Always different, always the same: critical essays on The Fall
The Fall were one of the most influential bands to emerge in the British post-punk scene. This groundbreaking text is a thorough and critical examination drawing on a wide variety of disciplines including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and fil...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Rowman & Littlefield Publishers
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Fall were one of the most influential bands to emerge in the British post-punk scene. This groundbreaking text is a thorough and critical examination drawing on a wide variety of disciplines including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies |
| Beschreibung: | XI, 271 Seiten Illustrationen |
| ISBN: | 9781538165355 |
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| 505 | 8 | |a Cover -- Contents -- Acknowledgments -- Introduction -- Motherhood, Work, and Resistance -- "Package Labeled Colored" -- Invisible Labor, Partnership, and Resistance -- Poetic Representations of Working Women -- "Eschew[ing] the Polaroid Instant" -- Memory at Work -- Decoration as a Form of Self-Care -- Immigrant Working Women in Metropolitans -- Cutting and Contriving -- Wife, Woman, and Breadwinner -- Visual Representation of Working Women -- (In)Visible Bodies -- Working Black Women and the Performance of Racial Uplift in the Netflix Series Self Made: -- Clocking in and Clocking out | |
| 505 | 8 | |a Index -- About the Contributors | |
| 520 | 3 | |a The Fall were one of the most influential bands to emerge in the British post-punk scene. This groundbreaking text is a thorough and critical examination drawing on a wide variety of disciplines including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Foreword Gavin Friday vii Introduction: Mr Sociological Memory Man... Martin J. Power and Eoin Devereux 1 Spoiling all the Paintwork: Mark E. Smith, Art Renegade K. A. Laity 2 Suzanne Smith in Conversation with Eoin Devereux 3 ‘A letter so simple, yet disgusting in a stroke’ : Writing-out the (Typo)Graphic Strangeness of The Fall Paul Wilson 1 9 25 41 4 Psykick Dancehall: The Paranormal Strategies of Mark E. Smith and The Fall 61 Ben Lawley 5 ‘You can leave me on the shelf’: The Death of The Fall and Mark E. Smith Martin Myers 83 6 Dead Beat Descendant: Mark E. Smith’s Life, Death, and Mourning as a Cult Hero 101 John Fleming 7 “What’s a computer?” Intuition Meets the Science Law in a Complete Fall Lyrics Corpus Matt Davies v 119
Contents vi 8 9 Searching for the Right Word or Phrase that Would Put a Chill Up the Spine: A Corpus-based Discourse Analysis of Mark E. Smith’s Lyrics Elaine Vaughan, Brian Clancy, and Eoin Devereux 149 I Am Damo Suzuki Lost in Music (Dub) Mike Glennon 171 10 Remembrancer/Rememorator/Amorator!: The Remainderer EP and the Roots of The Fall’s Late Obscurity 185 Samuel Flannagan 11 Linguistic Perversion: Ezra Pound and The Fall Kieran Cashed 12 The Fall and Ireland: What a Manchester Band Can Tell Us about Ireland and Its Music Scene Michael Mary Murphy 13 The Madness in My Area: Montagu Lomax and the Psychodrama of The Fall: An Examination of the Use of Psychiatric Imagery in ‘Early Fall ’77-’79’ David Meagher and John McFarland 203 231 245 Index 257 About the Editors and Contributors 267
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| adam_txt |
Contents Foreword Gavin Friday vii Introduction: Mr Sociological Memory Man. Martin J. Power and Eoin Devereux 1 Spoiling all the Paintwork: Mark E. Smith, Art Renegade K. A. Laity 2 Suzanne Smith in Conversation with Eoin Devereux 3 ‘A letter so simple, yet disgusting in a stroke’ : Writing-out the (Typo)Graphic Strangeness of The Fall Paul Wilson 1 9 25 41 4 Psykick Dancehall: The Paranormal Strategies of Mark E. Smith and The Fall 61 Ben Lawley 5 ‘You can leave me on the shelf’: The Death of The Fall and Mark E. Smith Martin Myers 83 6 Dead Beat Descendant: Mark E. Smith’s Life, Death, and Mourning as a Cult Hero 101 John Fleming 7 “What’s a computer?” Intuition Meets the Science Law in a Complete Fall Lyrics Corpus Matt Davies v 119
Contents vi 8 9 Searching for the Right Word or Phrase that Would Put a Chill Up the Spine: A Corpus-based Discourse Analysis of Mark E. Smith’s Lyrics Elaine Vaughan, Brian Clancy, and Eoin Devereux 149 I Am Damo Suzuki Lost in Music (Dub) Mike Glennon 171 10 Remembrancer/Rememorator/Amorator!: The Remainderer EP and the Roots of The Fall’s Late Obscurity 185 Samuel Flannagan 11 Linguistic Perversion: Ezra Pound and The Fall Kieran Cashed 12 The Fall and Ireland: What a Manchester Band Can Tell Us about Ireland and Its Music Scene Michael Mary Murphy 13 The Madness in My Area: Montagu Lomax and the Psychodrama of The Fall: An Examination of the Use of Psychiatric Imagery in ‘Early Fall ’77-’79’ David Meagher and John McFarland 203 231 245 Index 257 About the Editors and Contributors 267 |
