Durational cinema: a short history of long films
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cham, Switzerland
Palgrave Macmillan
[2022]
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| Series: | Experimental film and artists' moving image
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | xiii, 289 Seiten |
| ISBN: | 9783030760915 |
| ISSN: | 2523-7535 |
Staff View
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Record in the Search Index
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Contents 1 1 Introduction Part I First Wave: New York in the 1960s 21 2 Andy Warhol’s Sleep. Duration as Subtraction 23 3 Ken Jacobs’ Star Spangled to Death: Duration and Social Disgust 43 4 James Benning: Minimal, Ultra-Minimal, Beyond the Zero, and Multiple 67 Part II Second Wave: Europe After 1968 85 5 Chantal Akerman 1: A Durational City Symphony 6 Durassian Duration: Love, Loss, and Longing 107 7 Claude Lanzmann: Duration and Gravitas 131 8 Jean-Marie Straub and Daniele Huillet: The Deep Time of Duration 149 87
xii CONTENTS Part III Third Wave: The Twenty-First Century and the Digital Era 9 Chantal Akerman II: 35 Years on the Durational Plane 173 175 10 David Claerbout: Duration and Heterochrony 191 11 Lav Diaz and the Durational Sublime 203 12 Wang Bing: Duration, Deindustrialization, and Industrial Work-Discipline 225 13 Kevin Jerome Everson: Duration and the Black Working Class 249 14 Conclusion Index 265 273
EXPERIMENTAL FILM AND ARTISTS' MOVING IMAGE Series Editors: Kim Knowles · Jonathan Walley This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing. Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol's durational cinema of subtraction is quite different from Jacobs's durational cinema of social disgust, while Lav Diaz' durational sublime is quite different from Kevin Jerome Everson's unblinking studies of African-American working people. Michael Walsh was born in London of Irish immigrant parents and educated at Sussex, UK, and Buffalo, USA. He has chaired Cinema Departments at Binghamton University, USA, and University of Hartford, USA, where he is currently Associate Professor. He has published widely on film, literature, and theory. |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Kommunikationswesen Literaturwissenschaft |
| discipline_str_mv | Allgemeines Kommunikationswesen Literaturwissenschaft |
| era | Geschichte 1960- gnd Geschichte 1960-2020 gnd |
| era_facet | Geschichte 1960- Geschichte 1960-2020 |
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| index_date | 2024-07-03T21:32:19Z |
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| institution | BVB |
| isbn | 9783030760915 |
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| spelling | Walsh, Michael Verfasser aut Durational cinema a short history of long films Michael Walsh Cham, Switzerland Palgrave Macmillan [2022] © 2022 xiii, 289 Seiten txt rdacontent n rdamedia nc rdacarrier Experimental film and artists' moving image 2523-7535 Geschichte 1960- gnd rswk-swf Geschichte 1960-2020 gnd rswk-swf Experimental Film Film and TV History Film Theory Experimental films Motion pictures—History Motion pictures Dauer (DE-588)4219411-8 gnd rswk-swf Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf New York, NY (DE-588)4042011-5 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Philippinen (DE-588)4045771-0 gnd rswk-swf Experimentalfilm (DE-588)4153359-8 s Geschichte 1960- z DE-604 Europa (DE-588)4015701-5 g China (DE-588)4009937-4 g New York, NY (DE-588)4042011-5 g Philippinen (DE-588)4045771-0 g Dauer (DE-588)4219411-8 s Geschichte 1960-2020 z Erscheint auch als Online-Ausgabe 978-3-030-76092-2 (DE-604)BV048638233 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034084030&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034084030&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Walsh, Michael Durational cinema a short history of long films Experimental Film Film and TV History Film Theory Experimental films Motion pictures—History Motion pictures Dauer (DE-588)4219411-8 gnd Experimentalfilm (DE-588)4153359-8 gnd |
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| title | Durational cinema a short history of long films |
| title_auth | Durational cinema a short history of long films |
| title_exact_search | Durational cinema a short history of long films |
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| title_full | Durational cinema a short history of long films Michael Walsh |
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| title_short | Durational cinema |
| title_sort | durational cinema a short history of long films |
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