One-track mind: capitalism, technology, and the art of the pop song
"The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Cult...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Schriftenreihe: | Ashgate popular folk and music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"-- |
| Beschreibung: | XII, 293 Seiten Illustrationen, Porträts |
| ISBN: | 9780367553722 9780367553739 |
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| 505 | 8 | |a One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi | |
| 520 | 3 | |a "The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"-- | |
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Datensatz im Suchindex
| _version_ | 1804184904487927808 |
|---|---|
| adam_text | Contents List offigures Notes on contributors Acknowledgments vii ix xiii One-Track Mind: An Introduction 1 ASIF SIDDIQI 1 Le Grand Kalle and African Jazz—“Indépendance Cha Cha” (1960) 11 SIMON ZAGORSKI-THOMAS 2 Gerald Wilson—“Viva Tirado” (1962) 26 OLIVER WANG 3 Moby Grape—“Omaha” (1967) 43 SUSAN SCHMIDT HORNING 4 Led Zeppelin—“Immigrant Song” (1970) 62 ESTHER LIBERMAN CUENCA 5 David Bowie—“Rebel Rebel” (1974) 79 GLENN HENDLER 6 Donna Summer—“I Feel Love” (1977) 95 SIMON REYNOLDS 7 X-Ray Spex—“Oh Bondage! Up Yours!” (1977) HELEN REDDINGTON 110
vi Contents 8 Prince—“When You Were Mine” (1980) 128 SCOTT POULSON-BRYANT 9 Neil Young—“Transformer Man” (1982) 140 GEORGE PLASKETES 10 The Replacements—“Unsatisfied” (1984) 161 GINA ARNOLD 11 NWA —“F- tha Police” (1988) 172 AUSTIN MCCOY 12 Salt-N-Pepa֊֊“Shoop” (1993) 190 AMY CODDINGTON 13 Hanson—“Mmmbop” (1997) 204 LOUIE DEAN VALENCIA 14 Elton John—“Candle in the Wind 1997” (1997) 225 CHRISTINE CACCIPUOTI 15 LCD Soundsystem—“All My Friends” (2007) 243 GABRIELLE CORNISH 16 MIA—“Paper Planes” (2007) 259 ASIF SIDDIQI Index 277
|
| adam_txt |
Contents List offigures Notes on contributors Acknowledgments vii ix xiii One-Track Mind: An Introduction 1 ASIF SIDDIQI 1 Le Grand Kalle and African Jazz—“Indépendance Cha Cha” (1960) 11 SIMON ZAGORSKI-THOMAS 2 Gerald Wilson—“Viva Tirado” (1962) 26 OLIVER WANG 3 Moby Grape—“Omaha” (1967) 43 SUSAN SCHMIDT HORNING 4 Led Zeppelin—“Immigrant Song” (1970) 62 ESTHER LIBERMAN CUENCA 5 David Bowie—“Rebel Rebel” (1974) 79 GLENN HENDLER 6 Donna Summer—“I Feel Love” (1977) 95 SIMON REYNOLDS 7 X-Ray Spex—“Oh Bondage! Up Yours!” (1977) HELEN REDDINGTON 110
vi Contents 8 Prince—“When You Were Mine” (1980) 128 SCOTT POULSON-BRYANT 9 Neil Young—“Transformer Man” (1982) 140 GEORGE PLASKETES 10 The Replacements—“Unsatisfied” (1984) 161 GINA ARNOLD 11 NWA —“F- tha Police” (1988) 172 AUSTIN MCCOY 12 Salt-N-Pepa֊֊“Shoop” (1993) 190 AMY CODDINGTON 13 Hanson—“Mmmbop” (1997) 204 LOUIE DEAN VALENCIA 14 Elton John—“Candle in the Wind 1997” (1997) 225 CHRISTINE CACCIPUOTI 15 LCD Soundsystem—“All My Friends” (2007) 243 GABRIELLE CORNISH 16 MIA—“Paper Planes” (2007) 259 ASIF SIDDIQI Index 277 |
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| bvnumber | BV048815912 |
| contents | One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi |
| ctrlnum | (OCoLC)1345276588 (DE-599)BVBBV048815912 |
| era | Geschichte 1960-2007 gnd |
| era_facet | Geschichte 1960-2007 |
| format | Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2019 New York, NY gnd-content |
| genre_facet | Konferenzschrift 2019 New York, NY |
| id | DE-604.BV048815912 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:31:30Z |
| indexdate | 2024-07-10T09:46:45Z |
| institution | BVB |
| isbn | 9780367553722 9780367553739 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034081742 |
| oclc_num | 1345276588 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XII, 293 Seiten Illustrationen, Porträts |
| psigel | BSB_NED_20230614 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge |
| record_format | marc |
| series2 | Ashgate popular folk and music series |
| spelling | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi London ; New York Routledge 2023 XII, 293 Seiten Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier Ashgate popular folk and music series One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi "The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"-- Geschichte 1960-2007 gnd rswk-swf Popsong (DE-588)4126346-7 gnd rswk-swf Kapitalismus (DE-588)4029577-1 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Popular music / History and criticism Musique populaire / Histoire et critique Popular music Criticism, interpretation, etc (DE-588)1071861417 Konferenzschrift 2019 New York, NY gnd-content Popsong (DE-588)4126346-7 s Kapitalismus (DE-588)4029577-1 s Musikalischer Stil (DE-588)4170806-4 s Technischer Fortschritt (DE-588)4059252-2 s Sozialer Wandel (DE-588)4077587-2 s Geschichte 1960-2007 z DE-604 Siddiqi, Asif A. 1966- (DE-588)141817925 edt Äquivalent Druck-Ausgabe, Paperback 978-0-367-55373-9 Erscheint auch als Online-Ausgabe 978-1-00-309320-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034081742&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | One-track mind capitalism, technology, and the art of the pop song One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi Popsong (DE-588)4126346-7 gnd Kapitalismus (DE-588)4029577-1 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Sozialer Wandel (DE-588)4077587-2 gnd Musikalischer Stil (DE-588)4170806-4 gnd |
| subject_GND | (DE-588)4126346-7 (DE-588)4029577-1 (DE-588)4059252-2 (DE-588)4077587-2 (DE-588)4170806-4 (DE-588)1071861417 |
| title | One-track mind capitalism, technology, and the art of the pop song |
| title_auth | One-track mind capitalism, technology, and the art of the pop song |
| title_exact_search | One-track mind capitalism, technology, and the art of the pop song |
| title_exact_search_txtP | One-track mind capitalism, technology, and the art of the pop song |
| title_full | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi |
| title_fullStr | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi |
| title_full_unstemmed | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi |
| title_short | One-track mind |
| title_sort | one track mind capitalism technology and the art of the pop song |
| title_sub | capitalism, technology, and the art of the pop song |
| topic | Popsong (DE-588)4126346-7 gnd Kapitalismus (DE-588)4029577-1 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Sozialer Wandel (DE-588)4077587-2 gnd Musikalischer Stil (DE-588)4170806-4 gnd |
| topic_facet | Popsong Kapitalismus Technischer Fortschritt Sozialer Wandel Musikalischer Stil Konferenzschrift 2019 New York, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034081742&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT siddiqiasifa onetrackmindcapitalismtechnologyandtheartofthepopsong |