Between Renaissance and Neo-Renaissance: Tito Vespasiano Paravicini’s graphic corpus
The importance of a comparative study on the Renaissance and its artistic, cultural and historical reception in the 19th century has been highlighted by several scholars, especially in recent times. Such a comparative approach is characterised by a sort of 'mirror game' in research that is...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Elektronisch Artikel |
Sprache: | English |
Veröffentlicht: |
2023-01-01
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The importance of a comparative study on the Renaissance and its artistic, cultural and historical reception in the 19th century has been highlighted by several scholars, especially in recent times. Such a comparative approach is characterised by a sort of 'mirror game' in research that is useful not only for understanding the 19th-century perception and sensibility in transforming the Italian Renaissance into a framework for developing a national identity, but also for increasing knowledge of the material and immaterial culture of the Renaissance itself. This essay analyses the contribution that the study of the almost unpublished corpus - of around 1,000 drawings - by the Milanese architect Tito Vespasiano Paravicini (1830-1899) has made to the knowledge of specific episodes of Renaissance architecture in Lombardy. Paravicini's work is discussed here not in relation to 19th-century restoration theories or architectural practice (both topics that have been explored at length) but above all in his commitment to testifying to a series of architectures and a decaying landscape in Milan following the Italian unification of 1861. To highlight the importance of Paravicini's graphic collection as a source for the history of architecture, we focus on a selected number of drawings that are crucial for reconstructing important yet misunderstood episodes of the Milanese artistic culture between the 15th and 16th centuries. |
Beschreibung: | 1 Online-Ressource (25 Seiten) Illustrationen |
ISSN: | 2050-5833 |
DOI: | 10.16995/ah.8332 |
Internformat
MARC
LEADER | 00000nma a2200000 c 4500 | ||
---|---|---|---|
001 | BV048819791 | ||
003 | DE-604 | ||
005 | 20230220 | ||
007 | cr|uuu---uuuuu | ||
008 | 230216s2023 |||| o||u| ||||||eng d | ||
024 | 7 | |a 10.16995/ah.8332 |2 doi | |
035 | |a (OCoLC)1371314637 | ||
035 | |a (DE-599)BVBBV048819791 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
100 | 1 | |a Martinis, Roberta |e Verfasser |0 (DE-588)1073175405 |4 aut | |
245 | 1 | 0 | |a Between Renaissance and Neo-Renaissance |b Tito Vespasiano Paravicini’s graphic corpus |c Roberta Martinis (SUPSI University of Applied Sciences and Arts of Southern Switzerland), Edoardo Rossetti (SUPSI University of Applied Sciences and Arts of Southern Switzerland) |
264 | 1 | |c 2023-01-01 | |
300 | |a 1 Online-Ressource (25 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | 3 | |a The importance of a comparative study on the Renaissance and its artistic, cultural and historical reception in the 19th century has been highlighted by several scholars, especially in recent times. Such a comparative approach is characterised by a sort of 'mirror game' in research that is useful not only for understanding the 19th-century perception and sensibility in transforming the Italian Renaissance into a framework for developing a national identity, but also for increasing knowledge of the material and immaterial culture of the Renaissance itself. This essay analyses the contribution that the study of the almost unpublished corpus - of around 1,000 drawings - by the Milanese architect Tito Vespasiano Paravicini (1830-1899) has made to the knowledge of specific episodes of Renaissance architecture in Lombardy. Paravicini's work is discussed here not in relation to 19th-century restoration theories or architectural practice (both topics that have been explored at length) but above all in his commitment to testifying to a series of architectures and a decaying landscape in Milan following the Italian unification of 1861. To highlight the importance of Paravicini's graphic collection as a source for the history of architecture, we focus on a selected number of drawings that are crucial for reconstructing important yet misunderstood episodes of the Milanese artistic culture between the 15th and 16th centuries. | |
600 | 1 | 7 | |a Paravicini, Tito Vespasiano |d 1830-1899 |0 (DE-588)122531361 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Architekturtheorie |0 (DE-588)4112587-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Architektur |0 (DE-588)4002851-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Renaissance |0 (DE-588)4049450-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Bauzeichnung |0 (DE-588)4139167-6 |2 gnd |9 rswk-swf |
651 | 7 | |a Lombardei |0 (DE-588)4036294-2 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Paravicini, Tito Vespasiano |d 1830-1899 |0 (DE-588)122531361 |D p |
689 | 0 | 1 | |a Bauzeichnung |0 (DE-588)4139167-6 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Lombardei |0 (DE-588)4036294-2 |D g |
689 | 1 | 1 | |a Renaissance |0 (DE-588)4049450-0 |D s |
689 | 1 | 2 | |a Architektur |0 (DE-588)4002851-3 |D s |
689 | 1 | 3 | |a Architekturtheorie |0 (DE-588)4112587-3 |D s |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Rossetti, Edoardo |d 1957- |e Verfasser |0 (DE-588)1247864642 |4 aut | |
773 | 1 | 8 | |g volume:10 |g number:1 |g year:2022 |