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| contents | Cover -- Contents -- Acknowledgments -- Introduction -- Motherhood, Work, and Resistance -- "Package Labeled Colored" -- Invisible Labor, Partnership, and Resistance -- Poetic Representations of Working Women -- "Eschew[ing] the Polaroid Instant" -- Memory at Work -- Decoration as a Form of Self-Care -- Immigrant Working Women in Metropolitans -- Cutting and Contriving -- Wife, Woman, and Breadwinner -- Visual Representation of Working Women -- (In)Visible Bodies -- Working Black Women and the Performance of Racial Uplift in the Netflix Series Self Made: -- Clocking in and Clocking out Index -- About the Contributors |
| ctrlnum | (OCoLC)1374572426 (DE-599)BVBBV048815927 |
| era | Geschichte gnd |
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| spelling | Always different, always the same critical essays on The Fall edited by Eoin Devereux and Martin J. Power Lanham ; Boulder ; New York ; London Rowman & Littlefield Publishers 2023 XI, 271 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cover -- Contents -- Acknowledgments -- Introduction -- Motherhood, Work, and Resistance -- "Package Labeled Colored" -- Invisible Labor, Partnership, and Resistance -- Poetic Representations of Working Women -- "Eschew[ing] the Polaroid Instant" -- Memory at Work -- Decoration as a Form of Self-Care -- Immigrant Working Women in Metropolitans -- Cutting and Contriving -- Wife, Woman, and Breadwinner -- Visual Representation of Working Women -- (In)Visible Bodies -- Working Black Women and the Performance of Racial Uplift in the Netflix Series Self Made: -- Clocking in and Clocking out Index -- About the Contributors The Fall were one of the most influential bands to emerge in the British post-punk scene. This groundbreaking text is a thorough and critical examination drawing on a wide variety of disciplines including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies Fall Musikgruppe (DE-588)10279724-9 gnd rswk-swf Geschichte gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fall Musikgruppe (DE-588)10279724-9 b Geschichte z DE-604 Devereux, Eoin (DE-588)1117818454 edt Power, Martin J. (DE-588)102265179X edt Erscheint auch als Online-Ausgabe, EPUB 978-1-5381-6535-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034081757&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Always different, always the same critical essays on The Fall Cover -- Contents -- Acknowledgments -- Introduction -- Motherhood, Work, and Resistance -- "Package Labeled Colored" -- Invisible Labor, Partnership, and Resistance -- Poetic Representations of Working Women -- "Eschew[ing] the Polaroid Instant" -- Memory at Work -- Decoration as a Form of Self-Care -- Immigrant Working Women in Metropolitans -- Cutting and Contriving -- Wife, Woman, and Breadwinner -- Visual Representation of Working Women -- (In)Visible Bodies -- Working Black Women and the Performance of Racial Uplift in the Netflix Series Self Made: -- Clocking in and Clocking out Index -- About the Contributors Fall Musikgruppe (DE-588)10279724-9 gnd |
| subject_GND | (DE-588)10279724-9 (DE-588)4143413-4 |
| title | Always different, always the same critical essays on The Fall |
| title_auth | Always different, always the same critical essays on The Fall |
| title_exact_search | Always different, always the same critical essays on The Fall |
| title_exact_search_txtP | Always different, always the same critical essays on The Fall |
| title_full | Always different, always the same critical essays on The Fall edited by Eoin Devereux and Martin J. Power |
| title_fullStr | Always different, always the same critical essays on The Fall edited by Eoin Devereux and Martin J. Power |
| title_full_unstemmed | Always different, always the same critical essays on The Fall edited by Eoin Devereux and Martin J. Power |
| title_short | Always different, always the same |
| title_sort | always different always the same critical essays on the fall |
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| topic | Fall Musikgruppe (DE-588)10279724-9 gnd |
| topic_facet | Fall Musikgruppe Aufsatzsammlung |
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