4 |
| title | Performing Homer The voyage of Ulysses from epic to opera |
| title_auth | Performing Homer The voyage of Ulysses from epic to opera |
| title_exact_search | Performing Homer The voyage of Ulysses from epic to opera |
| title_exact_search_txtP | Performing Homer The voyage of Ulysses from epic to opera |
| title_full | Performing Homer The voyage of Ulysses from epic to opera Edited by Wendy Heller and Eleonora Stoppino |
| title_fullStr | Performing Homer The voyage of Ulysses from epic to opera Edited by Wendy Heller and Eleonora Stoppino |
| title_full_unstemmed | Performing Homer The voyage of Ulysses from epic to opera Edited by Wendy Heller and Eleonora Stoppino |
| title_short | Performing Homer |
| title_sort | performing homer the voyage of ulysses from epic to opera |
| title_sub | The voyage of Ulysses from epic to opera |
| topic | Homerus ca. v8. Jh. Odyssea (DE-588)4193022-8 gnd Epik (DE-588)4015025-2 gnd Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Homerus ca. v8. Jh. Odyssea Epik Oper Rezeption Drama Aufsatzsammlung |
| work_keys_str_mv | AT hellerwendy performinghomerthevoyageofulyssesfromepictoopera AT stoppinoeleonora performinghomerthevoyageofulyssesfromepictoopera |