773 | 0 | 8 | |t Architectural histories / European Architectural History Network, EAHN |d London, 2022 |g Band 10, Heft 1 (2022) |w (DE-604)BV041185030 |x 2050-5833 |o (DE-600)2726365-4 |
856 | 4 | 0 | |q text/html |u https://doi.org/10.16995/ah.8332 |x Verlag |z kostenfrei |3 Volltext |
999 | |a oai:aleph.bib-bvb.de:BVB01-034085534 | ||
941 | |b 10 |h 1 |j 2022 |
Datensatz im Suchindex
_version_ | 1804184911410626560 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV041185030 |
author | Martinis, Roberta Rossetti, Edoardo 1957- |
author_GND | (DE-588)1073175405 (DE-588)1247864642 |
author_facet | Martinis, Roberta Rossetti, Edoardo 1957- |
author_role | aut aut |
author_sort | Martinis, Roberta |
author_variant | r m rm e r er |
building | Verbundindex |
bvnumber | BV048819791 |
ctrlnum | (OCoLC)1371314637 (DE-599)BVBBV048819791 |
doi_str_mv | 10.16995/ah.8332 |
format | Electronic Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03628nma a2200493 c 4500</leader><controlfield tag="001">BV048819791</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230220 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230216s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.16995/ah.8332</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1371314637</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048819791</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Martinis, Roberta</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1073175405</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Between Renaissance and Neo-Renaissance</subfield><subfield code="b">Tito Vespasiano Paravicini’s graphic corpus</subfield><subfield code="c">Roberta Martinis (SUPSI University of Applied Sciences and Arts of Southern Switzerland), Edoardo Rossetti (SUPSI University of Applied Sciences and Arts of Southern Switzerland)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023-01-01</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (25 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The importance of a comparative study on the Renaissance and its artistic, cultural and historical reception in the 19th century has been highlighted by several scholars, especially in recent times. Such a comparative approach is characterised by a sort of 'mirror game' in research that is useful not only for understanding the 19th-century perception and sensibility in transforming the Italian Renaissance into a framework for developing a national identity, but also for increasing knowledge of the material and immaterial culture of the Renaissance itself. This essay analyses the contribution that the study of the almost unpublished corpus - of around 1,000 drawings - by the Milanese architect Tito Vespasiano Paravicini (1830-1899) has made to the knowledge of specific episodes of Renaissance architecture in Lombardy. Paravicini's work is discussed here not in relation to 19th-century restoration theories or architectural practice (both topics that have been explored at length) but above all in his commitment to testifying to a series of architectures and a decaying landscape in Milan following the Italian unification of 1861. To highlight the importance of Paravicini's graphic collection as a source for the history of architecture, we focus on a selected number of drawings that are crucial for reconstructing important yet misunderstood episodes of the Milanese artistic culture between the 15th and 16th centuries.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Paravicini, Tito Vespasiano</subfield><subfield code="d">1830-1899</subfield><subfield code="0">(DE-588)122531361</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Architekturtheorie</subfield><subfield code="0">(DE-588)4112587-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bauzeichnung</subfield><subfield code="0">(DE-588)4139167-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Lombardei</subfield><subfield code="0">(DE-588)4036294-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Paravicini, Tito Vespasiano</subfield><subfield code="d">1830-1899</subfield><subfield code="0">(DE-588)122531361</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Bauzeichnung</subfield><subfield code="0">(DE-588)4139167-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Lombardei</subfield><subfield code="0">(DE-588)4036294-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Architekturtheorie</subfield><subfield code="0">(DE-588)4112587-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rossetti, Edoardo</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1247864642</subfield><subfield code="4">aut</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:10</subfield><subfield code="g">number:1</subfield><subfield code="g">year:2022</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Architectural histories / European Architectural History Network, EAHN</subfield><subfield code="d">London, 2022</subfield><subfield code="g">Band 10, Heft 1 (2022)</subfield><subfield code="w">(DE-604)BV041185030</subfield><subfield code="x">2050-5833</subfield><subfield code="o">(DE-600)2726365-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="q">text/html</subfield><subfield code="u">https://doi.org/10.16995/ah.8332</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034085534</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">10</subfield><subfield code="h">1</subfield><subfield code="j">2022</subfield></datafield></record></collection> |
geographic | Lombardei (DE-588)4036294-2 gnd |
geographic_facet | Lombardei |
id | DE-604.BV048819791 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:32:47Z |
indexdate | 2024-07-10T09:46:52Z |
institution | BVB |
issn | 2050-5833 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034085534 |
oclc_num | 1371314637 |
open_access_boolean | 1 |
owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
physical | 1 Online-Ressource (25 Seiten) Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
record_format | marc |
spelling | Martinis, Roberta Verfasser (DE-588)1073175405 aut Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus Roberta Martinis (SUPSI University of Applied Sciences and Arts of Southern Switzerland), Edoardo Rossetti (SUPSI University of Applied Sciences and Arts of Southern Switzerland) 2023-01-01 1 Online-Ressource (25 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The importance of a comparative study on the Renaissance and its artistic, cultural and historical reception in the 19th century has been highlighted by several scholars, especially in recent times. Such a comparative approach is characterised by a sort of 'mirror game' in research that is useful not only for understanding the 19th-century perception and sensibility in transforming the Italian Renaissance into a framework for developing a national identity, but also for increasing knowledge of the material and immaterial culture of the Renaissance itself. This essay analyses the contribution that the study of the almost unpublished corpus - of around 1,000 drawings - by the Milanese architect Tito Vespasiano Paravicini (1830-1899) has made to the knowledge of specific episodes of Renaissance architecture in Lombardy. Paravicini's work is discussed here not in relation to 19th-century restoration theories or architectural practice (both topics that have been explored at length) but above all in his commitment to testifying to a series of architectures and a decaying landscape in Milan following the Italian unification of 1861. To highlight the importance of Paravicini's graphic collection as a source for the history of architecture, we focus on a selected number of drawings that are crucial for reconstructing important yet misunderstood episodes of the Milanese artistic culture between the 15th and 16th centuries. Paravicini, Tito Vespasiano 1830-1899 (DE-588)122531361 gnd rswk-swf Architekturtheorie (DE-588)4112587-3 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Bauzeichnung (DE-588)4139167-6 gnd rswk-swf Lombardei (DE-588)4036294-2 gnd rswk-swf Paravicini, Tito Vespasiano 1830-1899 (DE-588)122531361 p Bauzeichnung (DE-588)4139167-6 s DE-604 Lombardei (DE-588)4036294-2 g Renaissance (DE-588)4049450-0 s Architektur (DE-588)4002851-3 s Architekturtheorie (DE-588)4112587-3 s Rossetti, Edoardo 1957- Verfasser (DE-588)1247864642 aut volume:10 number:1 year:2022 Architectural histories / European Architectural History Network, EAHN London, 2022 Band 10, Heft 1 (2022) (DE-604)BV041185030 2050-5833 (DE-600)2726365-4 text/html https://doi.org/10.16995/ah.8332 Verlag kostenfrei Volltext |
spellingShingle | Martinis, Roberta Rossetti, Edoardo 1957- Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus Paravicini, Tito Vespasiano 1830-1899 (DE-588)122531361 gnd Architekturtheorie (DE-588)4112587-3 gnd Architektur (DE-588)4002851-3 gnd Renaissance (DE-588)4049450-0 gnd Bauzeichnung (DE-588)4139167-6 gnd |
subject_GND | (DE-588)122531361 (DE-588)4112587-3 (DE-588)4002851-3 (DE-588)4049450-0 (DE-588)4139167-6 (DE-588)4036294-2 |
title | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus |
title_auth | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus |
title_exact_search | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus |
title_exact_search_txtP | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus |
title_full | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus Roberta Martinis (SUPSI University of Applied Sciences and Arts of Southern Switzerland), Edoardo Rossetti (SUPSI University of Applied Sciences and Arts of Southern Switzerland) |
title_fullStr | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus Roberta Martinis (SUPSI University of Applied Sciences and Arts of Southern Switzerland), Edoardo Rossetti (SUPSI University of Applied Sciences and Arts of Southern Switzerland) |
title_full_unstemmed | Between Renaissance and Neo-Renaissance Tito Vespasiano Paravicini’s graphic corpus Roberta Martinis (SUPSI University of Applied Sciences and Arts of Southern Switzerland), Edoardo Rossetti (SUPSI University of Applied Sciences and Arts of Southern Switzerland) |
title_short | Between Renaissance and Neo-Renaissance |
title_sort | between renaissance and neo renaissance tito vespasiano paravicini s graphic corpus |
title_sub | Tito Vespasiano Paravicini’s graphic corpus |
topic | Paravicini, Tito Vespasiano 1830-1899 (DE-588)122531361 gnd Architekturtheorie (DE-588)4112587-3 gnd Architektur (DE-588)4002851-3 gnd Renaissance (DE-588)4049450-0 gnd Bauzeichnung (DE-588)4139167-6 gnd |
topic_facet | Paravicini, Tito Vespasiano 1830-1899 Architekturtheorie Architektur Renaissance Bauzeichnung Lombardei |
url | https://doi.org/10.16995/ah.8332 |
work_keys_str_mv | AT martinisroberta betweenrenaissanceandneorenaissancetitovespasianoparavicinisgraphiccorpus AT rossettiedoardo betweenrenaissanceandneorenaissancetitovespasianoparavicinisgraphiccorpus |